| Content | You've never seen—or heard—anything like it.
The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that youʼll always capture the complete picture. Combine that with ZOOMʼs groundbreaking interchangeable mic capsule system and two XLR-TRS combo inputs, and you have a world of audio options.
The Q8 offers a large full-color LCD touchscreen for ease of use, along with a wealth of advanced features. Dual combo XLR/TRS inputs allow the connection of external microphones and line-level sources, and a built-in speaker and stereo Headphone/Line Out jack provide audio monitoring; thereʼs even an HDMI output for video monitoring.
Its high-quality 160-degree wide-angle lens and flexible mounting options mean that you can shoot high-def video anywhere you go. Plus, thereʼs a USB output that allows the Q8 to be interconnected with your computer so you can use it with your favorite streaming or editing software.
| DP-008EX
- Eight mono tracks
- CD-quality recording (16bit/44.1kHz)
- Two tracks simultaneous recording/ eight tracks simultaneous playback
- Dedicated stereo master track available
- Record to SD/SDHC card (Up to 32GB)
- 2 Built-in omni-directional condenser microphones
- Microphone sensitivity can be selected from 2-positions (Low/High)
- Two TS 1/4" or XLR mic/line inputs
- INPUT A can connect high-impedance instrument directly (Like an electric-guitar)
- Phantom power supply
- Independent LEVEL/PAN/Reverb SEND knobs for each track
- Two RCA unbalanced line inputs
- 20mW/ch headphone output
- Footswitch ready with polarity switching (Notice: can't use RC-3F)
- 128x64 dot-matrix LCD with backlight
- Four AA batteries operation up to 6.5 hours (When recording, using the eneloop battery)
- Insert effects for input channels (2-band shelving EQ, compressor, exciter, de-esser)
- Mastering effects (2-band shelving EQ, multi-band compressor, normalize)
- Auto analysis mastering function
- 2-band shelving EQ for each track
- Reverb effects (Hall1/2,Room,Studio,Plate1/2)
- Optional AC adapter ready (TASCAM PS-P520)
- Can connect an external battery pack (TASCAM BP-6AA)
- Direct locate function by jog-wheel
- Repeat playback between IN/OUT point
- Track edit functions（COPY PASTE, COPY INSERT, MOVE PASTE, MOVE INSERT, OPEN, CUT, SILENCE, CLONE TRACK, CLEAN OUT)
- Bounce function allows recording of more six tracks
- UNDO/REDO(UNDO HISTORY) function
- Chromatic tuner and metronome included
- High-speed data transfer by USB2.0 connection
- Backup and restore songs
- File import/export by Wav format (mono/stereo)
- Export stereo master file as stereo wav format
- 2GB SD card included
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The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.
- Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
- Up to 24-bit/192kHz uncompressed recording
- Includes a unique 22.05kHz sampling frequency setting for extended recording
- Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
- Fostexʼs "File per Take” system with auto scene & take naming/increment
- Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
- 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
- Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
- Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
- Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
- “Pre-record” loop buffer of approximately 10 seconds*3
- Easy software update via CF or PCMCIA card with downloads from the internet
- Optional timecode generator / reader card
Notes
*1 May require software update for PCMCIA HD operation
*2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
*3 Varies depending on sampling frequency“
- GENERAL
Recording Media CompactFlash card, PCMCIA HD
Recording Format BWF
Number of Channels Stereo / Mono
Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
- PHYSICAL
Power Requirement 8 x AA type dry cell (NiMH recommended)
AC adaptor (optional)
DC 12V
Power Consumption approx. 5W
Dimension 250(W) x 77(H) x 220(D) mm
Weight 1.5kg (w/out battery)
- PERFORMANCE
R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
Line (input gain: +4dBu): 100dB (typical)
Mic: (input gain: -60dBu): 87dB (typical)
Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
- INPUT / OUTPUT CONNECTORS
ANALOG AUDIO INPUT L/R
Connector XLR-3-31 type (Pin2: Hot)
Line Input Impedance : More than 6k ohm
Reference Input Level +4dBu
Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
MIC
Input Impedance More than 6k ohm
Input Level -60dBu
Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
Phantom Power P48
ANALOG AUDIO OUTPUT L(Mono)/R
Connector RCA pin type
Output Load Impedance more than 10k ohm
Nominal Output Level +4dBu
HEADPHONE OUTPUT 50 + 50mW (32 ohm)
Max Speaker Output Level 1W
DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
Connector XLR
Input Format S/P DIF / AES/EBU automatic
Output Format S/P DIF / AES/EBU switchable
USB x 2 (keyboard / PC only)
TIMECODE CARD (OPTIONAL, T.B.A.)
LTC Input/Output LEMO
Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN
| Recorder section
Number of tracks:
2 tracks
2 tracks simultaneous playback
2 tracks simultaneous recording
Recording formats:
Compressed audio format
MP2 format (extension .mp2)
48 kHz@128, 192, 256, 320 kbps
MP3 format (extension .mp3)
44.1 kHz@128, 192, 256, 320 kbps
PCM audio format
WAV format (extension .wav), BWF compliant
44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit
88.2 kHz @ 24-bit, 96 kHz @ 24-bit
176.4 kHz @ 24-bit, 192 kHz @ 24-bit
1-bit audio format
2.8 MHz @ 1-bit
DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)
Recording Time:
Maximum 6 hours @ 44.1 kHz/16-bit (for 4GB memory card)
Maximum continuous recording 6 hours
Number of projects:
Recognizes a maximum of 400 projects of each date folder
Mark points:
100 points per project *No mark names
USB functionality:
Connect to computer via USB 2.0, usable as FAT32 USB removable drive
Song editing:
Rename, Delete, Protect
Tuner
Temperament:
Equal temperament, chromatic tuner
Range (sine wave):
27.50 Hz – 1,318.5 Hz (A0 - E6)
Reference pitch:
A = 435 – 445 Hz
Memory Card (SD)
Supported cards:
SD and SDHC cards with a capacity of 512MB-32GB
(SDHC card of class 4 or higher recommended)
General
Display:
128 x 128 pixel LCD with backlight
Power supply:
AA/LR6 alkaline battery x 2;
AA nickel-metal hydride battery x 2;
USB bus power
Power consumption:
1.5W
Dimensions:
(W x D x H): 2.52" x 4.72" x 0.9“
Weight:
4.94 oz. (not including a memory card and batteries)
Main specifications
Frequency response:
20 Hz – 20 kHz ±1.5 dB (MP2/MP3)
10 Hz – 20 kHz ±1.5 dB @Fs44.1 kHz/48 kHz
10 Hz – 40 kHz ±1.5 dB @Fs88.2 kHz/96 kHz/176.4 kHz/192 kHz
10 Hz – 100 kHz (1-bit)
S/N:
90 dB (typical) @IHF-A
THD+N:
0.018% (typical) 20 Hz – 20 kHz
A/D conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
D/A conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
Mic
Connector:
3.5 mm stereo mini phone jack (switchable to Plug-in-Power)
Input impedance:
10k ohms
Nominal level:
-39 dBV
Maximum level:
-27 dBV
Line In
Connector:
3.5 mm stereo mini phone jack
Input impedance:
75k ohms
Nominal level:
-10 dBV
Maximum level:
+2 dBV
Phones
Connector:
3.5 mm stereo mini phone jack
Maximum level:
20 mW+20 mW @ 16 ohms
USB
Connector:
Type mini-B
Format:
USB 2.0 compliant, USB mass storage class
Supported operating systems:
Windows 2000, or later; Mac OS X 10.4 or later
Included items
Install CD (“AudioGate” audio file conversion application)
AudioGate (v2.0) System Requirements
Windows
Supported OS:
Microsoft Windows XP Home Edition/Professional Edition Service Pack 3 or later
Microsoft Windows Vista Service Pack 2 or later
Microsoft Windows 7
Supported Computers:
Processor: Intel Pentium III/1GHz or faster
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Windows;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs.
Mac OS X
Supported OS:
Mac OS X 10.4 or later
Supported Computers:
Processor:Apple G4/800MHz or faster (Intel-based Mac recommended)
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Mac OS X;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs. | SPECIFICATIONS
[Recorder]
●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome
[Audio interface]
●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz
[Mixer]
●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable
[Effects]
●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal
[Sampler]
●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch
[Rhythm]
●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 - 8/4 ●Tempo : 40.0 - 250.0 BPM
[Hardware]
●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries)
*0dBm=0.775Vrms
R24 USB Audio Interface System Requirments
Windows® Windows® XP SP2 or later / Vista SP1 or later / 7
Intel® Pentium® 4 1.8GHz or better
1GB RAM or more
USB 2.0 compatible port
Intel® Mac OS X 10.4.11 or later / 10.5 / 10.6 / 10.7
Intel® Core Duo processor 1.83GHz or better
1GB RAM or more
USB 2.0 compatible port.
* USB hub is not supported.
* Intel® Chipset is recommended. |
Connect
Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.
Record
The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.
Interface
Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play
Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.
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