ZOOM Q2N Audio Video Recorder

• High-quality 160° wide-angle lens (F2.0/16.6 mm)
• 10 "Scene" options for use in different lighting environments,
  plus ʽAutoʼ setting for automatically adjusting how the camera
  captures specific scene conditions
• Built-in X/Y stereo microphones capable of handling sound
  levels up to 120 dB SPL
• Can be used as standalone audio recorder, with data saved
  in WAV format, up to 24-bit/96 kHz
• 5 field of view (FOV) settings
• Records directly to micro SD/SDHC/SDXC cards up to 128 GB
  for extended recording times
• Easy one-button recording
• Color LCD
• Support for two HD video modes, 720p and 1080p
• Video bitrates up to 24 Mbps for improved image quality
• Frame rates: 1080p/30fps HD, 1080p/24fps HD, 720p/30fps HD,
  720p/24fps HD
• HDMI video output for connection to HDTVs, selectable between
  NTSC and PAL
• Records video (with audio) in MOV format
• Analog-style level control with onscreen level metering and
  2-color status LCD on lens
• Auto Gain function automatic control over audio input level
• Stereo input for use with external devices plus support for
  plug-in power
• Headphone/line-level for fast audio monitoring
• Low-cut filter for the elimination of low-frequency noise
  and rumble
• USB interface for live streaming and data transfer
• Compatible with USTREAM Producer, Flash Live Media Encoder,
  Skype, and other popular streaming applications
• Webcam and USB mic function (with direct monitoring) when
  used with computers and iOS devices (Apple Camera Connection Kit
  or Lightning to USB Camera Adapter required for use with iOS devices)
• Operates with two AA batteries for approximately two hours
• Built-in standard tripod moun

• 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
• Light weight with rigid chassis
• FAT32 file system & BWF Stereo file format + MP3 recording/playback
• Built-in Stereo microphone for quick memo recording
• 2 x XLR mic inputs with phantom power to accept professional microphones
• High resolution recording at 24bit 96kHz
• Mic Trim for accurate recording level adjustment
• Automatic Level Control (ALC - OFF/ALC/LIMITER)
• Hi-Pass Filter
• Backlit 132 x 64 dot matrix LCD display
• Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
• Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
• Auto File Closing (the recording file auto-closes every minute to secure recorded data)
• Auto Shut-off function when the input power becomes abnormally low to save data
• Convenient file naming mode: DATE or TAKE
• 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
• 8 hours operation possible with optional rechargeable NiMH battery pack
• Wired remote controller with microphone attachment belt
• USB 2.0 data transfer to Mac or PC computers for further editing and post-production
• Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

• Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
• Up to 24-bit/192kHz uncompressed recording
• Includes a unique 22.05kHz sampling frequency setting for extended recording
• Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
• Fostexʼs "File per Take” system with auto scene & take naming/increment
• Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
• 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
• Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
• Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
• Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
• “Pre-record” loop buffer of approximately 10 seconds*3
• Easy software update via CF or PCMCIA card with downloads from the internet
• Optional timecode generator / reader card
  
  Notes
  *1 May require software update for PCMCIA HD operation
  *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
  *3 Varies depending on sampling frequency“

• GENERAL
  Recording Media CompactFlash card, PCMCIA HD
  Recording Format BWF
  Number of Channels Stereo / Mono
  Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
  Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  
• PHYSICAL
  Power Requirement 8 x AA type dry cell (NiMH recommended)
  AC adaptor (optional)
  DC 12V
  Power Consumption approx. 5W
  Dimension 250(W) x 77(H) x 220(D) mm
  Weight 1.5kg (w/out battery)
  
• PERFORMANCE
  R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
  20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
  20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
  20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
  S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
  Line (input gain: +4dBu): 100dB (typical)
  Mic: (input gain: -60dBu): 87dB (typical)
  Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
  T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
  Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
  Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
  Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  
• INPUT / OUTPUT CONNECTORS
  ANALOG AUDIO INPUT L/R
  Connector XLR-3-31 type (Pin2: Hot)
  Line Input Impedance : More than 6k ohm
  Reference Input Level +4dBu
  Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
  MIC
  Input Impedance More than 6k ohm
  Input Level -60dBu
  Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
  Phantom Power P48
  ANALOG AUDIO OUTPUT L(Mono)/R
  Connector RCA pin type
  Output Load Impedance more than 10k ohm
  Nominal Output Level +4dBu
  HEADPHONE OUTPUT 50 + 50mW (32 ohm)
  Max Speaker Output Level 1W
  DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
  Connector XLR
  Input Format S/P DIF / AES/EBU automatic
  Output Format S/P DIF / AES/EBU switchable
  USB x 2 (keyboard / PC only)
  TIMECODE CARD (OPTIONAL, T.B.A.)
  LTC Input/Output LEMO
  Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
  Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

• 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
• Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
• FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
• Input EQ Library: 33 sound shaping presets available for all inputs
• Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)

Why are 4-channels of audio better than 2-channels?

• Capture more ambient sound at any shoot for an overall more convincing soundscape.
• Place mics on each participant in conferences, panels, reporters, etc.
• Redundancy or backup in case of camera mic noise or drop out.
• Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
• Video editing environments now support multi-channel audio as standard.

• Main Features

  The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

  Extended Recording with 40GB Hard Disk Drive
  Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

  Superior 24-bit/96-kHz Linear Recording
  Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

  Simultaneous 4-Channel Recording
  The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
  Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

• Five High-Quality Effects
  The R-4 lets you tailor the sound during both recording and playback.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.