YAMAHA EMX-5016CF 16-Channel Stereo Powered Mixer

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849.00 incl. GR VAT

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Availability: No longer available! No longer available! SKU: H010.00020 Category:
Live sound gear can be intimidating, but Yamaha’s new EMX5016CF Powered Mixer takes the confusion out of setting up a professional-sounding live music experience. This 16-channel stereo powered mixer, which includes two 500-watt amplifiers, is ideal for bands, churches and small rental applications. The EMX5016CF delivers the convenience of an integrated powered mixer with input […]

 

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Live sound gear can be intimidating, but Yamaha’s new EMX5016CF Powered Mixer takes the confusion out of setting up a professional-sounding live music experience. This 16-channel stereo powered mixer, which includes two 500-watt amplifiers, is ideal for bands, churches and small rental applications.

The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live sound applications demand. It is remarkably compact and portable for a live sound system with this much capability, but offers performance and reliability that will satisfy the discerning professional user either on the road or in installed applications. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of ‘powered mixer,’ entering the realm of serious sound reinforcement.

  • Versatile 16-Input Configuration Adapts to Varied Source Requirements

  • Advanced Channel EQ

  • Ample I/O for Expansion and Integration

  • One-knob Compression on Mono Channels

  • 9-band Digital Graphic EQ with Presets & Memory

  • FRC (Frequency Response Correction) System

  • Automatic Feedback Suppression

  • Multi-band ‘Maximizer’

  • Dual Yamaha SPX Effect Processors

Weight 16.00 kg

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YAMAHA EMX-5016CF 16-Channel Stereo Powered Mixer removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removePEAVEY PVI8500 Powered Audio Mixer 400 Watt removeBEHRINGER PMP500 12 CHANNEL POWER MIXER WITH 2X250W AMPLIFIER removeBEHRINGER PMP580S Active Mixer 2 Χ 250 Watts/4Ω remove
NameYAMAHA EMX-5016CF 16-Channel Stereo Powered Mixer removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removePEAVEY PVI8500 Powered Audio Mixer 400 Watt removeBEHRINGER PMP500 12 CHANNEL POWER MIXER WITH 2X250W AMPLIFIER removeBEHRINGER PMP580S Active Mixer 2 Χ 250 Watts/4Ω remove
ImagePOWERMATE DYNACORD 2200-3 POWER MIXER 22CH CONSOLE
SKUH010.00020MP 7E009268534.PVY.001.8500E006735E006171
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Price 849.00 incl. GR VAT 1,612.00 incl. GR VAT 3,639.40 incl. GR VAT 459.00 incl. GR VAT 372.00 incl. GR VAT 294.00 incl. GR VAT
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Description
  • Intuitive mixer with 22 input channels (18 Mic/Line + 4 Mic/Stereo-Line)
  • Very powerful and reliable amplifier with 2 x 1.000 Watts / 4 Ohms
  • 2 High-Quality editable effects, 100 factory and 20 user presets
  • Professional 4x4 24-bit / 96 kHz USB interface with MIDI
Content

Live sound gear can be intimidating, but Yamaha's new EMX5016CF Powered Mixer takes the confusion out of setting up a professional-sounding live music experience. This 16-channel stereo powered mixer, which includes two 500-watt amplifiers, is ideal for bands, churches and small rental applications.

The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live sound applications demand. It is remarkably compact and portable for a live sound system with this much capability, but offers performance and reliability that will satisfy the discerning professional user either on the road or in installed applications. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of 'powered mixer,' entering the realm of serious sound reinforcement.

  • Versatile 16-Input Configuration Adapts to Varied Source Requirements
  • Advanced Channel EQ
  • Ample I/O for Expansion and Integration
  • One-knob Compression on Mono Channels
  • 9-band Digital Graphic EQ with Presets & Memory
  • FRC (Frequency Response Correction) System
  • Automatic Feedback Suppression
  • Multi-band 'Maximizer'
  • Dual Yamaha SPX Effect Processors

A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.

Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7

Channels (Mono + Stereo) 18 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions (W x H x D), mm 818.5 x 155.0 x 498.5 Net weight 18.0 kg MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available: 2 (FX) are assiged to the two effects sends; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. Master In the Master Section, too, the PowerMate is lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC-MIDI-Interface The PowerMate also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menüs For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus. Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN-Processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Class-D High-Performance Power Amplifiers The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. Innovative Solution for Protection and Transportation The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
  • FLS Feedback Locating System
  • Master Mute for channels 1-7
  • Footswitchable effects defeat
  • Combination XLR and 1/4 input jacks
  • RCA, 1/8" Media input
  • Selectable 9-Band Graphic EQ with FLS
  • Selectable Main or Monitor dual power section
  • RCA Record outputs
  • LED Meter bridge
  • Digital effects parameter control
  • Power amp sub-sonic filtering
  • On-board 24- bit digital effects with mute button
  • Clip light and signal present indicator
  • Kosmos-C
  • Main line level 1/4" output
  • Mid-Morph EQ
  • DDT Speaker protection circuit
  • 48 Volt Phantom Power
  • Bluetooth? streaming audio
  • Weight Unpacked: 10.44 kg
  • Weight Packed: 11.8 kg
  • Width Packed: 35.56 cm
  • Height Packed: 55.88 cm
  • Depth Packed: 34.925 cm
12-channel mixer section features 4 mono and 4 stereo channels, 2 additional stereo inputs plus separate Aux input. Effective, extremely musical 3-band EQ, switchable Low cut filter and Clip LEDs on all mono channels. Stereo 7-band graphic EQ. Ultra-compact 2 x 250-Watt (max) stereo powered mixer. Ultra-high quality KLARK TEKNIK FX processor with LCD display. "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included).
Brand BEHRINGER
Model PMP500
Part Number 000-AJY
Input Mic 6
Effect Yes
Channels 8
Console Type Powered
Console Layout Horizontal
Power (4 ohms) per channel 130
Equalizer Yes
Aux 1
Application Portable PA
Series EUROPOWER PMP series
Warranty 1 Year

500-Watt 10-Channel Powered Mixer with KLARK TEKNIK Multi-FX Processor, Compressors, FBQ Feedback Detection System and Wireless Option

  • Ultra-compact 2 x 250-Watt stereo powered mixer
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • 8 "Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphones
  • Ultra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Studio-grade compressors with super-easy "one-knob” functionality and control LED for professional vocal and instrumental sound
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal

  • “Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
  • 10-channel mixer section features 6 mono and 2 stereo channels plus separate Aux input
  • Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
  • Selectable stereo (main L/R), double mono (main/monitor) amplifier operation
  • Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
  • Standby switch mutes all input channels during breaks while background music is provided via Aux input
  • Adjustable stereo Aux input for connecting external signal sources
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • Rack mount brackets included
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
Weight16.00 kg13.00 kg29.00 kg10.44 kg8.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 16.00 kg
Weight 13.00 kg
Weight 29.00 kg
Weight 10.44 kg
Weight 8.00 kg
Weight 5.00 kg