QSC Touchmix – 30 Pro Channel Digital Mixer

A remarkable new standard for performance in a compact digital mixer, the TouchMix-30 Pro has the features and functionality that will satisfy the most demanding professional while also providing an intuitive workflow that delivers great results, quickly and easily, to users at every level of experience. Perfect for production professionals, musicians and bands as well as live performance venues, its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications.

Far more than simply a higher channel count version of the TouchMix-8 and TouchMix-16, The TouchMix-30 Pro offers a host of additional, new "Pro” features including:

• Large (10-inch) multi-touch touchscreen offers more on-screen information while also providing greater hands-on control
• Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
• Two real-time analyzers (RTA) provide instantaneous display of channel tonal balance and room response
• Copy and Paste function easily duplicates mixes, channels, EQ, dynamics and more.
• Touch-and-route Patch Matrix for easy "multing” and rearrangement of inputs
• Eight sub-groups with 6-band full parametric EQ, variable high- and low-pass filters and limiter may be linked for stereo
• 32-channel direct-to-hard drive record/playback capture and recall performances without the need for a computer
• 32-Channel DAW interface with Mac® computers allows for bidirectional I/O with popular workstation software
• MP3 playback direct from USB

Additionally, the TouchMix-30 Pro offers even more of what you would expect and demand from a TouchMix Series mixer:

• 24 class-A microphone preamps deliver pristine, studio-quality audio
• Over 120 live instrument, microphone and other audio source presets created in live environments provide mix-ready channel settings
• All outputs feature 1/3 octave graphic equalization and 6-band parametric EQ plus limiters, delay and 12-band notch filters
• 14 mono mixes may be paired for stereo while two pairs of Auxes can drive wired in-ear monitors (IEM) directly
• Six stereo effects processors plus pitch-correct offer studio-grade signal enhancements, without sacrificing Auxes or additional channels

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

• Input channels: 48 mono, 8 stereo.
• Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
• Meter bridge optional.

General specifications

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

• Compact digital mixer with scalable, remote I/O
• Systems from 4 to 44 mics
• Easy to use, quick to access, analogue style interface
  
• dSNAKE Cat5 digital snake—up to 120m cable length
• 8.4 inch colour touchscreen for graphical view and setup
• 20 faders, 4 layers, 80 channel strips in a freely customizable layout
• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
• 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
• Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
• Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
• LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
• 16 DCAs / mute groups
• Built-in Talkback, RTA and Signal Generator
• I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
• MIDI In/Out and Ethernet Network port
• AviomTM Pro16 compliant Monitor port on main AudioRack
• High end 1dB step recallable mic/line preamps
• User definable channel names and colours
• Engineerʼs mono Wedge and stereo IEM strips
• Input, output and insert soft patchbays
• Quick copy, paste and reset of mixes and parameters
• Libraries, Scenes and Show memories with USB transfer
• Get started quickly with Template Shows
• Dimensions: (W x D x H) 730 x 577 x 159mm
• Weight: 16kg
  

16 + 2 fader configuration in a compact, rack mountable unit.

• Mix channels: 32 mono, 8 stereo.
• Busses: 16 mix, 8 matrix (Input to Matrix supported).
• Local I/O: 16 in, 8 out.
• Fader configuration: 16 + 2 (Master).
• Rack mountable with optional RK1 Rack Mount Kit.

• 16-channel digital stereo mixer to create your personal monitor mix
• Ultra-intuitive "analog" operation with total recall and 16 presets for custom mixes
• State-of-the-art 24-bit D/A converters for premium audio quality
• 16 Channel Select buttons with dual LEDs for perfect overview
• Level and Pan/Spread control per channel with LED meter
• 3-band EQ per channel with mid-band frequency control
• Solo and Mute functions per channel
• Global Level and EQ controls plus Panic Mute function
• High power and "drummer proof" headphones output
• Fully adjustable limiter protects your ears and headphones
• Additional mono/stereo line output to connect your powered monitor
• MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
• Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
• ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
• Ultra-low system latency of less than 1 millisecond
• Powered via external power supply (included) or P16-I / P16-D
• Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
• Extremely rugged construction ensures long life even under the most demanding conditions
• Conceived and designed by BEHRINGER Germany

12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.