| Content | Flat rubber belt Original Thakker for Technics SL-B 20, SL-BD2, SL-BD21, SL-BD22, PANASONIC SG-300 and more
- Periphery Length: 600 mm
- Circumference: 600 mm
- Diameter : 191mm
Thickness : 0.3 mm
Width: 5 mmSuitable for the :Turntable, Akai: AP-10-C BIC: SL-3200 BSR: TB-33, Fisher: MT-30/C, MT-35, MT-37, MT-710, MT-730, MT-6114, MT-6115, MT-6117, MT-6118, MT-6210, MT-6211, MT-6310, MT-6410/C, MT-M23 JVC: AL-A1, AL-A1BKX, AL-F330, AL-F350/BK7BKX, JL-A1, JL-A20, JL-F30, JL-F35, L-AX3, L-A100, L-A120.LA-10.L-L1 Kenwood: 4033-TT, JP-2021, KD-2033, KD-2055, KD-2500, KD-3022, KD-3033, KD-3055, KP-1022, KP-2021, KP-3021, KP-3120, KR-2035 Marantz: MRT625 JCPenney (MCS): 1090-4548, 6500, 6502, 6503, 6710 (not 683-6710), 6725, 683-6500, 683-6502, 853-5759, MCS-6203, MCS-6500, MCS-6502 Pioneer: C-4500, C-4600, C-5600D, ES-2000, FD-3. KEB-004, KEB-006, KH-3355, KH-3500, KH-5522A, KH-8833, KH-8855, M-6000, M-6500, MX-40, MX-80, N28-612, N28-616, P-600, P-700, P-4000, PL-2/A/E, PL-10, PL-12A/D/DII/E/PV, PL-15C/D/R/III, PL-16, PL-25, PL-31D, PL-45D, PL-61, PL-100, PL-1OOX, PL-112D, PL-115D, PL-117D, PL-120, PL-155, PL-200X, PL-220, PL-230, PL-320, PL-510, PL-512/X, PL-514/X/XD, PL-516, PL-518X, PL-560, PL-990, PL-2200, PL-A25, PL-A26, PL-A30, PL-A35, PL-A45/D, PL-B12, PL-X21Z, PL-X100 Project 1: Project 1. Radio Shack/Realistic: LAB-250, LAB-270, LAB-340, LAB-1500, R-8010. Sansui: FR-3060, SR-2020/BC, SR-3030/BC, SR-3060, SR-4040, SR-4050/C, 6032170. CEARS SA 801, Sherwood: ST-875, PD-913R. Sony: AV-1700, EX-1K, EX-1M, EX-2K, HMK-313, P-5550, PS-1000, PS-1010, PS-1450, PS-1700, PS-1800, PS-1800A, PS-2350, PS-2700, PS-5100, PS-5520, PS-5550, PS-LX150H, TTS-3000 Technics/Panasonic: HM42, SAHD-52, SC-1600B, SF-GB029-1,S6-2220, SG-4000, SG-D10, SG-D15/AL, SG-D16, SG-D30, SG-D35, SG-J555, SG-J600, SJY90080-3, SL-3, SL-18, SL-20, SL-42, SL-200K, SL-21O/A/M//MC, SL-220/A/M/MC, SL-230/A/M/MC, SL-235/A/M/MC, SL-301MMC, SL-B3, SL-B10, SL-B20, SL-B100, SL-B101, SL-B205, SL-B210, SL-B210-1, SL-B220, SL-B303, SL-BD1, SL-BD2, SL-BD21, SL-BD27, SL-BD27U, SL-BL3, SL-DD3/B, SL-H204, SL-J1, SL-L20. Toshiba: SR-250, SR-F450, SR-F451, SR-F452, SRF-100 Yamaha: P-05, P-10, P-30, P-200, P-320, P-350, P-450
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For DJs and performers that need to bring a variety of tools and equipment to each performance, the Digibag is a great all-purpose solution. With a multitude of different pockets and compartments, the Digibag can easily accommodate a laptop, audio interface, cables, vinyl records, and various other accessories – simultaneously. The Digibag also includes a special laptop sleeve, which can protect personal computers and other sensitive equipment. Adding to its convenience is a variety of carrying options, including backpack-style straps, a rugged shoulder strap, and a reinforced handle. The Digibag can also be attached to a telescoping handle found on common luggage (or on our LP Trolley 90), and features an embroidered Ortofon logo on both the shoulder strap and on the front of the bag.
| DJ hygiene from A to Z with Reloop's professional DJ Cleaning Set MK2. Everything for the professional cleaning of records, CDs and cartridges is accommodated in a convenient softcase. A better sound and longer durability of records, CDs and cartridges are guaranteed!
features:
* Complete cleaning set for LPs, CDs and styli
* Set consists of:
1 x Reloop carbon record brush gold
1 x Reloop cleaning brush for needles
1 x Reloop anti-static cleaning cloth
1 x Reloop vinyl cleaning fluid 20 ml
1 x Reloop stylus cleaning fluid 20 ml | Pitch Fader MK2 / M3D / LTD
Replacement Variable Resistor Pitch Control SFDZ122N11/SFDZ122N11-2 V2
Fits every Technics SL-1200 & SL-1210 MK2, M3D and LTD. This pitchfader has a 'click' at the zero position (original configuration).
This is a brand new and improved version of the original Technics spare part (previous articlenumbers: SFDZ122N11 and SFDZ122N11-2), made by Alps Japan: the company that previously made all the faders for Panasonic/Technics. |
Crystal Oscillator | The Freefloat looks like a cheerful inflatable cushion for use on the beach, in the bath or in the car. Which it is NOT.
Place the Freefloat under your turntable and discover that it can solve your problem: the Freefloat is a combined shock absorption and stabilizer system.
The absorption is caused by the elasticity and rolling effect of the air balls on the four corners. Linking those four balls via diagonal air tubes with a fifth ball in the centre causes the stabilization. Through the correct combination of flexibility (hardness of the balls), stability (hardness of the tubes) and positioning of the balls in relation to your turntable the Freefloat achieves optimum absorption of environmental shocks.
The Freefloat`s calculated use of air and elasticity stifles shocks and vibrations. You`ll find that the Freefloat has more than one setting to help you control the way your booth moves and the way the sound system influences your sound, depending on the booth`s location.
What`s the result?By using the Freefloat the turntable`s tendency to skip is reduced by a factor 10 to 20. In addition, you can play at a higher volume than previously while retaining the complete frequency range before the first rumble occurs (around 20 to 30 dBu!) Which means...The manufacturers have decided to market the Freefloat at a very reasonable price.
A Freefloat for every DJ - that`s the idea. For the Freefloat is extremely user friendly. And the Freefloat provides maximum sound perception for every DJ and raver. Everyone can now echo Tiësto, heaving a sigh of relief: `Freefloat SAVED my party` HoweverThe Freefloat is ONLY for PROFESSIONALS.
Do not expect your Freefloat to work miracles in a lousy working environment. A good DJ DEMANDS from the organization that his place of work is OK. Of course your Freefloat cannot compensate for a very wobbly base. The Freefloatô must also be entirely freestanding.
The shock absorption suffers, for example, if badly concealed wires rub up against your Freefloat. You`ll hear the difference INSTANTLY: the bass frequencies are tighter and you don`t need to make as many electronic adjustments. The sound is more dynamic, and the audience experiences this better sound. Feel free to groove along with them - dancing and jumping behind your turntable causes no problem. |
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