Content | PRICE WITHOUT V.A.T.
50 Superb Effect Programs
Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems.
Broad Programming Versatiity
Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of "main" parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level.
External Controller Assignment
An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time.
MIDI Control
For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal.
Reverb
A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room's dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT.
Early Reflection
Early reflection programs simulate the first few reflections that occur just after a sound is produced - before the reflections become dense enough to be called reverberation - adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer "dense echo" type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can "shape" the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER.
Delay & Echo
DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays.
Modulation
A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant "swirling" sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal.
Noise Gate
ADR-NOISE GATE uses a "gate" to pass or shut off the input signal in a number of useful ways. It can function as a "noise gate," gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered.
Pitch Change
Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired.
Freeze
These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback.
Pan
An advanced pan program allows the creation of a 2-dimensional "rotory" pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field - with programmable attack, pan, and release rates.
Compressor
Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction.
Distortion
This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from "chunky" rhythm to driving leads.
Aural Exciter
This program adds appropriate harmonics to the input signal, adding "sparkle" to the sound. This effect is often used to bring "buried" sounds to the foreground without making them louder, or to add "life" to dull-sounding tracks.
Multi-Effects
Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs.
Dual Effects
Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects. |
USED IN GOOD CONDITION.
Price does not include vat
The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative. FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer Linkable in two Stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA\'s Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied Individual Threshold and Ratio controls on each channel Three-year extended warranty |
DEMO PIECE IN VERY GOOD CONDITION
COMES IN ORIGINAL PACKAGE WILL ALL CABLES/MANUALS STILL SEALED!
DBX Quantum 2 Digital Multi Band Processor
The Quantum II is your studio\'s secret to success, delivering a fully professional master every time. You get sample rates up to 96kHz , a true, 48-bit digital signal path, and legendary dbx dynamics processing in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The intuitive user interface puts all the mastering processes you need right at your fingertips.
A quick surf through the menu driven system gives you a glimpse of the packed feature set. But what really makes the Quantum II a giant in the field of dynamics processing is the dbx Type IV Conversion System. This lets you capture the character of any analog signal to the digital domain, retaining the original warmth of the sound yet allowing you the precision and accuracy you need in today\'s digital world.
Features:
- 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
- 48 bit internal signal path for increased head room and low level resolution
- Patented TYPE IV™ A/D Conversion system with TSE™
- 4 band stereo compressor-gate-limiter
- 5 band EQ - Hi and Lo shelves, 3 band fully parametric and MS EQ
- Normalizer - lets you control overall signal dynamics
- Stereo adjust - control your stereo image
- Sync input/output using dbx\'s ownproprietary clock chips for extremely low jitter sync
- Dither outputs to 16, 20, or 24 bits
- Sample rate conversion - Fill Up/Down
- Software updateable via Internet and MIDI and RS 232
- 4 band crossover with variable slopes
- GUI Control
PRICE WITHOUT VAT 24% | PRICE DOES NOT INCLUDE VAT
Features
Advanced Hardware for Superior Sound
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
Preset, Internal, and Card Memory
180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration
In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
Tempo-based Delay Time Programming
Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.
Superior Pitch Precision
The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.
External Parameter Control
The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.
MIDI Control
The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.
4 Pre-Effects
1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation
REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze
PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT
3 Post Effects
1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT
Specifications
Frequency Response |
20 Hz - 20kHz +/-0.5 dB |
CD Player
Dynamic Range |
Above 100 dB (typical 106dB) |
Specifications
Hum and Noise |
Below -82 dBm (Typical -88dBm) |
Distortion |
Below 0.005% at max. level 1 kHz |
Input/ Number of Channel |
2 (Phone Jack) |
Input/ Nominal Level |
+4/-20dBm (Switchable) |
Input/ Highest Input |
+24dBm (Switchable at +4dB) |
Input/ Impedance |
20 k ohm |
Output/ Number of Channel |
2 (Phone Jack) |
Output/ Nominal Level |
+4/-20dBm (Switchable) |
Output/ Highest Output |
+18dBm (Switchable at +4dB) |
Output/ Impedance |
150 ohm |
A/D Conversion |
20 bits |
D/A Conversion |
20 bits |
Sampling Freq. |
44.1kHz |
Preset Program |
1 - 80 |
User Memory Program |
1 - 99,00 |
Optional Memory Card |
1 - 99,00 |
Front Panel/ Control |
Input Level (L,R), Data Entry |
Front Panel/ Keys |
Function Key x 6, Page Select Key x 2, Memory, Store, Edit, Bypass |
Front Panel/ Display |
2 ch. 8 segment LED (Level Meter) 6 segment LED (Mode Indicator) 7 segment LED (Memory No.) Memory, Edit, Bypass indicators 24 chara x 2 Line LCD |
Front Panel/ Slot |
Memory Card |
Rear Panel/ Connectors |
Input L/R (XLR x 2, Phone jack x 2 Output L/R (XLR x 2, Phone jack x 2) MIDI In, Thru/Out (DIN 5P x 2) Trigger (Phone Jack x 1) Bypass or INC/DEC (Phone Jack x 1) |
Rear Panel/ Switch |
In/Out Level Switch (+4dB/ -20dB x 2) MIDI Thru/ Out Switch |
Power Requirements |
US and Canadian Models: 120V, 60Hz British Model:240V, 50Hz General Model:230V, 50Hz |
Power Consumption |
25W |
Dimensions |
480 x 46 x 324.4 mm |
(W x H x D) |
(18-7/8" x 1-13/16" x 12-3/4“) (including attachments) |
Weight |
4.6 kg (10lbs. 2oz) |
|
PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply
| Outline FSC1 Processor-2nd Hand-
FEATURING
Customized functions
FOC1 dedicated controller for Flyone loudspeaker system
SC1 dedicated controller for Spectra loudspeaker system
NC1 dedicated controller for Integra loudspeaker system
MEC1 dedicated controller for Media loudspeaker system
FSC1 dedicated controller for Formula Stack louds. System
TFC1 dedicated controller tor Topfly loudspeaker system
MRC1 dedicated controller for Road loudspeaker system
TLC1 : dedicated controller for Tripla loudspeaker system
Dynamically invariant filter transfer function
RMS limiters on each output
Subwoofer dedicated output
Adjustable band gain
Polarity inversion switches
Muting switches
DESCRIPTION
Designed with the most advanced audio technologies the Outline Controller Series are true professional active dedicated control units for some Outline loudspeaker system models. Developed to meet the most demanding requirements of the sound reinforcement applications, the Outline Controller Series provides nonstop operation with absolute stability and reliability. Only IEC approved components and parts are used in these active controllers and they are manufactured to satisfy and to be in according with safety objects stated for “electrical device” working within the limits of pertinent CE, European Community directive.
Based on a plugin filter card design, the Outline Controller Series allows the operation to those Outline loudspeaker systems that needs this kind of external assistance to perform of its best.
The Outline FOC1, SC1, MEC1, NC1 two ways with subbass output controllers, are designed for the Outline Flyone, Spectra, Media, Integra loudspeaker system.
The Outline FSC1, TFC1, MRC1, TLC1, three ways with subbass output are designed for the Outline FormulaStack, TopFly, RoadSystem, Tripla loudspeaker system.
All models have customized band splitting, filter transfer function and signal time alignment tailored to the loudspeaker system for which are designed.
All models have dynamic control with loudspeaker protection purposes, obtained with RMS limiters with adjustable threshold that are available on each output.
All models have a very low frequency output that can be used to drive the Outline Bass Series or Sub Series low frequency units.
All models have level control on each output, polarity inverters, muting switches, subsonic filters, RMS limiters and active balanced input and outputs with XLR connectors. Perspex security cover are included.
Dimensions of all models are 483mm width, 44mm height, 210mm depth.
SPECIFICATIONS
Product name:
Outline FOCI, SC1, NCI, MEC1, FSC1, TFC1, MRC1, TLC1
Product type: Dedicated active controller
Channels: 1
Ways:
FOCI: 2 ways + subwoofer
SC1: 2 ways + subwoofer
NCI: 2 ways + subwoofer
MEC1 : 2 ways + subwoofer
FSC1: 3 ways + subwoofer
TFC1: 3 ways + subwoofer
MRC1: 3 ways + subwoofer
TLC1: 3 ways + subwoofer
Crossover frequencies: fixed customized
Filter slope: fixed customized
Filter transfer function: fixed customized
Input impedance: 20 kΩ balanced
Frequency response: 20-20000 Hz ± 0.3 dB
Output impedance: 600Ω balanced
Total harmonic distortion (THD): <0.01%
Total intermodulation distortion (SMPTE): <0.01%
Signal to noise ratio: > 100dBA
Subsonic filter: Butterworth 18 Hz, 18 dB octave
Controls:
Front panel: Power on, output level, polarity, output mute, limiting threshold, input gain adjust
Rear panel switches: Balanced/unbalanced input and outputs, limiters on
Display:
Front panel: Power on, signal present, limiting action, input overloading
Connectors: XLR, Pin 1 ground, Pin 2 hot, Pin 3 cold
Power supply: AC from 100 -to 240V/50-60 Hz
Power consumption: 20W
Dimensions and net weight: Front panel Standard EIA 19" 1 U
483mm width, 44mm height, 210 mm depth, all models 3.3 net weight.
Dimensions volume and gross weight: all models, 55cm width, 8cm height, 30cm depth, volume 0.01 m3, 4.3 gross weight.
|
Reviews
There are no reviews yet.