BSS BLU-HIF Telephone Headset Interface

Discontinued

322.39 incl. GR VAT

Out of stock

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The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming […]

 

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The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming requirements associated with third-party control systems, while providing a familiar and low-cost dialing interface to the end user.

The BLU-HIF features an RJ-22 jack for connection to the headset jack of a VoIP/digital phone, a balanced input (Tx) for sending near-side audio, and a balanced output (Rx) for receiving far-side audio. While the BLU-HIF provides substantial isolation of the Rx and Tx signals, near-side audio will still be heard on the Rx channel due to the presence of side-tone. As such, BSS Audio recommends always feeding the Rx channel to an AEC input, as opposed to a standard analog input. The AEC algorithm will remove the side-tone. The Tx channel connects to a standard analog output.

The wiring configuration within the headset jack of a VoIP/digital phone often differs, depending on the manufacturer. The BLU-HIF comes with two cables whose 4P4C RJ-22 connectors are compatible with the two most common wiring configurations found in the headset jack of VoIP/digital phones.

The additional 2.5mm jack facilitates connection of two-way communication devices such as cellular phones to the Soundweb London device. This gives the end user the advantage of having an alternate communication path to the outside world, which is particularly useful as a backup to the main phone system.

KEY FEATURES:

  • RJ-22 Jack for Connection to Headset Jack of VoIP/Digital Phone
  • 1 Balanced Analog Input, 1 Balanced Analog Output for Connection to Soundweb London Device
  • 2.5mm Jack for Alternate Connection to Cellular Phone with TRS Headset Jack
  • Two Cables with Different Wiring Configurations for Quick Compatibility with Most VoIP/Digital Phones (included)
  • Rugged Metal Chassis
  • Surface/Under-Table Mountable
Weight 0.79 kg

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BSS BLU-HIF Telephone Headset Interface removeShure DP11EQE with Gate, Expander removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
NameBSS BLU-HIF Telephone Headset Interface removeShure DP11EQE with Gate, Expander removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
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SKUZ-BLUHIFDP11EQEE005263E005281DBX 266XSE005314
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Description
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The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming requirements associated with third-party control systems, while providing a familiar and low-cost dialing interface to the end user.

The BLU-HIF features an RJ-22 jack for connection to the headset jack of a VoIP/digital phone, a balanced input (Tx) for sending near-side audio, and a balanced output (Rx) for receiving far-side audio. While the BLU-HIF provides substantial isolation of the Rx and Tx signals, near-side audio will still be heard on the Rx channel due to the presence of side-tone. As such, BSS Audio recommends always feeding the Rx channel to an AEC input, as opposed to a standard analog input. The AEC algorithm will remove the side-tone. The Tx channel connects to a standard analog output.

The wiring configuration within the headset jack of a VoIP/digital phone often differs, depending on the manufacturer. The BLU-HIF comes with two cables whose 4P4C RJ-22 connectors are compatible with the two most common wiring configurations found in the headset jack of VoIP/digital phones.

The additional 2.5mm jack facilitates connection of two-way communication devices such as cellular phones to the Soundweb London device. This gives the end user the advantage of having an alternate communication path to the outside world, which is particularly useful as a backup to the main phone system.


KEY FEATURES:


  • RJ-22 Jack for Connection to Headset Jack of VoIP/Digital Phone

  • 1 Balanced Analog Input, 1 Balanced Analog Output for Connection to Soundweb London Device

  • 2.5mm Jack for Alternate Connection to Cellular Phone with TRS Headset Jack

  • Two Cables with Different Wiring Configurations for Quick Compatibility with Most VoIP/Digital Phones (included)

  • Rugged Metal Chassis

  • Surface/Under-Table Mountable

Shure DP11EQE Dynamics Processor Specification:

    GENERAL:
        Frequency Response: 20 to 20k Hz +/- 1.0 dB re 1 kHz
        Dynamic Range: 104 dB minimum, A-weighted, 20 Hz to 20 kHz
        Sampling Rate: 48 kHz
        Digital-to-Analog, Analog-to-Digital Conversion: 20 bit resolution
    Voltage Gain:
        1 dB +/- 1dB (power off)
        12 dB +/- 2 dB (input 10 dBV, output +4 dBu)
        12 dB +/- 2 dB (input +4 dBu, output 10 dBv)
        0 dB +/- 2 dB (equal input and output sensitivities)
    Impedance:
        Input: 47 kilohms +/- 20% actual
        Output: 120 ohms +/- 20% actual
    Input Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Output Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Total Harmonic Distortion
            LED Signal Indicators
        Signal: 40 dB
        Clip: 6 dB down from input clipping
    Propagation Delay from Input to Ouput
        0.8 ms (all filters flat, no dynamics processing, 0 ms delay), up to 2.1 ms (all processing enabled)
    Polarity
        Input to output: inverting optional (default: non-inverting)
        XLR: pin 2 positive with respect to pin 3
        1/4-inch TRS: tip positive with respect to ring
    Operating Voltage
        DP11EQ: 120 Vac, 50/60 Hz, 50 mA max
        DP11EQE: 230 Vac, 50/60 Hz, 25 mA max
        DP11EQJ: 100 Vac, 50/60 Hz, 50 mA max
    Temperature Range
        Operating: 0 degrees to 60 degrees C (32 degrees to 140 degrees F)
    Fuse
        DP11EQ: 120 Vac. Fuse: 100 mA, 250V time delay
        DP11EQE: 230 Vac. Fuse: 50 mA, 250 V time delay
        DP11EQJ: 100 Vac. Fuse: 100 mA, 250 V time delay
    Dimensions
        219 mm x 137 mm x 44 mm (8-5/8 in x 5-3/8 in x 1-3/4 in)
        Weight: 930 g (2.05 lbs)
    DYNAMICS PROCESSOR
        Gate and Expander:
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Gate Hold Time: 0 to 0.5 seconds
    AGC Leveler
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0.2 to 3 seconds
        Decay: 0.5 to 5 seconds
        Hinge: Threshold to 1 dB, 0.5 dB resolution
    Compressor and Limiter
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Knee: Hard or Soft selectable
    No Overshoot Peak Limiter
        Propagation delay: 1 ms
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0 msDecay: 100 ms
    PARAMETRIC EQUALIZER
        Parametric Filter Frequency Bands
        Up to 9 bands, variable frequency, variable Q
    Boost/Cut Range
        +6 dB to 18 dB per band
        Q Range
        1/40-octave to 2 octave
    High and Low Shelf/Cut Filters
        Shelf, +6 to 18 dB per filter
        Cut, 12 dB per octave nominal
    DELAY
        Up to 1.3 seconds, 21 microsecond resolution

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

Weight0.79 kg3.00 kg3.50 kg1.90 kg3.00 kg3.45 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.79 kg
Weight 3.00 kg
Weight 3.50 kg
Weight 1.90 kg
Weight 3.00 kg
Weight 3.45 kg