Powered Mixer with All You Need for the Gig When sound reinforcement requirements get serious but you still want the convenience and reliability of a Yamaha powered mixer, the console-style EMX5014C is the ticket. It\’s an all-in-one solution that will appeal to gigging combos and venue operators alike. It provides a surprising palette of features […]
Powered Mixer with All You Need for the Gig
When sound reinforcement requirements get serious but you still want the convenience
and reliability of a Yamaha powered mixer, the console-style EMX5014C is the ticket.
It\’s an all-in-one solution that will appeal to gigging combos and venue operators alike.
It provides a surprising palette of features and versatile signal routing options. And it\’s
a Yamaha, so it\’s going to sound great.
Yamaha EMX5014C Powered Mixer Features:
Exclusive single-knob compressors on each input control unruly vocals
or tighten up a bass guitar
Feedback channel locator LEDs on each input pinpoint problems for
easy correction
80Hz high-pass filters for eliminating low-frequency noise and rumble
Channel ON switches let you switch individual channels into or out of the mix
PFL (Pre-Fader Listen) switches allow isolated monitoring of individual channels
All input channels feature signal and peak indicators for visual signal monitoring
Linear Aux 1, Aux 2, and Effect return faders with AFL (After-Fader Listen)
monitor switches
Stereo master fader with both PFL and AFL monitor switches
Limiter indicators tell you when the internal limiter circuitryhas been activated
due to power amplifier overload
Power amp mode selector allows 2-channel power amp to be quickly configured
for Main + Main, Mono + Aux 1, or Aux 1 + Aux 2 operation
Power amplifier output selector allows selection of 500, 200, or 75-watt output
per channel
Weight
13.00 kg
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Powered Mixer with All You Need for the Gig
When sound reinforcement requirements get serious but you still want the convenience
and reliability of a Yamaha powered mixer, the console-style EMX5014C is the ticket.
It\'s an all-in-one solution that will appeal to gigging combos and venue operators alike.
It provides a surprising palette of features and versatile signal routing options. And it\'s
a Yamaha, so it\'s going to sound great.
Yamaha EMX5014C Powered Mixer Features:
Exclusive single-knob compressors on each input control unruly vocals
or tighten up a bass guitar
Feedback channel locator LEDs on each input pinpoint problems for
easy correction
80Hz high-pass filters for eliminating low-frequency noise and rumble
Channel ON switches let you switch individual channels into or out of the mix
PFL (Pre-Fader Listen) switches allow isolated monitoring of individual channels
All input channels feature signal and peak indicators for visual signal monitoring
Linear Aux 1, Aux 2, and Effect return faders with AFL (After-Fader Listen)
monitor switches
Stereo master fader with both PFL and AFL monitor switches
Limiter indicators tell you when the internal limiter circuitryhas been activated
due to power amplifier overload
Power amp mode selector allows 2-channel power amp to be quickly configured
for Main + Main, Mono + Aux 1, or Aux 1 + Aux 2 operation
Power amplifier output selector allows selection of 500, 200, or 75-watt output
per channel
Product Highlights
Integrated 1260 W Power Amplifier
8 Mono Mic/Line Inputs
Four Stereo Inputs
Hi-Z Input on Channel 4
Two Aux Sends w/ Dedicated Outputs
3-Band EQ on Each Channel
Master EQ for Music Playback or Speech
Integrated Feedback Suppressor
Built-In SPX Multi-Effects
Compatible with 4 and 8 Ohm Speakers
This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
1,000 Watts RMS, 1500 Watts peak
Subwoofer line output
Monitor send
Digital effects
8 Combination XLR/1/4 inputs
Input pads
Analog record output capability
Front panel effects defeat
FLS? exclusive feedback detection circuit
Footswitchable effects defeat
Dual 9-Band Main/Mon Graphic EQ
Individual signal and clip detection LEDs
Effect to monitor return
Individual signal and clip detection LEDs
Bluetooth? capability
Four twist lock outputs
Footswitchable master mic mute
Optional rack mount kit available
MidMorph? EQ
KOSMOS? bass enhancement
USB MP3 Player
Selectable Main/Main or Main/Monitor power amp modes
3-Band EQ per channel
Product Dimensions: 39.37 cm x 23.81 cm x 19.69 cm
Weight Packed: 7.3 kg
Width Packed: 34.29 cm
Height Packed: 48.26 cm
Depth Packed: 30.48 cm
300W 6 CHANNEL POWERED MIXER WITH USB RECORDER AND BLUETOOTH
The Phonic Powerpod 630 RW powered mixer is a versatile front of house PA mixer built into a compact and durable molded cabinet. Each Powerpod 630 RW has a built-in stereo amplifier which is bridgeable and patchable. Super Hi-Z inputs allow for the addition of guitars and other instruments. A USB recorder/player is also incorporated into the unit, allowing the main mix to be captured onto any standard USB storage device. The units also offer high definition digital effects with 16 preset programs, each with it\'s own user-definable parameter. The 2-band EQ on every channel and dual multi-band graphic EQ with selectable In/Out switches give you maximum control over your mix. Further more, Powerpod 630 RW has a built-in Bluetooth module offering audio streaming from Bluetooth-enabled mobile device.
Features:
Built-in 2 x 150W / 4 ohms dual power amplifier for Main or Main/Monitor (Bridge mono, 300W / 8 ohms)
32/40-bit digital multi-effect processor with 16 programs plus parameter control and footswitch jack
Six balanced Mic inputs and eight Line inputs (4 mono, 2 stereo channels)
Two Super Hi-Z inputs optimized for direct instrument input
2-band EQ on each input channel
7-band master graphic EQ
Pad control on channels 1 to 4
AUX input
Stereo RCA I/O
+48V phantom power on channels 1 through 4
Built-in limiters
Monitor and effect sends on each input channel
Drive level / effect out master control for signals sent to effect processor
USB recorder/player
Bluetooth audio streaming
Μic Input:
1-6
Power 4Ω:
200W - 300W
Console Layout:
Vertical
The PVi 8B+ powered mixer is easy to use and transport, and is designed with the latest Peavey technology. Constructed with a rugged metal structure, wood cabinet, vinyl surface and protective corners, the PVi 8B Plus is the ideal powered mixer. From packaging to quality control, Peavey produce a products of maximum quality and efficiency with the same specifications you see on other, more expensive powered mixers.
350 watts into 4-ohm (2 x 8 ohm) speakers
8 Balanced microphone and line inputs
Tape/CD inputs
Reverb level control on each channel
Line Out for connection to external amplifiers
Monitor output for connection to external amplifiers
Return input for connection of external effects processors
Record Out for taping
RF interference protection on all inputs
Switchable 48 volt phantom power for support of electret microphones
Footswitch jack for enable/disable effects
Effects bus output for connection to external effects processing
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