| Content | WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
| Power Supply |
AC 9V-500 mA 50/60 Hz |
| Frequency |
2404-2476MHz |
| Channel |
25 |
| Modulation/Demodulation |
GFSK |
| Receive Sensitivity (WDR 24) |
-84dBm (min.) |
| Transmitted Power (WDT 24) |
6 dBm |
| Output Level (WDR 24) |
+13dBu (BAL max.) |
| Input Level (WDT 24) |
+5dBu (max.) |
| Bandwidth |
>=1.8 MHz |
| Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
| S/N |
>80 dB |
| Dynamic Range @ 1 kHz |
>90 dB |
| Crosstalk @ 1kHz |
>90 dB |
| THD |
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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation. |
Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
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Overview
Dial in YOUR mix exactly as YOU want it, in Real Time.
The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.
Recommended for: Portable, Tour.
Features
- 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
- 16 Preset Locations for Mix & Configuration Recall
- LCD Display with 16 Channel Metering
- Built-In Lexicon© Reverb
- dbx PeakStopPlus™ Limiting
- Global High & Low EQ
- Global Master Level Control
- Global Stereo Width Control
- BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
- XLR & 1/4” Stereo or Mono Outputs
- 1/8” & 1/4” Headphone Outputs
- Setup Wizard for Easy Configuration
- Supports 48 kHz & 96 kHz Sampling Rates
- Channel Linking, Grouping, & Multi-Select Capabilities
- Supports up to 60 PMC16s on a Single BLU Link Ring
- Built-In Sturdy Mic Stand Mount
- USB Port for Firmware Updates
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Wireless 5.8 GHz Stereo Transmitter
- For wireless transmission of a stereo audio signal
- Maximum range: 30 m
- One transmitter can be paired with up to 8 receivers
- Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
- Switch for mono/stereo operation
- Volume control
- Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
- Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
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