YAMAHA Reface CS Synthesizer

Analog Physical Modeling Engine with multiple synthesis and oscillator types, Each oscillator type has flexible LFO and ADSR routing plus unique Texture and Mod controls that work as follows:
Multi-saw Texture, control adds sub-oscillator Mod, layers multiple sawtooth waves Pulse Texture, changes pitch of 2nd square wave Mod, change pulse width Oscillator Sync Texture, changes pitch and tone of OSC2 Mod, sets pitch change amount Ring Modulation Texture, changes pitch of OSC1 Mod, changes pitch of OSC2 Frequency Modulation Texture, sets Modulation amount Mod, changes pitch of the Modulator

?Onboard effects processor with five types add depth to your sound The effect types are: OFF (effect bypass,) Delay, VCM Phaser, VCM Chorus/Flanger and Distortion ?8-note polyphony allows complex chords and pads or switch to mono Mode for fat synth bass or solo leads

Vintage Keyboard Sound Engine with six incredibly detailed vintage keyboard types, Each keyboard type matches a carefully chosen Drive and Tremolo setting to provide an incredibly musical pairing,

The six keyboard types are:

• RdI, early '70s tine electric piano
• RdII, late '70s tine electric piano
• Wr, late '60s reed electric piano
• Clv, 70s struck string Clavinet
• Toy, toy piano
• CP, Yamaha CP80 electric grand piano

MicroBrute is pure analog sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

MAIN FEATURES:

• Monophonic synthesizer
• 100% Analog Audio Signal Path
• Steiner-Parker Multimode Filter (LP, BP, HP)
• Voltage Controlled Oscillator with new Overtone Sub-Osc
• Oscillator Mixer (Sub, Sawtooth, Square, Triangle)
• LFO with 3 waveforms and destination attenuator
• Brute FactorTM delivering saturation and rich harmonics
• Ultrasaw generating shimmering sawtooth waveforms
• Metalizer bringing extreme triangle harmonics
• Fast Envelope Generator
• 25 note mini Keyboard
• External Analog Audio Input (level pot on rear)
• CV Inputs: Pitch, Filter, Sub-mod, Pulse, Saw animator, metalizer, gate in.
• CV outputs: Pitch, Gate, Env, LFO
• MIDI Inwith 5-Pin DIN connector
• USB MIDI In/Out
• 1/4" Audio Output and 1/8" Headphone Output
• Free Editor Software
• Step Sequencer :
  • 8 sequences stored on power down
  • Rate control
  • Sync to MIDI clock
  • Multiple modes (via software editor)
• Tap tempo/rest insert

• MicroBrute synthesizer.
• User manual.
• Preset sheets.
• Power supply.
• 2 mini jack patch cords.

• Instrument size : 325x221x60mm
• Instrument weight : 1.750 Kg

Info

Music production station. 24 notes polyphony, 16 parts, degmatolipsia in 48.0Khz, 409 oscillators, 16 different filter types, 32 master and 38 insert effects. Sequencer with 64 steps in each part. 16 dynamically backlit pads, ability to save files in format Ableton. Audio L / R outputs, MIDI IN / OUT, Micro USB 2, card slot SD. Weight 1,6 Kg.

Synth engine

• Up to 18 note polyphony (dynamic voicing)
• Mono-Timbral


Per patch:
• 3x oscillators
• 1x noise generator
• 2x ring modulators


Waveforms include:
• Square, sine, tri, sawtooth, pulse, 9x saw:pulse combinations.
• 20x digital waveforms
• 36x wavetables


Filtertypes:
2x filters per patch
• low pass no resonance 6dB per octave
• low pass 12dB
• low pass 18dB
• low pass 24dB
• band pass 6:6
• band pass 6:12
• band pass 12:6
• band pass 6:18
• band pass 18:6
• band pass 12:12
• high pass no resonance 6dB per octave
• high pass 12dB
• high pass 18dB
• high pass 24dB


Sources:
20 modulation slots per patch
• 6x envelope generators
• 3x LFOs.
• Aftertouch
• Velocity
• Key scaling/track
• Mod wheel
• Expression pedal


Total of 66 Destinations including:
• Oscillator pitch, pulse width, wavetable index, level and sync
• Filter cutoff, resonance, envelope settings
• Effects parameters and send levels
• Recursive modulation (modulating modulation sources themselves)


5 Effects slots per patch
• Distortion – up to 2 instances
• Compressor – up to 2 instances
• Chorus/Phase – up to 4 instances
• Delay – up to 2 instances
• Reverb – up to 2 instances
• Gator
• EQ
•12 band vocoder
• Arpeggiator – 33 patterns
• Chord function – lock up to 10 notes
• Patch storage up to 512 on hardware (ships with 300 factory patches)


Hardware

• 144 character LCD
• 8x detented touch sensitive encoders
• 1x large smooth encoder (with back-lit filter lock buttons)
• 1x large patch select/speed dial encoder
• 2x volume & monitor mix dials
• 39 LED lit/indicated buttons
• Pitch wheel (LED lit)
• Modulation wheel (LED lit)
• 37 note keyboard with velocity and aftertouch
• XLR dynamic mic input
• 2x ¼” jack inputs
• 2x ¼” jack outputs
• 2x ¼” jack aux outputs
• 1x ¼” jack headphone output
• SPDIF digital output on RCA connector
• Expression pedal on ¼” jack input
• Sustain pedal on ¼” jack input
• MIDI in/out/thru
• 12 volt power input
• USB port (UltraNova can be powered via USB)
• Kensington Lock port

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

• Osc 1
• Osc 2
• Sub Osc (3)
• Noise generator

Osc 1 & 2

Select between waveforms:

• sine
• triangle
• sawtooth
• square/variable pulse width

Features

• Sync 1 & 2
• Detune 
• Octave range
• Pitch bend
• Pitch modulation from Mod Envelope and/or LFO 1
• Pulse width modulation from Mod Envelope and/or LFO 2

Sub Osc (3) which is tracked to Osc 1

Select independently between waveforms:

• Sine
• Square
• Narrow pulse

Features

• All modulation and tuning tracked to Osc 1
• Independent octave select 

• Osc 1 level
• Osc 2 level
• Sub Osc level
• Noise generator level
• Ring modulation depth
• External signal level

Two filter types

• Acid type (diode ladder filter design)
• Classic type (derived from original Bass Station)

Features

• Cutoff
• Resonance
• Overdrive
• Filter frequency to Mod Envelope depth
• Filter frequency to LFO 2 depth

Select 'Classic' filter between:

• Low pass
• Band pass
• High pass
• 12dB slope
• 24dB slope

Two ADSR Envelopes  (Attack/Decay/Sustain/Release)

• Amp Envelope
• Mod Envelope
• Combined control of both Envelopes

Select triggering mode between:

• Single trigger (holds envelope state when new note is played)
• Multi trigger (re-triggers with every new note played)
• Autoglide (engages portamento) 

There is also a VCA limiter

Two LFOs each selectable between:

• Triangle
• Sawtooth
• Square
• Sample and hold
• Both LFOs independently adjustable between rate and delay time
• Key sync LFO 1 & 2
• LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)

• Distortion send
• Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
   

Arpeggiator

• Up to 32 different patterns
• Select between 1-4 octave range
• Swing function
• Select direction:
• up
• down
• up / down 1
• up / down 2
• As played
• Random
• Latch (hold the arpeggiator)

Step Sequencer

• Up to four sequences
• Assign one of 32 preset rhythms or create your own
• insert rests or legato (slide)
• Sequencer re-trigger function

• Adjust glide time
• Single trigger or re-trigger modes
• Integrate into step sequencer and arpeggiator

• 25 note synth-action keyboard
• Aftertouch can be assigned to modulate:
• Filter frequency
• LFO 1to Osc pitch
• Osc 2 speed
• Pitch wheel
• Modulation wheel can be assigned to:
• LFO 2 to filter frequency
• LFO 1 to Osc pitch
• Osc 2 pitch
• Octave up/ down buttons
• 64 factory presets
• 64 slots for user patches (and patch dump facility for storing more)
• Master volume dial

• USB MIDI (for connecting & powering Bass Station II via host computer)
• Mono output on 1/4" TRS jack
• Headphone output on 1/4" TRS jack
• External input on 1/4" TRS jack
• Sustain pedal input on 1/4" TS jack
• MIDI IN / MIDI OUT ports on 5 pin din
• DC power input
• Switch between power off / DC powered / bus powered

• 18" wide x 10.75" deep x 3" tall