Content | You've never seen—or heard—anything like it.
The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that youʼll always capture the complete picture. Combine that with ZOOMʼs groundbreaking interchangeable mic capsule system and two XLR-TRS combo inputs, and you have a world of audio options.
The Q8 offers a large full-color LCD touchscreen for ease of use, along with a wealth of advanced features. Dual combo XLR/TRS inputs allow the connection of external microphones and line-level sources, and a built-in speaker and stereo Headphone/Line Out jack provide audio monitoring; thereʼs even an HDMI output for video monitoring.
Its high-quality 160-degree wide-angle lens and flexible mounting options mean that you can shoot high-def video anywhere you go. Plus, thereʼs a USB output that allows the Q8 to be interconnected with your computer so you can use it with your favorite streaming or editing software.
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Professional digital recording 24channel system, 24 bit/96 kHz, with hard disk drive and 24 analog in/out and 3 adat in/out
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The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.
Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.
The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.
An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.
Main Features
Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences Accepts sound pressure level up to 125 dB SPL Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit Allows recordings in CD quality (44.1kHz/16-bit) Input level rotary control Input level indicator (green/red) Switchable limiter to avoid distorted recordings Power supply via dock connector, no battery required USB connector available for recharging the iOS device Easy setup (attaches to the deviceʼs dock connector) Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge Specifications
General Microphone type Cardioid condenser (stereo) Maximum input level 125 dB SPL Input level adjustment range 0–40 dB Frequency range 10 Hz – 20 kHz Sampling frequency 44.1 kHz Bit rate 16 bit iOS device recharging port USB Mini-B connector iOS device connector 30-pin dock connector Device support iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation) Power supply and other specifications Power supply Provided through the iOS device connector Power consumption 90 mW Dimensions (W x H x D) 56 mm x 57 mm x 22 mm (including connector) Weight 30 g Operating temperature range 5–35 °C Design and specifications subject to change without notice. | Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power |
The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.
- Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
- Up to 24-bit/192kHz uncompressed recording
- Includes a unique 22.05kHz sampling frequency setting for extended recording
- Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
- Fostexʼs "File per Take” system with auto scene & take naming/increment
- Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
- 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
- Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
- Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
- Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
- “Pre-record” loop buffer of approximately 10 seconds*3
- Easy software update via CF or PCMCIA card with downloads from the internet
- Optional timecode generator / reader card
Notes
*1 May require software update for PCMCIA HD operation
*2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
*3 Varies depending on sampling frequency“
- GENERAL
Recording Media CompactFlash card, PCMCIA HD
Recording Format BWF
Number of Channels Stereo / Mono
Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
- PHYSICAL
Power Requirement 8 x AA type dry cell (NiMH recommended)
AC adaptor (optional)
DC 12V
Power Consumption approx. 5W
Dimension 250(W) x 77(H) x 220(D) mm
Weight 1.5kg (w/out battery)
- PERFORMANCE
R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
Line (input gain: +4dBu): 100dB (typical)
Mic: (input gain: -60dBu): 87dB (typical)
Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
- INPUT / OUTPUT CONNECTORS
ANALOG AUDIO INPUT L/R
Connector XLR-3-31 type (Pin2: Hot)
Line Input Impedance : More than 6k ohm
Reference Input Level +4dBu
Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
MIC
Input Impedance More than 6k ohm
Input Level -60dBu
Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
Phantom Power P48
ANALOG AUDIO OUTPUT L(Mono)/R
Connector RCA pin type
Output Load Impedance more than 10k ohm
Nominal Output Level +4dBu
HEADPHONE OUTPUT 50 + 50mW (32 ohm)
Max Speaker Output Level 1W
DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
Connector XLR
Input Format S/P DIF / AES/EBU automatic
Output Format S/P DIF / AES/EBU switchable
USB x 2 (keyboard / PC only)
TIMECODE CARD (OPTIONAL, T.B.A.)
LTC Input/Output LEMO
Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN
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* Instrument trainer / recorder * 1/4" guitar/bass input * Guitar/bass effects including amp modelling, delay, reverb, chorus and more * Records 44.1kHz/16-bit WAV files * Playback 16 or 24-bit WAV files or MP3 files * SD/SDHC card media slot with included 2GB card * Overdub recording allows sound-on-sound build up of an arrangement * Loop playback using dedicated buttons * Variable Speed Audition speeds up or slows down playback without changing the pitch * Chromatic Tuner and Metronome * USB 2.0 jack for high-speed music transfer * Dedicated keys and large LCD display for easy operation * Angled desktop design * Includes 2GB SD card, AA batteries, USB cable
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