QSC TouchMix-8 8 channel Digiatl Mixer

12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

Ultimate sonic performance

Enhanced workflow

Unlimited expandability

The ideal experience

Features

• Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
• 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
• 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
• 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
• iPad and iPhone apps for professional remote operation available free of charge - no host PC required
• High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
• Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
• Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
• 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
• Powerful scene management for convenient handling of complex productions
• 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
• USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
• Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
• Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
• ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
• Networked remote control for show setups with on-screen software editor via Ethernet
• Built-in expansion port for audio interface cards or digital networking bridges
• MIDI In/Out for remote scene recall or controlling other MIDI equipment
• Free future firmware updates downloadable from Behringer

Specifications

• Frequency Range: 10Hz - 22kHz
• Dynamic Range: 106dB
• Output Level: +4dBu / +21dBu (XLR)
• Main Screen: 5'', 800 x 480, 262k Colour TFT
• Main Meter: 18-Segment (-45dB to Clip)
• Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
• Power Consumption: 70W
• Dimensions: 490mm x 506mm x 163mm
• Weight: 11.4kg / 25.1lbs

Processing Channels

• Input Channels: 32
• Aux Channels: 8
• FX Return Channels: 8
• Aux Buses: 16
• Matrices: 6
• Internal Effects Engines: 8 True Stereo / 16 Mono
• Internal Recall Scenes: 100
• Signal Processing: 40-Bit Floating Point
• AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
• Local I/O Latency: 0.8ms
• Network I/O Latency: 1.1ms

Connectors

• XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
• Talkback Mic Input: XLR
• XLR Outputs: 8
• RCA Inputs/Outputs: 2/2
• Monitoring Outputs: 2 x 1/4'' Balanced
• Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
• Headphone Outputs: 1 x 1/4'' TRS
• AES50 Ports: 2/2
• Expansion Card Slot: 32 Channel Audio Input/Output
• P-16 Connector: 1
• MIDI Inputs/Outputs: 1/1
• RJ45 Ethernet: 1
• USB Type A: 1

• Input channels: 72 mono, 8 stereo.
• Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
• Stainless steel stay for iPad support.
• Built-in meter bridge.

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.

When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.

Si Performer 1 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.

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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
    
    

Key Features

  •  16 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control -control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface
  •  Comes with removable side cheeks