YAMAHA MG-06 ANALOG MIXER

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6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus 6-Channel Mixing Console Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) 1 Stereo Bus “D-PRE” mic preamps with an inverted Darlington circuit XLR balanced outputs PAD switch on mono inputs +48V phantom […]

 

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6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus
  • 6-Channel Mixing Console
  • Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo)
  • 1 Stereo Bus
  • “D-PRE” mic preamps with an inverted Darlington circuit
  • XLR balanced outputs
  • PAD switch on mono inputs
  • +48V phantom power
  • Metal chassis
  • Dimensions(W×H×D): 149 mm x 62 mm x 202 mm (5.9“x 2.4“x 7.9“)
  • Net Weight: 0.9 kg (1.98 lbs.)

Outline

I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
PHONES 1
Bus Stereo: 1
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono)
EQ HIGH (Mono) Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ LOW (Mono) Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping
Level Meter 2 x 7 -segment LED meter [PEAK, +6, +3, 0, -3, -10, -20 dB]

General specifications

Total harmonic distortion 0.01 % @ +8dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +18dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-0.5 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
Crosstalk -88 dB
Power requirements PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz, MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V, 50 Hz/60 Hz or equivalent recommended by Yamaha
Power consumption 12 W
Dimensions W 149 mm (5.9“)
H 62 mm (2.4“)
D 202 mm (7.9“)
Net weight 0.9 kg (1.98 lbs.)
Accessories Included Accessory: AC Adaptor, Owner’s Manual, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A
Others Operating Temperature: 0 to +40˚C

 

Weight 1.50 kg

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Quick Comparison

YAMAHA MG-06 ANALOG MIXER removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSAMSON L3200 Live 4-Bus Mixing Console 24 Channels remove
NameYAMAHA MG-06 ANALOG MIXER removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSAMSON L3200 Live 4-Bus Mixing Console 24 Channels remove
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SKUH020.00082SPIRIT FOLIO FX16 IIE003071SPIRIT EFX8GB4 32CHL3200
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Description
Content6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus
  • 6-Channel Mixing Console
  • Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo)
  • 1 Stereo Bus
  • “D-PRE" mic preamps with an inverted Darlington circuit
  • XLR balanced outputs
  • PAD switch on mono inputs
  • +48V phantom power
  • Metal chassis
  • Dimensions(W×H×D): 149 mm x 62 mm x 202 mm (5.9“x 2.4“x 7.9“)
  • Net Weight: 0.9 kg (1.98 lbs.)
Outline
I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
PHONES 1
Bus Stereo: 1
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono)
EQ HIGH (Mono) Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ LOW (Mono) Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping
Level Meter 2 x 7 -segment LED meter [PEAK, +6, +3, 0, -3, -10, -20 dB]
General specifications
Total harmonic distortion 0.01 % @ +8dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +18dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-0.5 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
Crosstalk -88 dB
Power requirements PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz, MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V, 50 Hz/60 Hz or equivalent recommended by Yamaha
Power consumption 12 W
Dimensions W 149 mm (5.9“)
H 62 mm (2.4“)
D 202 mm (7.9“)
Net weight 0.9 kg (1.98 lbs.)
Accessories Included Accessory: AC Adaptor, Owner's Manual, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A
Others Operating Temperature: 0 to +40˚C
 

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Live 4-Bus Mixing Console 
 32 Input Channels (24 mono)
 XLR Mic: 24 mono channels + 4 stereo channels
 Frequency Response: 20Hz – 20kHz
 Weight: 39.70 lbs (18.1kg)
 Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
 4 Stereo Line Inputs
 24 Inserts
 Large Illuminated Mute Switches
 Stereo inserts
 4 Groups with inserts
 3-Band EQ with sweepable mids
 6 Aux sends
 Dual DSP with 100 digital multi-effects
 2 Stereo aux return
 USB I/O (from aux sends or main mix)
 Input gain trim on each channel
 24 dB Low cut filter at 75Hz
 100mm faders
 PFL switches
 AFL switches
 Phantom power switch (+ 48V)
 Mono Out & LPF with sub-woofer containing variable frequency control
 2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
 Talkback mic input

 

Weight1.50 kg5.00 kg12.00 kg3.00 kg32.00 kg18.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.50 kg
Weight 5.00 kg
Weight 12.00 kg
Weight 3.00 kg
Weight 32.00 kg
Weight 18.10 kg