| Content |
In addition to warmer and stronger sound thanks to the mahogany back and sides, the body binding and fingerboard binding are cream plastic, for an upgraded look. A wealth of color options are available. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players.
- Small Body
- Solid Spruce Top
- Mahogany Back & Sides
- Newly Developed Scalloped Bracing
- Warm and Strong Sound
Top:
| Solid Spruce | | Back: | Mahogany | | Sides: | Mahogany | | Neck: | Nato | | Fingerboard: | Rosewood | | Frets: | 20 | | Bridge: | Rosewood | | Tuners: | Die-cast Chrome (TM29T) | | Color: | Ruby Red | | Gig Bag - Hard Case: | - |
| Control Interface
String Strings Scale 650 mm (25 9/16“)
Design/Architecture Detail
Body Depth 100-118 mm (3 15/16“-4 5/8“)
Finger Board Width (Nut/Body) 43 mm (1 11/16“)
Peg Name Diecast Chrome
Material
Top Solid Sitka Spruce
Back Rosewood
Side/Rib Rosewood
Neck Nato
Finger Board Rosewood
Bridge Rosewood | Generations of professional and amateur musicians remember – and still use – their first Yamaha FG. Now, Yamaha has found a way to apply innovative techniques developed for its high-end L-Series handcrafted models to improve tone and playability while maintaining outstanding value. The result: 15 exciting new FG guitars. Each new model features an inverted L-block which creates a deeper low end and a tighter body-neck connection. Additionally, solid spruce tops, die-cast chrome hardware, and unique non-scalloped bracing help these new FG guitars build on the longevity and legendary status of the originals.
Top Solid Spruce Back Nato Sides Nato Neck Nato Fingerboard Rosewood Frets 20 Bridge Rosewood Tuners Die cast chrome Color Natural Gig Bag - Hard Case - |
AG-9N acoustic guitar is the ideal instrument for the amateur musician and guitarist. It has clear and rich sound. AG-9N is made of Linden Plywood and Maple. |
Offering premium solid tops, the LÂG Tramontane 100 Range brings together a world of woods to create superb-sounding instruments. StudioLâg electronics and Nanoflex® pickups are used throughout. Finely crafted, these instruments are ideal for the guitar enthusiast or the on-the-road professional.
Our 100 Range begins with solid Red Cedar tops for a sweet, deep, and exacting tone. Natural, Black, and Brown Shadow finishes are highlighted by a deep gloss finish. The 100 Series also offers a comfortable slim-line cutaway electric model.
- Headstock: Solid Indonesian Rosewood, linseed oil finish, with Lâg Maple Logo inlay
- Machine Heads: Lubricated High Precision Satin Black, with Satin Black tulip buttons
- Top Nut: Black Graphite 43mm
- Truss Rod: 2-way System
- Neck: Mahogany French Satin finish
- Fingerboard: Indonesian Rosewood, Radius 400mm
- Frets: 20, Silver-Nickel, Medium type
- Top: Solid Red Cedar
- Back & Sides: Dark Mahogany
- Bindings: Mahogany + Maple + Black
- Body Thickness: Bottom 120mm - Neck 97mm
- Rosette: Mahogany with Maple & Black, with Occitania cross
- Bridge: Indonesian Rosewood with Black Resin compensated saddle
- Finish: High Gloss
- Strings: D'Addario Bronze 80/20 LIGHT gauge 012-053
| New Bracing Designs
All L-series guitars benefit from a new non-scalloped bracing design that delivers tone that is thick and well focused. The #36 and #26 model instruments add a square bracing design which utilizes side braces to connect the brace closest to the sound hole on the top, to its opposite brace on the back. This arrangement transmits string resonance to the back much quicker, causing the entire instrument to come alive with bass response, which the player feels as well.
Body Selection
Whether you prefer a full-sized LL dreadnought, small-sized LS body, or auditorium-sized LJ, the choice is yours. Each of these body styles is represented in each class letting you choose the instrument that meets your requirements for sound, style, and affordability.
Cutaway Body
Venetian cutaways offer access to the upper frets while adding beauty to these fine instruments.
Tuners
The vintage style brass tuners found on all #26 model guitars present these instruments with a classic look.
Bridge
The bridges on all new L-Series guitars offer more overall mass than their predecessors to deliver greater tone from these instruments. Their designs feature smooth lines and edges to keep the playing surface unencumbered.
Five-Piece Neck Designs
The five-piece necks on the #36 and #26 models are carved from a single laminated block that features two layers of padauk - an extremely hard wood used for marimba tone bars - sandwiched between three layers of mahogany. This design creates a neck that is exceptionally strong and stable-great for those players who prefer low string height. The #16 and #6 model instruments utilize similar 3-ply design of rosewood between two layers of mahogany.
| Top: |
Solid Spruce ( A.R.E) |
| Back: |
Solid Rosewood |
| Sides: |
Solid Rosewood |
| Neck: |
Mahogany + Padauk |
| Fingerboard: |
Ebony |
| Frets: |
20 |
| Bridge: |
Ebony |
| Tuners: |
Open Gear ( Vintage Finish ) |
| Color: |
Natural |
| Gig Bag - Hard Case: |
- |
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