YAMAHA EMX-5 Power Mixer

849.00 incl. GR VAT

Only 1 left in stock (can be backordered)

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: H010.00027 Category:
Product Highlights Integrated 1260 W Power Amplifier 8 Mono Mic/Line Inputs Four Stereo Inputs Hi-Z Input on Channel 4 Two Aux Sends w/ Dedicated Outputs 3-Band EQ on Each Channel Master EQ for Music Playback or Speech Integrated Feedback Suppressor Built-In SPX Multi-Effects Compatible with 4 and 8 Ohm Speakers

 

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Product Highlights
  • Integrated 1260 W Power Amplifier
  • 8 Mono Mic/Line Inputs
  • Four Stereo Inputs
  • Hi-Z Input on Channel 4
  • Two Aux Sends w/ Dedicated Outputs
  • 3-Band EQ on Each Channel
  • Master EQ for Music Playback or Speech
  • Integrated Feedback Suppressor
  • Built-In SPX Multi-Effects
  • Compatible with 4 and 8 Ohm Speakers
Weight 9.50 kg

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YAMAHA EMX-5 Power Mixer removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removeECLER COMPACT 5 Universal Mixer 5 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeBEHRINGER PMP500 12 CHANNEL POWER MIXER WITH 2X250W AMPLIFIER removeBEHRINGER PMP4000 Europower Powered Mixer 2 x 300W 8 ohm 16 channel remove
NameYAMAHA EMX-5 Power Mixer removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removeECLER COMPACT 5 Universal Mixer 5 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeBEHRINGER PMP500 12 CHANNEL POWER MIXER WITH 2X250W AMPLIFIER removeBEHRINGER PMP4000 Europower Powered Mixer 2 x 300W 8 ohm 16 channel remove
ImagePOWERMATE DYNACORD 2200-3 POWER MIXER 22CH CONSOLEbehringer pmp4000 powered mixer κονσολα αυτοενισυόμενη artsound
SKUH010.00027E009268COMPACT 5E004223E006735E005338
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Description
  • Intuitive mixer with 22 input channels (18 Mic/Line + 4 Mic/Stereo-Line)
  • Very powerful and reliable amplifier with 2 x 1.000 Watts / 4 Ohms
  • 2 High-Quality editable effects, 100 factory and 20 user presets
  • Professional 4x4 24-bit / 96 kHz USB interface with MIDI
ContentProduct Highlights
  • Integrated 1260 W Power Amplifier
  • 8 Mono Mic/Line Inputs
  • Four Stereo Inputs
  • Hi-Z Input on Channel 4
  • Two Aux Sends w/ Dedicated Outputs
  • 3-Band EQ on Each Channel
  • Master EQ for Music Playback or Speech
  • Integrated Feedback Suppressor
  • Built-In SPX Multi-Effects
  • Compatible with 4 and 8 Ohm Speakers
Channels (Mono + Stereo) 18 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions (W x H x D), mm 818.5 x 155.0 x 498.5 Net weight 18.0 kg MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available: 2 (FX) are assiged to the two effects sends; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. Master In the Master Section, too, the PowerMate is lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC-MIDI-Interface The PowerMate also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menüs For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus. Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN-Processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Class-D High-Performance Power Amplifiers The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. Innovative Solution for Protection and Transportation The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).

A fully featured but compact and clearly designed 5 channel console to offer the most versatile mixing unit to installers and mobile P.A. Adapted to a very wide range of purposes such as Bars, Disco-bars, Religious Centres, Retail shops, Fitness rooms, Education Centres, Meeting rooms, Mobile P.A. rental etc… where space is limited and users are non-technical people.

  • Versatile laptop and rack format design (3u. high / 19” rack).
  • 5 channels, 8 LINE Inputs, 3 MIC Inputs, 2 PHONO Inputs.
  • 2 independent MASTER (1x XLR / 1x RCA) and REC output.
  • 3 band equalizer per channel.
  • PFL monitoring. Talkover. Phantom power.
  • 45mm ECLER faders per channel.
DYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms Original 3 years warranty of Greek distributor This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market, yet it weighs only 9kg! With its very lavish feature set and exemplary versatility it is the ideal choice for all professional applications in which few channels yet very high audio quality are required. Performance without compromises: intuitively operated mixing section; 2 editable digital effects devices with 100 presets each and 20 user memories each; professional 4xIN / 4xOUT digital interface (USB) for the connection of a PC or Mac; stereo equalizer in the master section; large, contrast-rich OLED display; and a class-D high-performance power amplifier delivering 2 x 1,000 watts RMS into 4 ohms. Exclusively high-quality brand components have been used; all faders and potentiometers are supplied by ALPS. In the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels ('Super Channels') and 2 stereo LINE channels. The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. < 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as jack sockets. In addition to a Gain control, a highly efficient 3-band equalizer, an FX send, an AUX send and a MONitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels boast, in addition, a switchable 80Hz Lo-Cut filter, whilst the Super Channels 5-6 and 7-8 are supplied by the USB inserts 1-2 and 3-4, in each case in stereo. The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced jack inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels. In all input channels, a Signal / Peak LED is provided to assist level control. The SIG LED illuminates at around 30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels. The DIGITAL AUDIO INTERFACE supplies two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This interface is implemented professionally in 24-bit resolution and supports sampling rates up to 96 kHz, thereby satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The PowerMate is designed for the level of standard PCs / Macs; the gain level can easily be adjusted, if need be, from the computer connected. Included in the delivery is a DVD containing the professional recording software Cubase LE and PC / Mac USB drivers. PC MIDI Interface The PowerMate also makes available a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. In the PowerMate's Master Section are to be found the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post and mono/stereo), the stereo effects returns, and the send signals of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post and thereby used as an additional monitor send or to supply an external effects device. The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room. The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. The control below it allows you to adjust the volume in the headphones. Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The STANDBY switch mutes all outputs. For the playback of things like interval music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers. The PowerMate is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; these function independently and can therefore be mixed. The two effects units are fully identical in design. Each effects section offers 100 presets including high-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. The further possibility exists of modifying individual parameters of the presets and storing the results in the 20 user memories provided. Both effects units are supplied by the FX Send buss. Using the DEVICE SETUP menu, you can, if you wish, configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be controlled independently of one another. The effects can be mixed separately in the master and monitor busses. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus: Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. For this purpose, the maximum permissible nominal power handling of the connected loudspeaker cabinet can be selected from the menu. Unlike the case with conventional voltage limiters, dynamic peaks of short duration are permitted, as loudspeaker cabinets can as a rule tolerate peak levels many times higher than their nominal sustainable loads (RMS). The speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available at all times, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Digital High-Performance Power Amplifier The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient class-D technology for audio performance of the highest quality. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms) only a comparatively small amount of heat is generated within the device, which therefore consumes considerably less electricity than a conventional power amplifier. The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which ensues that the PowerMate can be used without any problem anywhere in the world. Voltage surge protection is also integrated. A ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks. Furthermore, the PowerMate is equipped with an intelligent thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. To ensure safe transportation, the PowerMate 6003 is supplied with a solid plastic lid that is held in place simply and securely, without the need for any locking mechanism, by magnets. Available as an optional accessory, the carrying bag BAG-600PM not only accommodates the PowerMate with its lid but also offers an additional compartment for cables etc. For rack installation, the RMK-PM600-3 rack-mount kit is available as an option. Order No. F01U213899 (DC-PM600-3-UNIV) Channels (Mono + Stereo) 4 + 4 Auxiliarys (MON, FX, AUX) 1 Pre, 1 Post, 1 Pre/Post switchable Maximum Midband Output Power, 1 kHz, THD = 1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V to 240 V AC, 50 Hz to 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions with lid (W x H x D), mm 438.8 x 161.7 x 362.5 Net Weight, without lid 9.0 kg complete specifications see download section, Datasheet EDS User's Manual12-channel mixer section features 4 mono and 4 stereo channels, 2 additional stereo inputs plus separate Aux input. Effective, extremely musical 3-band EQ, switchable Low cut filter and Clip LEDs on all mono channels. Stereo 7-band graphic EQ. Ultra-compact 2 x 250-Watt (max) stereo powered mixer. Ultra-high quality KLARK TEKNIK FX processor with LCD display. "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included).
Brand BEHRINGER
Model PMP500
Part Number 000-AJY
Input Mic 6
Effect Yes
Channels 8
Console Type Powered
Console Layout Horizontal
Power (4 ohms) per channel 130
Equalizer Yes
Aux 1
Application Portable PA
Series EUROPOWER PMP series
Warranty 1 Year
EUROPOWER PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System

General

At first glance, this might look like just another one of the many simple 16-channel mixing consoles out there, but with such plentiful functionality, Behringer has succeeded in creating a console is anything but average. The internal amplification module delivers enough power to drive two full-range speakers at 8 ohms. With an impedance of 4 ohms, you can get a lot more volume with only one unit, as you can connect two 8-ohm PA speakers to one output, and two 8-ohm floor monitors to the other.

Behringer Europower PMP4000: Feedback Detection System

Furthermore, the mixer has a number of convenient functions such as a feedback detection system, an equalizer for adjusting the timbre, and an FX processor for adding your personal touch to specific channels.This really is a complete system that offers just about everything you need to provide good amplification for a band. None of that dilly dallying with effects tracks, especially if you don't have room for that in small locations.
  • Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • Ultra-compact design at nearly half the weight of conventional powered mixers
  • 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
  • Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
  • 8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
  • Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
  • Voice Canceller function removes singerʼs voice from recordings for karaoke applications
  • Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  • Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
  • Adjustable stereo CD/Tape input for connecting external signal sources
  • Multi-functional stereo Preamp outputs for added flexibility
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection. What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps donʼt need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles. When used in conjunction with switching-mode power supplies, which donʼt require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up. Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, itʼs easier than ever to lend exceptional sound quality to all kinds of public performances.

Product features

  • 19 inches no
  • Number of auxiliaries 1 - 2
  • Number of microphone inputs 5 - 8
  • Number of mono channels 8
  • Number of stereo channels 4
  • Number of submasters 2
  • Compressor on the inputs no
  • Equalizer 3-band, Master EQ
  • Built-in protection peak limiter, clip indicator
  • Built-in effects yes
  • Panning per channel yes
  • Peak power in watts 1,500 - 1,999 watts
  • Connector position front
  • RMS power (4 ohms) 2x 600 W
  • RMS power (8 ohms) 2x 300 W
  • Type of mixer inputs microphone input (XLR), balanced line input (TRS jack), unbalanced line input (RCA), Hi-Z input (TS jack)
  • Type of mixer outputs stereo headphone output (TRS jack or mini jack), lockable speaker output
  • Mixer power power cable
  • Volume control faders

Weight and dimensions including packaging

  • Weight (incl. packaging) 12.9 kg
  • Dimensions (incl. packaging) 56.0 x 53.0 x 21.0 cm

Product specifications

  • compact powered mixer
  • integrated amplifier
  • power at 8 ohms: 2x 300 W RMS, 1x 1,200 W RMS bridged, 2x 400 W max, 1x 1,600 W max bridged
  • power at 4 ohms: 2x 600 W RMS, 2x 600 W max
  • class D amplification technology
  • 8 mono and 4 stereo channels and split CD/tape input/output
  • 24-bit stereo effects processor with 100 presets
  • FBQ feedback detection system
  • 3-band EQ, switchable pad and clip LEDs on every mono channel
  • stereo 7-band graphic EQ for precise corrections of monitor and main outputs
  • voice canceller function for karaoke applications, for example
  • selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplification modes
  • speaker processing function adjusts frequency response to match each speaker
  • standby switch for muting all input channels by signal via the CD/Tape input
  • adjustable stereo aux input for connecting to external signal sources
  • internal power switch-mode supply for noise-free audio
  • dimensions: 122 x 476 x 460 mm
  • weight: 10.4 kg
 
Weight9.50 kg29.00 kg4.00 kg9.00 kg8.00 kg13.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 9.50 kg
Weight 29.00 kg
Weight 4.00 kg
Weight 9.00 kg
Weight 8.00 kg
Weight 13.30 kg