WORK WDR 24 Wireless digital audio receiver

94.85 incl. GR VAT

Available on backorder

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WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system. The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 […]

 

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WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.

The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.

  • Wireless Digital Audio Receiver System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and unbalanced ¼\’\’ jack outputs
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz – 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD
Weight 450.00 kg

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NameWORK WDR 24 Wireless digital audio receiver removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb removeSirus Stereo Link 5.8 TX Wireless Digital Audio Transmitter removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs removeBSS Z-BLU102 Signal Processor removeDBX 560A COMPRESSOR/LIMITED MODULE PROCESSOR remove
ImageSirus_Stereo_Link_5_8_TX_Wireless_Digital_Audio_Transmitter_face_1
SKUWDR 24Z-BLUCARD-INSI58TXE005492Z-BLU102DBX 560A
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Price 94.85 incl. GR VAT 384.39 incl. GR VAT 79.90 incl. GR VAT 686.00 incl. GR VAT 3,609.32 incl. GR VAT 335.00 incl. GR VAT
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Description
ContentWDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system. The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
  • Wireless Digital Audio Receiver System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and unbalanced ¼\'\' jack outputs
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD

mic/line for the BLU-80, BLU-32, BLU-16.

Wireless 5.8 GHz Stereo Transmitter

  • For wireless transmission of a stereo audio signal
  • Maximum range: 30 m
  • One transmitter can be paired with up to 8 receivers
  • Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
  • Switch for mono/stereo operation
  • Volume control
  • Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
  • Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

The Soundweb London BLU-102 offers a fixed configuration of 10 analog inputs and 8 analog outputs, an analog telephone interface, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The RJ-11 port enables the BLU-102 to interface with a standard POTS (aka PSTN or Analog PBX) telephone network.

The BLU-102 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-102 contains dedicated AEC processing for up to 8 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 8 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-102 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-102 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-102 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 10 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• RJ-11 Telephone Input/Output Port
• Configurable Signal Processing
• 8 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.

Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.

Weight450.00 kg1.00 kg1.000 kg4.70 kg4.10 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 450.00 kg
Weight 1.00 kg
Weight 1.000 kg
Weight 4.70 kg
Weight 4.10 kg
Weight 1.00 kg