| Content |
The POCKETRAK PR7 is Yamaha's newest, ultra-portable linear PCM recorder that provides effortless high-quality recordings whenever and wherever you need. Equipped with a newly developed crossed XY stereo microphone, the PR7 captures high-resolution stereo recordings, achieving consistent quality and natural sound. An invaluable tool for any musician, the PR7 offers essential practice functions such as an onboard tuner and metronome, as well as powerful recording functions like overdubbing and marker editing - all easily accessed via a simple, intuitive interface. It even features five optimized presets tailored to a variety of applications, so whether you're rehearsing, songwriting, attending a speaking engagement or making a field recording, achieving studio quality sound has never been so easy.
The PR7's large onboard XY stereo mics are aligned with the left and right mics on the same axis. Using this configuration, both mics are always equidistant from a sound source, providing perfect localization with no phase shifting. Additionally, the well designed microphone covers enhance the performance of the diaphragm resulting in superb stereo recordings with natural depth and precise stereo imaging.
The PR7 features five recording presets with optimized HPF and dynamics control settings tailored to the varying requirements of different recording environments. The OFF setting is ideal for capturing musical performances, NEAR is suitable for personal instrument practice, BAND is best suited for multi-instrumental performances, FIELD is best for outdoor recordings and SPEECH is for meetings, seminars or other speaking engagements.
Built-in Μicrophones Uni-directional condenser microphone, stereo, XY-type
Sampling 6/24-bit, 44.1/48/88.2/96kH
Recording Modes PCM, MP3
Playback speed 50% - 200%
Display Yes
USB compatibility Yes
Headphones Output Yes
Power Supply AAA alkaline or AAA NiMH battery x 1
Battery life 29.5 Hours of Battery Life at PCM 16-bit/44.1kHz
Μemory Built-in Memory: 2GB, External Memory: micro SD card (16MB-2GB),micro SDHC card (4GB-32GB)
Dimensions 46.6(W) x 132.1(H) x 28.7(D) mm
Weight 82g (including battery)
Color Black
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
|
- 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
- Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
- FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
- Input EQ Library: 33 sound shaping presets available for all inputs
- Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)
|
The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.
Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.
The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.
An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.
Main Features
Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications
General
Microphone type Cardioid condenser (stereo)
Maximum input level 125 dB SPL
Input level adjustment range 0–40 dB
Frequency range 10 Hz – 20 kHz
Sampling frequency 44.1 kHz
Bit rate 16 bit
iOS device recharging port USB Mini-B connector
iOS device connector 30-pin dock connector
Device support iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply Provided through the iOS device connector
Power consumption 90 mW
Dimensions (W x H x D) 56 mm x 57 mm x 22 mm (including connector)
Weight 30 g
Operating temperature range 5–35 °C
Design and specifications subject to change without notice. | An Easy-To-Use Portable Recorder with All New Mics and Breakthrough Wi-Fi Technology
The groundbreaking DR-22WL from TASCAM is the first portable recorder to include Wi-Fi for transport control, file transfer, and audio streaming to your smartphone or PC. Other innovations like the new Scene Dial make it easier than ever to capture great-sounding recordings and share them online. A set of stereo condenser microphones is arranged in true XY pattern for ideal stereo imaging. The eight-position Scene Dial selects recording settings for typical situations, or can be set to full manual for greater control.
Included in the DR-22WL is a Wi-Fi function for controlling its transport and transferring files to a smartphone or computer. A free app for iOS and Android controls the transport and transfers files for instant upload. For a recording beginner or experienced user looking for a great-sounding, portable recorder with Wi-Fi, the DR-22WL is the only choice. | Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S!
Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment.
A DSD and Mastering Recorder Born to Run
In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll.
SPECIFICATIONS:
Main Sections
Recorder section
Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording
Recording formats
-PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit
-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd)
-mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps
Recording
Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours
Number: Recognizes a maximum of projects four hundred projects of each format
Mark points: 100 points per project *No mark names
USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive
Project editing: Rename, Delete, Protect
General
Display: 160 x 104 pixel, LCD with backlight
Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED
Power supply: AC100 –240 V
Power consumption: 20 W
Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs
Main Specifications
Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit)
S/N: 103 dB (typical) @ IHF-A
THD+N: 0.005% (typical), 20 Hz ... 20 kHz
A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
Line In L/R
XLR
-Connector: XLR-3-31 type (balanced)
-Input impedance: 22 k Ohms
-Nominal level: + 4 dBu (REC LEVEL=0dB)
-Maximum level: + 24 dBu
RCA
-Connector: RCA (Unbalanced)
-Input impedance: 50k Ohms
-Nominal level (– 12 dBFS – 12 dB-SACD):
–6 dBV (REC LEVEL = 0 dB)
-Maximum level: + 10 dBV
Line Out L/R
XLR
-Connector: XLR-3-32 type (balanced)
-Load impedance: 600 Ohms or greater
-Nominal level: – 4dBu
-Maximum level (0dBFS 0dB-SACD):
– 16 dBu (Nominal level= –12dBFS),
– 18 dBu (Nominal level= –14dBFS),
– 20 dBu (Nominal level= –16dBFS),
– 22 dBu (Nominal level= –18dBFS),
– 24 dBu (Nominal level= –20dBFS)
RCA
-Connector: RCA (Unbalanced)
-Load impedance: 47 k Ohms or greater/
-Nominal level (– 12 dBFS – 12 dB-SACD):
– 6 dBV (REC LEVEL=0dB)
-Maximum level (0 dBFS 0 dB-SACD): + 6dBV
Phones
-Connector: 1/4" stereo phone jack
-Load impedance: 16 Ohms or greater
-Maximum level: 170 mW + 170 mW @ 32 ohms
S/P Dif In/Out (coaxial)
-Connector: RCA pin
-Format: IEC60958
Word Clock In/Out
-Connector: BNC receptacle, 75 Ohms
USB
-Connector: Type B
-Format: USB 2.0 compliant,
-USB mass storage class
-Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later
Included Items
AC power cable, Install CD (“AudioGate" audio file conversion application)
AudioGate ver,1.5 Operating Requirements
Windows
-Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista
-Supported computers:
CPU: Intel Pentium III /1 GHz or better
RAM: 256 MB or more
A USB port that meets the operating requirements of Microsoft Windows XP/Vista
Macintosh
-Supported operating system: Mac OS X 10.3.9 or later
-Supported computers:
CPU: Apple G4/800 MHz or better, Intel Mac is supported
RAM: 256 MB or more
A USB port that meets the operating requirements of Mac OS X
Demo Project
All Most Blues
The Wind and the Wheat performed by Phil Keaggy
copyright Phil Keaggy 2006
http://www.philkeaggy.com/
*This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan.
*”DSD” is a registered trademark.
*Logos, product names, and company names are their trademarks or registered trademarks.
Specifications subject to change without notice |
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