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Key Features
- World-class 24-bit/192 kHz audio conversion
- Realtime UAD Processing - track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
- USB 3 connectivity for Windows-based systems
- Unison™ technology for stunning models of classic mic preamps and stompboxes
- Includes UAD-2 DUO DSP Processing onboard
- 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
- Digitally controlled analog monitor outputs for full resolution at all listening levels
- Uncompromising analog design, superior components, and premium build quality throughout
- Includes "Realtime Analog Classics" UAD plug-in bundle
Key Features
- Desktop 2x6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
- Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
- USB 3.0 connection for easy connectivity on Windows-based recording systems
- Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
- Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
- Two digitally-controlled analog monitor outputs for full resolution at all listening levels
- Up to eight channels of additional digital input via Optical connection
- Uncompromising analog design, superior components, and premium build quality
- Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs
Documents
- Hardware & Software Manuals
Audio Interface
- Sample rates up to 192 kHz* at 24-bit word length
- Up to 10 x 6 simultaneous input/output channels
- Two channels of analog-to-digital conversion via:
- Two balanced mic/line inputs
- One Hi-Z instrument input
- Six channels of digital-to-analog conversion via:
- Digitally-controlled stereo monitor outputs
- Stereo headphone outputs
- Line outputs 3-4
- Up to eight channels of digital inputs via:
- Eight channels ADAT optical with S/MUX for high sample rates, or
- Two channels S/PDIF optical with sample rate conversion
- 64-bit device drivers
Microphone Preamplifiers
- Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
- Front panel and software control of all preamp parameters
- Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking
Monitoring
- Digitally-controlled analog monitor outputs maintains highest fidelity
- Independently-addressable stereo headphone outputs
- Independently-addressable line outputs 3-4 can be used for additional cue mix
- Front panel control of monitor levels and muting
UAD-2 Inside
- Two (DUO) SHARC DSP processors
- Realtime UAD Processing on all analog and digital inputs
- Same features and functionality as other UAD-2 devices when used with DAW
- Includes UAD Powered Plug-Ins "Realtime Analog Classics” bundle
- Complete UAD Powered Plug-Ins library is available online
Software
Console application:
- Enables tracking and/or monitoring with Realtime UAD Processing
- Remote control of Apollo Twin features and functionality
- Virtual I/O for routing DAW tracks through Console
- Two independent stereo Auxiliary buses
Console Recall plug-in:
- Saves Apollo Twin configurations inside DAW sessions for easy recall
- Facilitates control of Apollo Twin USB's monitoring features from within the DAW
- VST, RTAS, AAX 64, plug-in formats
UAD Meter & Control Panel application:
- Configures global UAD settings and monitors system usage
Other
- Attractive and durable desktop form factor
- Locking power supply prevents accidental disconnection
- Easily updateable firmware
- One year warranty includes parts and labor
Apollo Twin USB. System Requirements.
USB Systems
UAD Powered Plug-Ins version 8.7.2
- Windows 7, 8.1, or 10 (64-Bit Editions)
- Available built-in* USB 3 SuperSpeed port
- Intel Core i3, Core i5, Core i7, or Xeon processor*
- 6 gigabytes available storage
- USB 3.0 SuperSpeed cable (included)
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, RTAS, or AAX 64 plug-in host DAW software
*Notes:
- Quad Core i7 or better recommended
- 2-in-1 systems (notebook/tablet) are not recommended
- USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
are not tested for Apollo Twin USB or UAD-2 Satellite USB connections
For additional compatibility information, visit help.uaudio.com
Apollo Twin USB. Specifications.
All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.
System
- I/O Complement
- Microphone Inputs Two
- Analog Line Inputs Two
- Hi-Z Instrument Inputs One
- Analog Line Outputs Two (independent mix buses)
- Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
- Headphone Outputs One stereo pair (independent L/R mix buses)
- Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
- USB 3 Port One
- A/D – D/A Conversion
- Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
- Bit Depth Per Sample 24
- Simultaneous A/D conversion Two channels
- Simultaneous D/A conversion Six channels
- Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
- Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate
Analog I/O
- Line Inputs 1 & 2
- Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
- Dynamic Range (A–weighting) 117.5 dB
- Signal-to-Noise Ratio (A–weighting) 117.5 dB
- Total Harmonic Distortion + Noise –108 dBFS
- Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Input Impedance 10K Ohms
- Gain Range +10 dB to +65 dB
- Maximum Input Level (@ Minimum Gain)18 dBV
- Maximum Input Level (@ Maximum Gain) –37 dBV
- Stereo Level Balance ±0.05 dB
- Microphone Inputs 1 & 2
- Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
- Phantom Power (switchable per input) +48V
- Dynamic Range (A–weighting) 118 dB
- Signal-to-Noise Ratio (A–weighting) 118 dB
- Total Harmonic Distortion + Noise –110 dBFS
- Equivalent Input Noise –127 dB
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
- Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
- Gain Range +10 dB to +65 dB
- Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
- Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
- Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
- Hi-Z Input
- Jack Type Female ¼” TS Unbalanced
- Dynamic Range (A–weighting) 117 dB
- Signal-to-Noise Ratio (A–weighting) 117 dB
- Total Harmonic Distortion + Noise –101 dBFS
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Input Impedance 1M Ohms
- Maximum Input Level (@ Minimum Gain) 10 dBV
- Maximum Input Level (@ Maximum Gain) –45 dBV
- Line Outputs 3 & 4
- Jack Type ¼” Female TRS Balanced
- Dynamic Range (A–weighting) 118 dB
- Signal-to-Noise Ratio (A–weighting) 118 dB
- Total Harmonic Distortion + Noise –107 dBFS
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Stereo Level Balance ±0.05 dB
- Channel Separation Greater than 120 dB
- Output Impedance 600 Ohms
- Maximum Output Level 18 dBV
- Monitor Outputs 1 & 2
- Jack Type ¼” Female TRS Balanced
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Dynamic Range (A–weighting) 115 dB
- Signal-to-Noise Ratio (A–weighting) 115 dB
- Total Harmonic Distortion + Noise –105 dBFS
- Channel Separation Greater than 118 dB
- Stereo Level Balance ±0.05 dB
- Output Impedance 600 Ohms
- Output Gain Range –96 dB to 0 dB
- Maximum Output Level 18 dBV
- Operating Reference Level +14 dBu, +20 dBu (selectable)
- Stereo Headphones Output
- Jack Type ¼” Female TRS Stereo (unbalanced)
- Frequency Response 20 Hz – 20 kHz, ±0.1 dB
- Dynamic Range (A–weighting) 113 dB
- Signal-to-Noise Ratio (A–weighting) 113 dB
- Channel Separation Greater than 110 dB
- Total Harmonic Distortion + Noise –101 dBFS
- Stereo Level Balance ±0.11 dB
- Output Impedance 10 Ohms
- Output Gain Range –INF to 0 dB
- Maximum Output Power 80 milliwatts into 600 Ohms
Digital I/O
- S/PDIF
- Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
- Format IEC958
- Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
- S/PDIF Input Channels Two (Stereo L/R)
- ADAT
- Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
- Format ADAT Digital Lightpipe with S/MUX
- Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
- ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
- ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
- ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
- Clock Synchronization Sources
- Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)
Electrical
- Power Supply External AC to DC
- AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
- AC Requirements 100V – 240V AC, 50 – 60 Hz
- DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
- DC Requirements 12 VDC, ±5%
- Maximum Power Consumption 12 Watts
Environmental
- Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
- Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
- Operating Humidity Range 20% to 80%
Mechanical
- Dimensions
- Width 6.31”
- Height 2.60”
- Depth, Chassis Only 5.86”
- Depth, Including Knob & Jack Protrusions 6.20”
- Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
- Weight
- Shipping Weight (with box & accessories) 3.85 pounds
- Weight (bare unit) 2.35 pounds
- Package Contents
- Apollo Twin USB DUO Unit
- External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
- URL Card
- SuperSpeed USB 3.0 cable
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Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
- Input Connector: RCA, Unbalanced
- Input Impedance: Approx. 27kΩ
- Maximum Input Level: 2dBV
- Output Connector: RCA, Unbalanced
- Output Impedance: Approx. 400Ω
- Maximum Output Level: 2dBV
- Digital Output: Toslink, Optical
- Digital Output Format: S/PDIF
- USB: Type A
- Converter: 16-Bit
- Sample Rate: 32kHz, 44.1kHz, 48kHz
- Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
- 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
- Crosstalk: -77dB @ 0dBV, 1kHz
- Power Supply: USB, 5V 100mA Maximum
- Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
- Weight: 0.10kg
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- Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
- CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
- 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
- Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
- Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
- Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
- CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
- Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
- “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
- Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
- Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
- Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
- Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
- Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
- Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
- Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
- Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
- Expandable — add additional interfaces for more I/O as your needs grow.
- Separate TRS main outs with front panel volume control.
- Stereo 24-bit 96kHz S/PDIF in/out.
- Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
- 100% compatible with all host-based effects processing in today's popular audio programs.
- Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
- Plug-and-play operation with your Mac or PC via FireWire or USB2.
- Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
- Front panel headphone jack with volume control.
- Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
- Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
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Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers ![]( "MBOX")
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The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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