ZOOM H6 Black Studio Portable Hand Recorder

359.00 incl. GR VAT

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Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable. Like other H-Series Handy recorders […]

 

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Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that\’s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers. From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you\’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Fast, User-Friendly Operability

The H6\’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which happens to be backlit and angled for maximum visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control knob. There\’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input sources are so loud that you need even less gain than the preamps provide at the “0” setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.

Interchangeable Stereo Microphone Capsules

Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you\’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!

The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.

Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6\’s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule input on the H6 accommodates Zoom\’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.

Six Channels of Microphone/Line Inputs

Equipped with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6\’s preamps are ready to deliver low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6\’s internal mixdown function to blend six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.

Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.

Powered via AA Batteries or AC Adapter

Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4″ inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.

Rugged and Portable, Handheld or Mounted

The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.

Signal Processing Adds Sonic Polish

The H6\’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There\’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.

Special Recording Functions

The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you\’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 comes with free download licenses for Steinberg\’s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

Key Features

  • Live/Location Recording & Podcasting
  • Swappable X/Y & Mid-Side Stereo Mics
  • 4 x XLR-1/4″ Mic/Line Inputs with Pads
  • Fast, User-Friendly Operability

Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

Weight 0.50 kg

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NameZOOM H6 Black Studio Portable Hand Recorder removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben removeFOSTEX UR-2 Professional Digital Recorder removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeTASCAM DP-32 SD 32-Track Digital Portastudio remove
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Description
ContentIdeal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable. Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that\'s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers. From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you\'ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion. Fast, User-Friendly Operability The H6\'s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording. Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility. Instant Access to Gain Adjustments Each H6 input has its own dedicated gain control knob. There\'s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB. Interchangeable Stereo Microphone Capsules Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you\'re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)! The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations. Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6\'s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility. Supports Interchangeable Zoom Mic Capsules The Zoom mic capsule input on the H6 accommodates Zoom\'s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks. Six Channels of Microphone/Line Inputs Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6\'s preamps are ready to deliver low-noise (-120 dB EIN) performance. Record All Channels Live or Overdub Layers The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6\'s internal mixdown function to blend six tracks down to a stereo file. SD Card Recording and Audio Interface Functionality Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times. Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz. 3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided. Powered via AA Batteries or AC Adapter Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible. Rugged and Portable, Handheld or Mounted The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR. Signal Processing Adds Sonic Polish The H6\'s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording. There\'s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training. Special Recording Functions The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you\'ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording. Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine! Supports External Remote Control Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise. Includes Audio Software The H6 comes with free download licenses for Steinberg\'s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit. Key Features
  • Live/Location Recording & Podcasting
  • Swappable X/Y & Mid-Side Stereo Mics
  • 4 x XLR-1/4" Mic/Line Inputs with Pads
  • Fast, User-Friendly Operability
Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.

The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal


•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal

•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently

 

Features
  • Support for PAL, NTSC and 60 Hz B&W standards
  • One composite video input and three composite video outputs
  • Can operate as a master black-burst generator
  • Can operate as genlocking slave device

 

Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.

MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.


The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...


Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware.

Features:
  • Primary HD port for connecting directly to HD Core or Accel cards.
  • Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
  • Compatible with the latest versions of ProTools
  • May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
  • Please note: Not compatible with Pro Tools|HD Native
Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording. For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example. Main Features 32-track digital Portastudio 8 mono tracks, 12 stereo tracks (can also be used as mono tracks) Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution Simultaneous playback of all 32 tracks Virtual tracks for alternate takes and undo Dedicated stereo master track Colour LC display and 12-encoder channel strip for simple operation Built-in 40-channel mixer Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track Dedicated controls for EQ, pan and effect sends Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording 8 balanced microphone inputs on balanced combo XLR/jack connectors Switchable phantom power for 4 channels each One input switchable to instrument level for direct recording of a guitar or bass Unbalanced stereo output (RCA jacks) Balanced stereo monitor output (6.3-mm TRS jacks) Two unbalanced effect sends (6.3-mm TS jacks) Stereo headphones output (6.3-mm TRS jack) MIDI input and output for MMC, Control Change and MTC output Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory) Input effects (Limiter, Compressor, Noise suppressor, Exciter) Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter) Mixdown effects (Reverb, Delay, Stereo chorus) Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping) Mark function (up to 99 location marks) Built-in chromatic tuner and metronome CD-RW drive for audio CD creation as well as file import and export USB 2.0 port for data backup/restore and file transfer with a computer Specifications Recording media and file systems Recording media        SD card (512 MB to 2 GB) SDHC card (4–32 GB) File system        SD card (512 MB to 2 GB): FAT16 SDHC card (4–32 GB): FAT32 Analogue audio inputs and outputs MIC/LINE INPUTS A–H, XLR (balanced) Connector        XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance        2.4 kOhm Nominal input level        –14 dBu Maximum input level        +2 dBu MIC/LINE INPUTS A–H, phone jack (balanced) Connector        6.3-mm TRS phone jack Input impedance        >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR) Nominal input level        +4 dBu Maximum input level        +20 dBu STEREO OUT L/R connectors        RCA pin jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm EFFECT SENDS 1/2 connectors        6.3-mm TS phone jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm MONITOR OUT L/R connectors        6.3-mm TRS phone jack Nominal output level        –2 dBu Maximum output level        +14 dBu Output impedance        200 Ohm PHONES connector        6.3-mm TRS phone jack Maximum output power        70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load) Other inputs and outputs MIDI input (MIDI IN)        DIN 5 pin Format        Standard MIDI format MIDI output (MIDI OUT)        DIN 5 pin Format        Standard MIDI format USB connector        USB 4-pin mini-B type Format        Mass Storage Class USB 2.0 High Speed REMOTE connector        2.5-mm TRS jack Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Operating system requirements Windows        Pentium 300 MHz or faster 128 MB or more memory Macintosh        Power PC, iMac, G3, G4 266 MHz or faster 64 MB or more memory Recommended USB port        USB 2.0 Recommended USB host controller        Intel chipset Supported operating systems        Windows XP, Windows Vista, Windows 7 Mac OS X 10.2 or later Power requirements and other specifications Power supply        AC adaptor (TASCAM PS-1225L) Power consumption        12 W (Phantom power on) Dimensions (Width x Height x Depth, excluding projections)        514 mm x 104 mm x 340 mm Weight        6.2 kg Operating temperature        5–35 °C Design and specifications subject to change without notice.
Weight0.50 kg0.30 kg3.00 kg4.00 kg0.30 kg6.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.30 kg
Weight 3.00 kg
Weight 4.00 kg
Weight 0.30 kg
Weight 6.20 kg