UNIVERSAL AUDIO Apollo Twin USB Audio interface

Discontinued

779.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
Key Features World-class 24-bit/192 kHz audio conversion Realtime UAD Processing – track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency USB 3 connectivity for Windows-based systems Unison™ technology for stunning models of classic mic preamps and stompboxes Includes UAD-2 DUO DSP Processing onboard 2 premium mic/line preamps; 2 line outs; […]

 

Read more

Key Features

  • World-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing – track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
  • USB 3 connectivity for Windows-based systems
  • Unison™ technology for stunning models of classic mic preamps and stompboxes
  • Includes UAD-2 DUO DSP Processing onboard
  • 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
  • Digitally controlled analog monitor outputs for full resolution at all listening levels
  • Uncompromising analog design, superior components, and premium build quality throughout
  • Includes “Realtime Analog Classics” UAD plug-in bundle

 

Key Features

  • Desktop 2×6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
  • USB 3.0 connection for easy connectivity on Windows-based recording systems
  • Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
  • Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
  • Two digitally-controlled analog monitor outputs for full resolution at all listening levels
  • Up to eight channels of additional digital input via Optical connection
  • Uncompromising analog design, superior components, and premium build quality
  • Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs

Documents

  • Hardware & Software Manuals

Audio Interface

  • Sample rates up to 192 kHz* at 24-bit word length
  • Up to 10 x 6 simultaneous input/output channels
    • Two channels of analog-to-digital conversion via:
      • Two balanced mic/line inputs
      • One Hi-Z instrument input
    • Six channels of digital-to-analog conversion via:
      • Digitally-controlled stereo monitor outputs
      • Stereo headphone outputs
      • Line outputs 3-4
    • Up to eight channels of digital inputs via:
      • Eight channels ADAT optical with S/MUX for high sample rates, or
      • Two channels S/PDIF optical with sample rate conversion
  • 64-bit device drivers

Microphone Preamplifiers

  • Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Front panel and software control of all preamp parameters
  • Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking

Monitoring

  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Independently-addressable stereo headphone outputs
  • Independently-addressable line outputs 3-4 can be used for additional cue mix
  • Front panel control of monitor levels and muting

UAD-2 Inside

  • Two (DUO) SHARC DSP processors
  • Realtime UAD Processing on all analog and digital inputs
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Includes UAD Powered Plug-Ins “Realtime Analog Classics” bundle
  • Complete UAD Powered Plug-Ins library is available online

Software

Console application:

  • Enables tracking and/or monitoring with Realtime UAD Processing
  • Remote control of Apollo Twin features and functionality
  • Virtual I/O for routing DAW tracks through Console
  • Two independent stereo Auxiliary buses

Console Recall plug-in:

  • Saves Apollo Twin configurations inside DAW sessions for easy recall
  • Facilitates control of Apollo Twin USB’s monitoring features from within the DAW
  • VST, RTAS, AAX 64, plug-in formats

UAD Meter & Control Panel application:

  • Configures global UAD settings and monitors system usage

Other

  • Attractive and durable desktop form factor
  • Locking power supply prevents accidental disconnection
  • Easily updateable firmware
  • One year warranty includes parts and labor

 

Apollo Twin USB. System Requirements.

USB Systems

UAD Powered Plug-Ins version 8.7.2

  • Windows 7, 8.1, or 10 (64-Bit Editions)
  • Available built-in* USB 3 SuperSpeed port
  • Intel Core i3, Core i5, Core i7, or Xeon processor*
  • 6 gigabytes available storage
  • USB 3.0 SuperSpeed cable (included)
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, RTAS, or AAX 64 plug-in host DAW software

*Notes:

  • Quad Core i7 or better recommended
  • 2-in-1 systems (notebook/tablet) are not recommended
  • USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
    are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

For additional compatibility information, visit help.uaudio.com

 

Apollo Twin USB. Specifications.

 

All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.

System

  • I/O Complement
    • Microphone Inputs Two
    • Analog Line Inputs Two
    • Hi-Z Instrument Inputs One
    • Analog Line Outputs Two (independent mix buses)
    • Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
    • Headphone Outputs One stereo pair (independent L/R mix buses)
    • Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
    • USB 3 Port One
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion Two channels
    • Simultaneous D/A conversion Six channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate

Analog I/O

  • Line Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
    • Dynamic Range (A–weighting) 117.5 dB
    • Signal-to-Noise Ratio (A–weighting) 117.5 dB
    • Total Harmonic Distortion + Noise –108 dBFS
    • Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level (@ Minimum Gain)18 dBV
    • Maximum Input Level (@ Maximum Gain) –37 dBV
    • Stereo Level Balance ±0.05 dB
  • Microphone Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
    • Phantom Power (switchable per input) +48V
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –127 dB
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
    • Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
    • Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
  • Hi-Z Input
    • Jack Type Female ¼” TS Unbalanced
    • Dynamic Range (A–weighting) 117 dB
    • Signal-to-Noise Ratio (A–weighting) 117 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 1M Ohms
    • Maximum Input Level (@ Minimum Gain) 10 dBV
    • Maximum Input Level (@ Maximum Gain) –45 dBV
  • Line Outputs 3 & 4
    • Jack Type ¼” Female TRS Balanced
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –107 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Stereo Level Balance ±0.05 dB
    • Channel Separation Greater than 120 dB
    • Output Impedance 600 Ohms
    • Maximum Output Level 18 dBV
  • Monitor Outputs 1 & 2
    • Jack Type ¼” Female TRS Balanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 115 dB
    • Signal-to-Noise Ratio (A–weighting) 115 dB
    • Total Harmonic Distortion + Noise –105 dBFS
    • Channel Separation Greater than 118 dB
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 600 Ohms
    • Output Gain Range –96 dB to 0 dB
    • Maximum Output Level 18 dBV
    • Operating Reference Level +14 dBu, +20 dBu (selectable)
  • Stereo Headphones Output
    • Jack Type ¼” Female TRS Stereo (unbalanced)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 113 dB
    • Signal-to-Noise Ratio (A–weighting) 113 dB
    • Channel Separation Greater than 110 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Stereo Level Balance ±0.11 dB
    • Output Impedance 10 Ohms
    • Output Gain Range –INF to 0 dB
    • Maximum Output Power 80 milliwatts into 600 Ohms

Digital I/O

  • S/PDIF
    • Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
    • S/PDIF Input Channels Two (Stereo L/R)
  • ADAT
    • Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
    • ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
    • ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
    • ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
  • Clock Synchronization Sources
    • Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)

Electrical

  • Power Supply External AC to DC
  • AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 12 Watts

Environmental

  • Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
  • Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
  • Operating Humidity Range 20% to 80%

Mechanical

  • Dimensions
    • Width 6.31”
    • Height 2.60”
    • Depth, Chassis Only 5.86”
    • Depth, Including Knob & Jack Protrusions 6.20”
    • Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
  • Weight
    • Shipping Weight (with box & accessories) 3.85 pounds
    • Weight (bare unit) 2.35 pounds
  • Package Contents
    • Apollo Twin USB DUO Unit
    • External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
    • URL Card
    • SuperSpeed USB 3.0 cable

 

Weight 2.00 kg

Reviews

There are no reviews yet.

Be the first to review “UNIVERSAL AUDIO Apollo Twin USB Audio interface”

Your email address will not be published. Required fields are marked *

Quick Comparison

UNIVERSAL AUDIO Apollo Twin USB Audio interface removeESI U-46XL USB Sound Card removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeEDIROL UA-20 USB AUDIO AND MIDI remove
NameUNIVERSAL AUDIO Apollo Twin USB Audio interface removeESI U-46XL USB Sound Card removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeEDIROL UA-20 USB AUDIO AND MIDI remove
Image
SKUUA/EM/000067J08ES00028Ultralite-mk3IONIX U22E005368UA-20
Rating
Price 779.00 incl. GR VAT 119.00 incl. GR VAT599.84 incl. GR VAT 156.00 incl. GR VAT 29.94 incl. GR VAT 159.06 incl. GR VAT
Stock

Out of stock

Available on backorder

In stock

In stock

Available on backorder

In stock

AvailabilityOut of stockAvailable on backorderIn stockIn stockAvailable on backorderIn stock
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Key Features

  • World-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing - track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
  • USB 3 connectivity for Windows-based systems
  • Unison™ technology for stunning models of classic mic preamps and stompboxes
  • Includes UAD-2 DUO DSP Processing onboard
  • 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
  • Digitally controlled analog monitor outputs for full resolution at all listening levels
  • Uncompromising analog design, superior components, and premium build quality throughout
  • Includes "Realtime Analog Classics" UAD plug-in bundle
  Key Features
  • Desktop 2x6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
  • USB 3.0 connection for easy connectivity on Windows-based recording systems
  • Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
  • Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
  • Two digitally-controlled analog monitor outputs for full resolution at all listening levels
  • Up to eight channels of additional digital input via Optical connection
  • Uncompromising analog design, superior components, and premium build quality
  • Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs
Documents
  • Hardware & Software Manuals
Audio Interface
  • Sample rates up to 192 kHz* at 24-bit word length
  • Up to 10 x 6 simultaneous input/output channels
    • Two channels of analog-to-digital conversion via:
      • Two balanced mic/line inputs
      • One Hi-Z instrument input
    • Six channels of digital-to-analog conversion via:
      • Digitally-controlled stereo monitor outputs
      • Stereo headphone outputs
      • Line outputs 3-4
    • Up to eight channels of digital inputs via:
      • Eight channels ADAT optical with S/MUX for high sample rates, or
      • Two channels S/PDIF optical with sample rate conversion
  • 64-bit device drivers
Microphone Preamplifiers
  • Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Front panel and software control of all preamp parameters
  • Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking
Monitoring
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Independently-addressable stereo headphone outputs
  • Independently-addressable line outputs 3-4 can be used for additional cue mix
  • Front panel control of monitor levels and muting
UAD-2 Inside
  • Two (DUO) SHARC DSP processors
  • Realtime UAD Processing on all analog and digital inputs
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Includes UAD Powered Plug-Ins "Realtime Analog Classics” bundle
  • Complete UAD Powered Plug-Ins library is available online
Software Console application:
  • Enables tracking and/or monitoring with Realtime UAD Processing
  • Remote control of Apollo Twin features and functionality
  • Virtual I/O for routing DAW tracks through Console
  • Two independent stereo Auxiliary buses
Console Recall plug-in:
  • Saves Apollo Twin configurations inside DAW sessions for easy recall
  • Facilitates control of Apollo Twin USB's monitoring features from within the DAW
  • VST, RTAS, AAX 64, plug-in formats
UAD Meter & Control Panel application:
  • Configures global UAD settings and monitors system usage
Other
  • Attractive and durable desktop form factor
  • Locking power supply prevents accidental disconnection
  • Easily updateable firmware
  • One year warranty includes parts and labor

 

Apollo Twin USB. System Requirements.

USB Systems

UAD Powered Plug-Ins version 8.7.2

  • Windows 7, 8.1, or 10 (64-Bit Editions)
  • Available built-in* USB 3 SuperSpeed port
  • Intel Core i3, Core i5, Core i7, or Xeon processor*
  • 6 gigabytes available storage
  • USB 3.0 SuperSpeed cable (included)
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, RTAS, or AAX 64 plug-in host DAW software

*Notes:

  • Quad Core i7 or better recommended
  • 2-in-1 systems (notebook/tablet) are not recommended
  • USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
    are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

For additional compatibility information, visit help.uaudio.com

 

Apollo Twin USB. Specifications.

 

All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.

System
  • I/O Complement
    • Microphone Inputs Two
    • Analog Line Inputs Two
    • Hi-Z Instrument Inputs One
    • Analog Line Outputs Two (independent mix buses)
    • Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
    • Headphone Outputs One stereo pair (independent L/R mix buses)
    • Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
    • USB 3 Port One
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion Two channels
    • Simultaneous D/A conversion Six channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate
Analog I/O
  • Line Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
    • Dynamic Range (A–weighting) 117.5 dB
    • Signal-to-Noise Ratio (A–weighting) 117.5 dB
    • Total Harmonic Distortion + Noise –108 dBFS
    • Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level (@ Minimum Gain)18 dBV
    • Maximum Input Level (@ Maximum Gain) –37 dBV
    • Stereo Level Balance ±0.05 dB
  • Microphone Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
    • Phantom Power (switchable per input) +48V
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –127 dB
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
    • Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
    • Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
  • Hi-Z Input
    • Jack Type Female ¼” TS Unbalanced
    • Dynamic Range (A–weighting) 117 dB
    • Signal-to-Noise Ratio (A–weighting) 117 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 1M Ohms
    • Maximum Input Level (@ Minimum Gain) 10 dBV
    • Maximum Input Level (@ Maximum Gain) –45 dBV
  • Line Outputs 3 & 4
    • Jack Type ¼” Female TRS Balanced
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –107 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Stereo Level Balance ±0.05 dB
    • Channel Separation Greater than 120 dB
    • Output Impedance 600 Ohms
    • Maximum Output Level 18 dBV
  • Monitor Outputs 1 & 2
    • Jack Type ¼” Female TRS Balanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 115 dB
    • Signal-to-Noise Ratio (A–weighting) 115 dB
    • Total Harmonic Distortion + Noise –105 dBFS
    • Channel Separation Greater than 118 dB
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 600 Ohms
    • Output Gain Range –96 dB to 0 dB
    • Maximum Output Level 18 dBV
    • Operating Reference Level +14 dBu, +20 dBu (selectable)
  • Stereo Headphones Output
    • Jack Type ¼” Female TRS Stereo (unbalanced)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 113 dB
    • Signal-to-Noise Ratio (A–weighting) 113 dB
    • Channel Separation Greater than 110 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Stereo Level Balance ±0.11 dB
    • Output Impedance 10 Ohms
    • Output Gain Range –INF to 0 dB
    • Maximum Output Power 80 milliwatts into 600 Ohms
Digital I/O
  • S/PDIF
    • Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
    • S/PDIF Input Channels Two (Stereo L/R)
  • ADAT
    • Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
    • ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
    • ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
    • ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
  • Clock Synchronization Sources
    • Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)
Electrical
  • Power Supply External AC to DC
  • AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 12 Watts
Environmental
  • Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
  • Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
  • Operating Humidity Range 20% to 80%
Mechanical
  • Dimensions
    • Width 6.31”
    • Height 2.60”
    • Depth, Chassis Only 5.86”
    • Depth, Including Knob & Jack Protrusions 6.20”
    • Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
  • Weight
    • Shipping Weight (with box & accessories) 3.85 pounds
    • Weight (bare unit) 2.35 pounds
  • Package Contents
    • Apollo Twin USB DUO Unit
    • External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
    • URL Card
    • SuperSpeed USB 3.0 cable
 

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
  • Features:

    USB 2.0 Desktop Recording Studio
    44.1kHz to 96kHz sample rates, 24-bit resolution
    Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
    dbx® 60V high-voltage, ultra-low noise microphone preamps
    Superior sonic performance
    2 analog combi-jacks for mic/line inputs
    2 analog 1/4" TRS balanced outputs
    Zero latency monitoring
    Low latency ASIO drivers
    Streamlined monitor form factor puts all recording controls at your fingertips
    Separate level meters and gain control per channel
    1 side panel 1/4" instrument input
    1 side panel headphone output with dedicated volume adjustment
    MIDI in and out

    Technical Specifications

    Microphone Inputs:    Female XLR Pin 2 Hot
    Input Impedance:    3kΩ balanced
    Phantom Power:    +48 Volts
    Maximum gain:    +58 dB
    E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
    Maximum Input Level:    +21 dBu at minimum gain
    Frequency Response:    +0/-1 dB, 20Hz - 20kHz
    THD+N:    +18 dBu maximum
    Impedance:    32Ω Balanced, 16Ω Unbalanced
    Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
    MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
    Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
    Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
    (44.1 kHz sample rate)
    D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
    A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
    Power Requirements:    12W 9VAC
    Power adaptors available for:
    US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
    Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
    Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
    UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
    Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

    U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle Behringer U-Control UCA202
    • 2 In/2 Out USB Audio Interface
    • Mac or PC, no drivers required
    • 16-bit/48kHz converters
    • Low latency
    • Headphone output
    • S/PDIF optical out
    • USB powered
    • Free Software
    • Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
    • Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
    • Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
    • Works with your PC or Mac computer—no setup or drivers required
    • High-resolution 48 kHz converters for high-end audio quality
    • Stereo Headphone output with dedicated Level control lets you monitor both input and output
    • Additional S/PDIF optical output for direct digital conversion
    • Powered via USB—no external power supply needed
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications. High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222. Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution. Super Simple Setup As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware. The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.

    UA-20: Audio Capture USB Audio/MIDI Interface Features

    The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.

    • Audio and MIDI in a compact unit.
    • Fully equipped with I/O jacks.
    • Great tool for creating music.
    • Edirol's FPT Technology.

    Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
    (input terminated with 1 k ohm, Master Volume = max.,
    Input Monitor = off, IHF-A, typ.)InterfaceUSB
    Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
    Digital Out Connector (Optical type)
    Headphones Jack (Stereo miniature phone type)
    Master Out Jack (RCA phono type)
    MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
    USB cable
    CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
    Weight2.00 kg1.36 kg2.00 kg2.00 kg0.20 kg0.60 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 2.00 kg
    Weight 1.36 kg
    Weight 2.00 kg
    Weight 2.00 kg
    Weight 0.20 kg
    Weight 0.60 kg