BSS BLU-HIF Telephone Headset Interface

Discontinued

322.00 incl. GR VAT

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The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming […]

 

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The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming requirements associated with third-party control systems, while providing a familiar and low-cost dialing interface to the end user.

The BLU-HIF features an RJ-22 jack for connection to the headset jack of a VoIP/digital phone, a balanced input (Tx) for sending near-side audio, and a balanced output (Rx) for receiving far-side audio. While the BLU-HIF provides substantial isolation of the Rx and Tx signals, near-side audio will still be heard on the Rx channel due to the presence of side-tone. As such, BSS Audio recommends always feeding the Rx channel to an AEC input, as opposed to a standard analog input. The AEC algorithm will remove the side-tone. The Tx channel connects to a standard analog output.

The wiring configuration within the headset jack of a VoIP/digital phone often differs, depending on the manufacturer. The BLU-HIF comes with two cables whose 4P4C RJ-22 connectors are compatible with the two most common wiring configurations found in the headset jack of VoIP/digital phones.

The additional 2.5mm jack facilitates connection of two-way communication devices such as cellular phones to the Soundweb London device. This gives the end user the advantage of having an alternate communication path to the outside world, which is particularly useful as a backup to the main phone system.

KEY FEATURES:

  • RJ-22 Jack for Connection to Headset Jack of VoIP/Digital Phone
  • 1 Balanced Analog Input, 1 Balanced Analog Output for Connection to Soundweb London Device
  • 2.5mm Jack for Alternate Connection to Cellular Phone with TRS Headset Jack
  • Two Cables with Different Wiring Configurations for Quick Compatibility with Most VoIP/Digital Phones (included)
  • Rugged Metal Chassis
  • Surface/Under-Table Mountable
Weight 0.79 kg

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BSS BLU-HIF Telephone Headset Interface removeDBX 1046 COMPRESSOR/LIMITER 4 IN removeBSS DPR-504 QUAD NOISE GATE removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeALPHATON FC-100 FEEDBACK CONTROLLER removeDBX 266XS COMPRESSOR/GATE 2CH remove
NameBSS BLU-HIF Telephone Headset Interface removeDBX 1046 COMPRESSOR/LIMITER 4 IN removeBSS DPR-504 QUAD NOISE GATE removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeALPHATON FC-100 FEEDBACK CONTROLLER removeDBX 266XS COMPRESSOR/GATE 2CH remove
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SKUZ-BLUHIFDBX 1046DPR-504E005314FC-100DBX 266XS
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Description
Content

The BSS Audio BLU-HIF Telephone Headset Interface facilitates connection of the headset jack of a VoIP/digital phone to an AEC input and analog output of a Soundweb London device. The BLU-HIF therefore allows the VoIP/digital phone to be used as the dialing interface and hybrid for a conference system. This simple interface eliminates the programming requirements associated with third-party control systems, while providing a familiar and low-cost dialing interface to the end user.

The BLU-HIF features an RJ-22 jack for connection to the headset jack of a VoIP/digital phone, a balanced input (Tx) for sending near-side audio, and a balanced output (Rx) for receiving far-side audio. While the BLU-HIF provides substantial isolation of the Rx and Tx signals, near-side audio will still be heard on the Rx channel due to the presence of side-tone. As such, BSS Audio recommends always feeding the Rx channel to an AEC input, as opposed to a standard analog input. The AEC algorithm will remove the side-tone. The Tx channel connects to a standard analog output.

The wiring configuration within the headset jack of a VoIP/digital phone often differs, depending on the manufacturer. The BLU-HIF comes with two cables whose 4P4C RJ-22 connectors are compatible with the two most common wiring configurations found in the headset jack of VoIP/digital phones.

The additional 2.5mm jack facilitates connection of two-way communication devices such as cellular phones to the Soundweb London device. This gives the end user the advantage of having an alternate communication path to the outside world, which is particularly useful as a backup to the main phone system.


KEY FEATURES:


  • RJ-22 Jack for Connection to Headset Jack of VoIP/Digital Phone

  • 1 Balanced Analog Input, 1 Balanced Analog Output for Connection to Soundweb London Device

  • 2.5mm Jack for Alternate Connection to Cellular Phone with TRS Headset Jack

  • Two Cables with Different Wiring Configurations for Quick Compatibility with Most VoIP/Digital Phones (included)

  • Rugged Metal Chassis

  • Surface/Under-Table Mountable

In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.

The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

All four channels have the following controls:

Threshold - allows you to set the level at which the compressor starts affecting the gain

OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.

Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.

Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.

Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.

Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.

PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

 

  • Four independent channels of operation, stereo linkable in two pairs
  • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
  • Independent Threshold and ratio controls
  • Switchable OverEasy® or Hard Knee compression
  • Classic dbx® compression
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • Dual True stereo or quad mono operation
  • Switchable +4dBu or -10dBV operation per channel

 

Input Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input > +22 dBu balanced or unbalanced
CMRR Typically >50 dB at 1 kHz
Output Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type Servo-balanced/unbalanced, RF filtered
Output Impedance Balanced 30 Ohm, unbalanced 15 Ohm
Max Output > +22 dBm balanced, > +20 dBm unbalanced
Bandwidth 20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response 0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range > 118 dB, unweighted
THD+Noise >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling True RMS Power Summing
Compressor Threshold Range -40 dBu to +20 dBu
Compressor Ratio 1:1 to infinity:1
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic AutoDynamic™
Compressor Attack Time Program-dependent
Compressor Release Time Program-dependent
Compressor Output Gain -20 to +20 dB
Limiter Threshold Range 0 dBu to +24 dBu (off)
Limiter Ratio infinity:1
Limiter Type PeakStopPlus® two-stage limiter
Limiter Stage 1 PeakStop® brickwall limiter
Limiter Stage 1 Attack Time Zero
Limiter Stage 1 Release Time Zero
Limiter Stage 2 Predictive intelligent program limiter
Limiter Stage 2 Attack Time Program-dependent
Limiter Stage 2 Release Time Program-dependent
OverEasy® Switch Activates the OverEasy compression function
I/O Meter Switch Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch Activates the direct input-to-output hard-wire bypass
Operating Level Switch (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator 1 LED to indicate PeakStop™ limiting
Function Switches LED indicator for each front-panel switch
Output Transformer Options Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption 20 Watts
Fuse 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector IEC receptacle
Dimensions 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm)
Unit Weight 5.2 lbs. (2.4 kg)
Shipping Weight 7.6 lbs. (3.5 kg)

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

Description

The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone
application including wireless types. It can provide effective feedback control to any sound
reinforcement situation. It can also eliminated string feedback in guitars and bass instruments
which are equipped with piezo or condenser pickups.
The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal,
detecting the presence of feedback and then notching out the feedback frequency.
The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a
feedback signal before it can grow into a peak. Internally a discriminator circuit detects the
presence of regenerative feedback and triggers the automatic equaliser to insert a notch where
the feedback peak is coming up. This normally prevents other peaks from developing but if they
do, the process is repeated at high speed, thus keeping feedback under control.

Technical Data
In- and Outputs transformer balanced
max. Inputlevel + 3 dB
Gain (RS=200 Ohm, RL=2kOhm) 0 dB
Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB
Feeback Cancellation  6 ... 10 dB
Power Requirement  30 ... 48 V Phantom
Current drain ca. 8 mA
External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip +
Housing Aluminium Diecast
Weight  285 grams
Dimensions  112 x 60 x 32 mm

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
Weight0.79 kg3.50 kg5.00 kg3.45 kg0.30 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.79 kg
Weight 3.50 kg
Weight 5.00 kg
Weight 3.45 kg
Weight 0.30 kg
Weight 3.00 kg