| Content |
A new FG has louder and stronger sound in the low- to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the Yamaha R&D Division.
Yamahaʼs engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork.
- Traditional Western Body
- Solid Spruce Top
- Mahogany Back & Sides
- Newly Developed Scalloped Bracing
- Warm and Strong Sound
Top:
| Solid Spruce | | Back: | Mahogany | | Sides: | Mahogany | | Neck: | Nato | | Fingerboard: | Rosewood | | Frets: | 20 | | Bridge: | Rosewood | | Tuners: | Die-cast Chrome (TM29T) | | Color: | Brown Sunburst | | Gig Bag - Hard Case: | - |
| New Bracing Designs
All L-series guitars benefit from a new non-scalloped bracing design that delivers tone that is thick and well focused. The #36 and #26 model instruments add a square bracing design which utilizes side braces to connect the brace closest to the sound hole on the top, to its opposite brace on the back. This arrangement transmits string resonance to the back much quicker, causing the entire instrument to come alive with bass response, which the player feels as well.
Body Selection
Whether you prefer a full-sized LL dreadnought, small-sized LS body, or auditorium-sized LJ, the choice is yours. Each of these body styles is represented in each class letting you choose the instrument that meets your requirements for sound, style, and affordability.
Cutaway Body
Venetian cutaways offer access to the upper frets while adding beauty to these fine instruments.
Tuners
The vintage style brass tuners found on all #26 model guitars present these instruments with a classic look.
Bridge
The bridges on all new L-Series guitars offer more overall mass than their predecessors to deliver greater tone from these instruments. Their designs feature smooth lines and edges to keep the playing surface unencumbered.
Five-Piece Neck Designs
The five-piece necks on the #36 and #26 models are carved from a single laminated block that features two layers of padauk - an extremely hard wood used for marimba tone bars - sandwiched between three layers of mahogany. This design creates a neck that is exceptionally strong and stable-great for those players who prefer low string height. The #16 and #6 model instruments utilize similar 3-ply design of rosewood between two layers of mahogany.
| Top: |
Solid Spruce ( A.R.E) |
| Back: |
Solid Rosewood |
| Sides: |
Solid Rosewood |
| Neck: |
Mahogany + Padauk |
| Fingerboard: |
Ebony |
| Frets: |
20 |
| Bridge: |
Ebony |
| Tuners: |
Open Gear ( Vintage Finish ) |
| Color: |
Natural |
| Gig Bag - Hard Case: |
- |
| The F310 offers outstanding quality at a truly budget price. The lively sound from the spruce/meranti body has a bright, sweet resonance not unlike Yamahaʼs renowned FGs, and real rosewood is used for the fingerboard and bridge. The handling comfort of the slightly reduced body depth and intermediate scale length will be particularly appreciated by younger players.
The Spruce-top, Mahogany-body F310 guitar is priced like a beginner guitar but sounds and plays like a much more expensive instrument. Yamaha's 30-years of experience making great, affordable guitars has made them one of the most respected names in the industry. They proved that you don't need to spend $1,000 or more to own a very playable instrument that sounds great. Other features include a Rosewood fingerboard, chrome tuners, and full tone quality. Our special offer makes this an especially great buy.
Top Spruce
Back Meranti
Sides Meranti
Neck Nato
Fingerboard Rosewood
Frets 20
Bridge Rosewood
Tuners Chrome plated
Color Natural | Acoustic guitar |
The 700 series guitars feature styling and specification driven by the 1000-series guitars but with the exclusive ART pickup system. Designed to capture the guitarʼs full body resonance, ARTʼs ability to faithfully recreate natural tone and dynamics means that the subtle differences between APX and CPX guitars are perfectly recreated, allowing you to pick the guitar that suits your style and know that character will always shine through.
Like all CPX models the new CPX700 II comes with a slightly smaller body than a full-size jumbo. That makes it much more easier to handle. But don't worry: The delivered sound is still bigger than life! The handsomely crafted guitar features a solid spruce top and nato back and sides and produces a bright, richly textured sound - one that, thanks to the solid spruce top, will gradually mature. But thatʼs only half the story, because the instrumentʼs new one-way pickup system, in combination with a #3-Band EQ (with integrated tuner, provides a perfect amplified sound too.
Top Spruce Back Nato Sides Nato Neck Νato Fingerboard Rosewood Tuners Die cast chrome Pickup / Preamp System 64 1-way A.R.T.
| Control Interface
String Strings Scale 650 mm (25 9/16“)
Design/Architecture Detail
Body Depth 100-118 mm (3 15/16“-4 5/8“)
Finger Board Width (Nut/Body) 43 mm (1 11/16“)
Peg Name Diecast Chrome
Material
Top Solid Sitka Spruce
Back Eastern Mahogany
Side/Rib Eastern Mahogany
Neck Nato
Finger Board Rosewood
Bridge Rosewood |
Reviews
There are no reviews yet.