YAMAHA EMX-7 Power Mixer

Discontinued

789.00 incl. GR VAT

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The new EMX7 and EMX5 were designed specifically for musicians, performers, or public speakers who put a premium on sound quality and convenient operation, and are ready to take their sound reinforcement to the next level. Despite their compact construction, only speakers and a microphone are required to configure a fully functioning, extremely portable, and […]

 

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The new EMX7 and EMX5 were designed specifically for musicians, performers, or public speakers who put a premium on sound quality and convenient operation, and are ready to take their sound reinforcement to the next level. Despite their compact construction, only speakers and a microphone are required to configure a fully functioning, extremely portable, and reliable sound system with all the tools you need to mix, process, and deliver your audio just the way you want, anywhere you want.

Powerful & High Efficiency Class-D Amplifier

The EMX7 and EMX5 models feature a built-in high-efficiency power amplifier of 2 x 710W and 2 x 630W of output power respectively. Despite their low power consumption, these amps are capable of very high volume output, yet still manage to remain surprisingly lightweight. Both models also come equipped with an onboard overload protection function to improve reliability and prolong component life and performance quality.

Robust But Extremely Portable Design

The EMX7 and EMX5 benefit from a robust and portable design with a rugged, impact-resistant, powder-coated metal chassis geared towards extended operation and road usage. Large handles on the front and back of the enclosure make it extremely portable, and also help to protect knobs and terminals on the surface of the chassis from impact or pressure during transport.

Easy Setup, Easy Operation

With their intuitive, user-friendly architecture, the EMX7 and EMX5 can be setup and operated quickly and easily by users with a fundamental understanding of sound reinforcement. Their versatile enclosure design allows users to choose from a variety of vertical or horizontal placements depending on the type of application. From a tabletop, floor, or installation environment no matter used on a tabletop or from a seated position with the mixer placed on the floor.

Weight 9.50 kg

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Quick Comparison

YAMAHA EMX-7 Power Mixer removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeECLER AC-6 Professional Mixer 8 Channels removeBEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeDYNACORD PM-502 Powered Mixer removeECLER COMPACT 5 Universal Mixer 5 Channels remove
NameYAMAHA EMX-7 Power Mixer removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeECLER AC-6 Professional Mixer 8 Channels removeBEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeDYNACORD PM-502 Powered Mixer removeECLER COMPACT 5 Universal Mixer 5 Channels remove
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SKUH010.00028E004223AC-6E005672E009266COMPACT 5
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Price 789.00 incl. GR VAT 2,000.00 incl. GR VAT1,776.92 incl. GR VAT 32.24 incl. GR VAT 1,199.00 incl. GR VAT744.00 incl. GR VAT
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Description
ContentThe new EMX7 and EMX5 were designed specifically for musicians, performers, or public speakers who put a premium on sound quality and convenient operation, and are ready to take their sound reinforcement to the next level. Despite their compact construction, only speakers and a microphone are required to configure a fully functioning, extremely portable, and reliable sound system with all the tools you need to mix, process, and deliver your audio just the way you want, anywhere you want. Powerful & High Efficiency Class-D Amplifier The EMX7 and EMX5 models feature a built-in high-efficiency power amplifier of 2 x 710W and 2 x 630W of output power respectively. Despite their low power consumption, these amps are capable of very high volume output, yet still manage to remain surprisingly lightweight. Both models also come equipped with an onboard overload protection function to improve reliability and prolong component life and performance quality. Robust But Extremely Portable Design The EMX7 and EMX5 benefit from a robust and portable design with a rugged, impact-resistant, powder-coated metal chassis geared towards extended operation and road usage. Large handles on the front and back of the enclosure make it extremely portable, and also help to protect knobs and terminals on the surface of the chassis from impact or pressure during transport. Easy Setup, Easy Operation With their intuitive, user-friendly architecture, the EMX7 and EMX5 can be setup and operated quickly and easily by users with a fundamental understanding of sound reinforcement. Their versatile enclosure design allows users to choose from a variety of vertical or horizontal placements depending on the type of application. From a tabletop, floor, or installation environment no matter used on a tabletop or from a seated position with the mixer placed on the floor.DYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms Original 3 years warranty of Greek distributor This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market, yet it weighs only 9kg! With its very lavish feature set and exemplary versatility it is the ideal choice for all professional applications in which few channels yet very high audio quality are required. Performance without compromises: intuitively operated mixing section; 2 editable digital effects devices with 100 presets each and 20 user memories each; professional 4xIN / 4xOUT digital interface (USB) for the connection of a PC or Mac; stereo equalizer in the master section; large, contrast-rich OLED display; and a class-D high-performance power amplifier delivering 2 x 1,000 watts RMS into 4 ohms. Exclusively high-quality brand components have been used; all faders and potentiometers are supplied by ALPS. In the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels ('Super Channels') and 2 stereo LINE channels. The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. < 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as jack sockets. In addition to a Gain control, a highly efficient 3-band equalizer, an FX send, an AUX send and a MONitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels boast, in addition, a switchable 80Hz Lo-Cut filter, whilst the Super Channels 5-6 and 7-8 are supplied by the USB inserts 1-2 and 3-4, in each case in stereo. The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced jack inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels. In all input channels, a Signal / Peak LED is provided to assist level control. The SIG LED illuminates at around 30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels. The DIGITAL AUDIO INTERFACE supplies two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This interface is implemented professionally in 24-bit resolution and supports sampling rates up to 96 kHz, thereby satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The PowerMate is designed for the level of standard PCs / Macs; the gain level can easily be adjusted, if need be, from the computer connected. Included in the delivery is a DVD containing the professional recording software Cubase LE and PC / Mac USB drivers. PC MIDI Interface The PowerMate also makes available a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. In the PowerMate's Master Section are to be found the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post and mono/stereo), the stereo effects returns, and the send signals of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post and thereby used as an additional monitor send or to supply an external effects device. The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room. The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. The control below it allows you to adjust the volume in the headphones. Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The STANDBY switch mutes all outputs. For the playback of things like interval music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers. The PowerMate is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; these function independently and can therefore be mixed. The two effects units are fully identical in design. Each effects section offers 100 presets including high-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. The further possibility exists of modifying individual parameters of the presets and storing the results in the 20 user memories provided. Both effects units are supplied by the FX Send buss. Using the DEVICE SETUP menu, you can, if you wish, configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be controlled independently of one another. The effects can be mixed separately in the master and monitor busses. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus: Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. For this purpose, the maximum permissible nominal power handling of the connected loudspeaker cabinet can be selected from the menu. Unlike the case with conventional voltage limiters, dynamic peaks of short duration are permitted, as loudspeaker cabinets can as a rule tolerate peak levels many times higher than their nominal sustainable loads (RMS). The speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available at all times, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Digital High-Performance Power Amplifier The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient class-D technology for audio performance of the highest quality. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms) only a comparatively small amount of heat is generated within the device, which therefore consumes considerably less electricity than a conventional power amplifier. The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which ensues that the PowerMate can be used without any problem anywhere in the world. Voltage surge protection is also integrated. A ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks. Furthermore, the PowerMate is equipped with an intelligent thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. To ensure safe transportation, the PowerMate 6003 is supplied with a solid plastic lid that is held in place simply and securely, without the need for any locking mechanism, by magnets. Available as an optional accessory, the carrying bag BAG-600PM not only accommodates the PowerMate with its lid but also offers an additional compartment for cables etc. For rack installation, the RMK-PM600-3 rack-mount kit is available as an option. Order No. F01U213899 (DC-PM600-3-UNIV) Channels (Mono + Stereo) 4 + 4 Auxiliarys (MON, FX, AUX) 1 Pre, 1 Post, 1 Pre/Post switchable Maximum Midband Output Power, 1 kHz, THD = 1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V to 240 V AC, 50 Hz to 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions with lid (W x H x D), mm 438.8 x 161.7 x 362.5 Net Weight, without lid 9.0 kg complete specifications see download section, Datasheet EDS User's ManualAlthough the origins of the company date from 1965, ECLER presented its first mixer back in the 70s: the A4, a simple 4 channel mixer oriented to Super 8 film sound edition. The company grew in the 70s with the boom of disco and tourism. The AC-4 was a high fidelity mixer designed to meet the most demanding sound requirements in discos, theatres, cinemas, recording studios, conference rooms... The electronic circuits and the extreme selection of all components and transistors used, made the AC-4 a professional high quality mixer. The new AC-6 is a tribute to those old school, simple, robust, reliable and great sounding mixers. The AC6 enables a new generation of DJs to enjoy the unique sound of those legendary mixers.Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer. It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
  • Compact 4-channel line mixer
  • Separate volume control for each channel
  • Low noise 4580 operational amplifier
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
  • Includes 12-Volt power supply
  • Dimensions: 46.5 x 57.2 x 103.6 mm
  • Weight: 190 g

This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.

Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D  2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.

The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.

 


Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD -
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD -
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
 

A fully featured but compact and clearly designed 5 channel console to offer the most versatile mixing unit to installers and mobile P.A. Adapted to a very wide range of purposes such as Bars, Disco-bars, Religious Centres, Retail shops, Fitness rooms, Education Centres, Meeting rooms, Mobile P.A. rental etc… where space is limited and users are non-technical people.

  • Versatile laptop and rack format design (3u. high / 19” rack).
  • 5 channels, 8 LINE Inputs, 3 MIC Inputs, 2 PHONO Inputs.
  • 2 independent MASTER (1x XLR / 1x RCA) and REC output.
  • 3 band equalizer per channel.
  • PFL monitoring. Talkover. Phantom power.
  • 45mm ECLER faders per channel.
Weight9.50 kg9.00 kg4.00 kg0.20 kg4.90 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 9.50 kg
Weight 9.00 kg
Weight 4.00 kg
Weight 0.20 kg
Weight 4.90 kg
Weight 4.00 kg