Content | Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that\'s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers. From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you\'ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.
Fast, User-Friendly Operability
The H6\'s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility.
Instant Access to Gain Adjustments
Each H6 input has its own dedicated gain control knob. There\'s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.
Interchangeable Stereo Microphone Capsules
Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you\'re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!
The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.
Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6\'s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.
Supports Interchangeable Zoom Mic Capsules
The Zoom mic capsule input on the H6 accommodates Zoom\'s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks.
Six Channels of Microphone/Line Inputs
Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6\'s preamps are ready to deliver low-noise (-120 dB EIN) performance.
Record All Channels Live or Overdub Layers
The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6\'s internal mixdown function to blend six tracks down to a stereo file.
SD Card Recording and Audio Interface Functionality
Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.
Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.
3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones
The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.
Powered via AA Batteries or AC Adapter
Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.
Rugged and Portable, Handheld or Mounted
The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.
Signal Processing Adds Sonic Polish
The H6\'s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.
There\'s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.
Special Recording Functions
The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you\'ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.
Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!
Supports External Remote Control
Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.
Includes Audio Software
The H6 comes with free download licenses for Steinberg\'s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.
Key Features
- Live/Location Recording & Podcasting
- Swappable X/Y & Mid-Side Stereo Mics
- 4 x XLR-1/4" Mic/Line Inputs with Pads
- Fast, User-Friendly Operability
Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable. | 6-track Portable Multi-track Recorder
CD-Quality Recording (44.1kHz/16-bit)
Easy, Intuitive User interface
Built-in High-quality Stereo Condenser Microphone
Two Mic/Line inputs
Compact size and ultra light weight (360g/0.79lb without batteries)
Dedicated Level and Pan/Balance controls per track
Recording media: SD/SDHC card up to 32GB (2GB SD card included)
Recording: 2 tracks simultaneous
Playback: 6 tracks simultaneously
Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
Graphic LCD (128 x 64 dots)
Chromatic Tuner/Metronome
USB 2.0 Connection for Wav File import/export (Stereo and Mono)
Undo/Redo (includes Undo history)
Tripod socket hole
Auto punch in/out
Footswitch input
Dedicated stereo mix-down track
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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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Specifications General | Recording media | | CompactFlash (CF) card | File system | | FAT32 | Recording format | | BWF (Monophonic, Polyphonic) | Number of channels | | 8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) | Quantization bit rate | | 16/24 bit | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | Limiter | | Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1 | Analogue audio inputs and outputs | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | ANALOG INPUT (1-8) | | D-sub 25-pin | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | PHONES connector | | 6.3-mm standard stereo jack | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | Digital audio inputs and outputs | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | Minimum input voltage | | 2 Vpp | Maximum input voltage | | 7 Vpp | Output voltage | | 2–5 Vpp | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | DIGITAL I/O (ADAT) | | ADAT optical | Format | | ADAT | DIGITAL INPUT A-B | | XLR-3-31 | Input voltage | | 2–7 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | DIGITAL OUTPUT L-R | | XLR-3-32 | Output voltage | | 2–5 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | Other inputs and outputs | RS-422 | | D-sub, 9-pin | RS-232C | | D-sub, 9-pin | PARALLEL | | D-sub, 25-pin | CASCADE IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | CASCADE OUT | | BNC | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | TIME CODE IN | | BNC | Input voltage | | 0.5–5 Vpp | Input impedance | | 20 kOhm | TIME CODE OUT | | BNC | Output voltage | | 2–5 Vpp | Output impedance | | 600 Ohm ±10 | WORD/VIDEO IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | WORD/VIDEO THRU/OUT | | BNC OUT/THRU switch included (OUT is for WORD OUT only) | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | ETHERNET | | RJ45 | Keyboard | | Mini-DIN (PS/2) | USB | | USB A-type, 4-pin | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | Audio performance (analogue input to analogue outp | Frequency response | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | Power requirements and other specifications | Power requirements | | 100–240 V AC, 50–60 Hz | Power consumption | | 26 W | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | Weight | | 4.8 kg | Operating temperature range | | 5–35 °C |
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
Recording format |
|
WAV |
44.1/48/96kHz, 16/24bit |
BWF |
44.1/48/96kHz, 16/24bit |
Number of channels |
4channel (stereo x2) |
Analog audio input |
|
1/L, 2/R connectors |
|
Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
Set to "MIC / MIC+PHANTOM“ |
|
Input impedance |
2k ohms |
Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
Maximum input level |
0dBu |
Minimum input level |
-72dBu |
MIC input gain |
TRIM MAX |
LOW |
+11dB |
MID |
+36dB |
HIGH |
+52dB |
Set to "LINE“ |
|
Input impedance |
10k ohms or more |
Standard input level |
+4dBu |
Maximum input level |
+24dBu |
3-4 connector |
|
Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance |
10k ohms |
Maximum input level |
+10dBV |
Minimum input level |
-50dBV |
MIC input gain |
TRIM MAX |
LOW |
+3dB |
HIGH |
+26dB |
CAMERA IN connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Input impedance |
10k ohms |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Analog audio output |
|
CAMERA OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-50dBV |
Maximum output level |
-30dBV |
LINE OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-10dBV |
Maximum output level |
+10dBV |
PHONES connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Maximum output level |
50mW + 50mW |
USB |
|
Connector |
Mini-B type |
Format |
USB2.0 HIGH SPEED mass storage class |
REMOTE |
|
Connector |
2.5mm TRS jack |
Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
Power consumption |
5.4W |
Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
DR-60D |
|
Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
DR-60D+BP-6AA |
|
Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
Weight |
510g (not including batteries) |
Operating temperature |
0˚C to 40˚C |
Standard accessories |
USB cable, warranty card, Owner's manual |
Computer compatibility |
Windows |
OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU |
Pentium 300MHz or more |
RAM |
128MB or more |
USB |
recommended: USB2.0 |
Macintosh |
OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
USB |
recommended: USB2.0 |
Audio performance |
Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
1GB |
2GB |
4GB |
8GB |
WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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Designed for Windows based Pro Tools systems, the affordable Digidesign Pro Tools Custom Keyboard WIN let users work faster in their Pro Tools environment by providing direct access to primary transport and editing functions.
The Digidesign Pro Tools Custom Keyboard use the same symbols and color coding system built into the keyboards on the ICON D-Control worksurface and the other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards. The Digidesign Pro Tools Custom Keyboard provides plug-and-play USB connectivity and offers a fresh new look at a lower price than ever before. The keyboard also supports a PS-2 connection for maximum compatibility.
Digidesign Pro Tools Custom Keyboard WIN Features
- Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
- Windows - PS-2 connection cord and USB adapter for easy connection with either method
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