ZOOM R-24 Digital Multi Channel Recorder

433.00 incl. GR VAT

Available on backorder

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
SPECIFICATIONS [Recorder] ●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / […]

 

Read more

SPECIFICATIONS
[Recorder]
●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome

[Audio interface]
●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz

[Mixer]
●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable

[Effects]
●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal

[Sampler]
●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch

[Rhythm]
●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 – 8/4 ●Tempo : 40.0 – 250.0 BPM

[Hardware]
●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4”Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4”Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries)

*0dBm=0.775Vrms

R24 USB Audio Interface System Requirments

Windows®    Windows® XP SP2 or later / Vista SP1 or later / 7
Intel® Pentium® 4 1.8GHz or better
1GB RAM or more
USB 2.0 compatible port
Intel® Mac    OS X 10.4.11 or later / 10.5 / 10.6 / 10.7
Intel® Core Duo processor 1.83GHz or better
1GB RAM or more
USB 2.0 compatible port.
* USB hub is not supported.
* Intel® Chipset is recommended.

Weight 1.30 kg

Reviews

There are no reviews yet.

Be the first to review “ZOOM R-24 Digital Multi Channel Recorder”

Your email address will not be published. Required fields are marked *

Quick Comparison

ZOOM R-24 Digital Multi Channel Recorder removeEDIROL R-4 Portable Audio Recorder - WAVE Editor 4CH. removeTASCAM RC-30P FOOTWSITCH ΓΙΑ 2488 ΜΚΙΙ , Fireone removeKORG MR-2000S Rackmount Mobile Recorder removeFOSTEX MR16HD/CD Digital Recorder with CD Burner removeTASCAM iM2X DIGITAL RECORDER remove
NameZOOM R-24 Digital Multi Channel Recorder removeEDIROL R-4 Portable Audio Recorder - WAVE Editor 4CH. removeTASCAM RC-30P FOOTWSITCH ΓΙΑ 2488 ΜΚΙΙ , Fireone removeKORG MR-2000S Rackmount Mobile Recorder removeFOSTEX MR16HD/CD Digital Recorder with CD Burner removeTASCAM iM2X DIGITAL RECORDER remove
Image
SKUI05ZM00002R4RC-30PMR2000SMR16HDCDTAEM000557
Rating
Price 433.00 incl. GR VAT 1,526.69 incl. GR VAT 44.50 incl. GR VAT 1,328.99 incl. GR VAT 959.75 incl. GR VAT 84.00 incl. GR VAT
Stock

Available on backorder

Only 5 left in stock

In stock

Only 2 left in stock

In stock

Available on backorder

AvailabilityAvailable on backorderOnly 5 left in stockIn stockOnly 2 left in stockIn stockAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentSPECIFICATIONS [Recorder] ●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome [Audio interface] ●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz [Mixer] ●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable [Effects] ●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal [Sampler] ●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch [Rhythm] ●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 - 8/4 ●Tempo : 40.0 - 250.0 BPM [Hardware] ●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries) *0dBm=0.775Vrms R24 USB Audio Interface System Requirments Windows®    Windows® XP SP2 or later / Vista SP1 or later / 7 Intel® Pentium® 4 1.8GHz or better 1GB RAM or more USB 2.0 compatible port Intel® Mac    OS X 10.4.11 or later / 10.5 / 10.6 / 10.7 Intel® Core Duo processor 1.83GHz or better 1GB RAM or more USB 2.0 compatible port. * USB hub is not supported. * Intel® Chipset is recommended.

Why are 4-channels of audio better than 2-channels?

  • Capture more ambient sound at any shoot for an overall more convincing soundscape.
  • Place mics on each participant in conferences, panels, reporters, etc.
  • Redundancy or backup in case of camera mic noise or drop out.
  • Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
  • Video editing environments now support multi-channel audio as standard.
  • Main Features

    The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

    Extended Recording with 40GB Hard Disk Drive
    Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

    Superior 24-bit/96-kHz Linear Recording
    Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

    Simultaneous 4-Channel Recording
    The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
    Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

  • Five High-Quality Effects
    The R-4 lets you tailor the sound during both recording and playback.

  • L Terminal for Linking a Digital Video Camera
    The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

    Waveform Editing Using Only the R-4
    The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

    Index Any Point Instantly
    Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

    Easy Playback with the Jog Dial
    Use the jog dial to fast-forward or rewind at any of seven speed levels.

    Built-In Stereo Speakers
    The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

  • L Terminal for Linking a Digital Video Camera
    The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

    Waveform Editing Using Only the R-4
    The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

    Index Any Point Instantly
    Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

    Easy Playback with the Jog Dial
    Use the jog dial to fast-forward or rewind at any of seven speed levels.

    Built-In Stereo Speakers
    The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S! Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment. A DSD and Mastering Recorder Born to Run In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll. SPECIFICATIONS: Main Sections Recorder section Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording Recording formats -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit -1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd) -mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps Recording Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours Number: Recognizes a maximum of projects four hundred projects of each format Mark points: 100 points per project *No mark names USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive Project editing: Rename, Delete, Protect General Display: 160 x 104 pixel, LCD with backlight Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED Power supply: AC100 –240 V Power consumption: 20 W Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs Main Specifications Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit) S/N: 103 dB (typical) @ IHF-A THD+N: 0.005% (typical), 20 Hz ... 20 kHz A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) Line In L/R XLR -Connector: XLR-3-31 type (balanced) -Input impedance: 22 k Ohms -Nominal level: + 4 dBu (REC LEVEL=0dB) -Maximum level: + 24 dBu RCA -Connector: RCA (Unbalanced) -Input impedance: 50k Ohms -Nominal level (– 12 dBFS – 12 dB-SACD): –6 dBV (REC LEVEL = 0 dB) -Maximum level: + 10 dBV Line Out L/R XLR -Connector: XLR-3-32 type (balanced) -Load impedance: 600 Ohms or greater -Nominal level: – 4dBu -Maximum level (0dBFS 0dB-SACD): – 16 dBu (Nominal level= –12dBFS), – 18 dBu (Nominal level= –14dBFS), – 20 dBu (Nominal level= –16dBFS), – 22 dBu (Nominal level= –18dBFS), – 24 dBu (Nominal level= –20dBFS) RCA -Connector: RCA (Unbalanced) -Load impedance: 47 k Ohms or greater/ -Nominal level (– 12 dBFS – 12 dB-SACD): – 6 dBV (REC LEVEL=0dB) -Maximum level (0 dBFS 0 dB-SACD): + 6dBV Phones -Connector: 1/4" stereo phone jack -Load impedance: 16 Ohms or greater -Maximum level: 170 mW + 170 mW @ 32 ohms S/P Dif In/Out (coaxial) -Connector: RCA pin -Format: IEC60958 Word Clock In/Out -Connector: BNC receptacle, 75 Ohms USB -Connector: Type B -Format: USB 2.0 compliant, -USB mass storage class -Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later Included Items AC power cable, Install CD (“AudioGate" audio file conversion application) AudioGate ver,1.5 Operating Requirements Windows -Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista -Supported computers: CPU: Intel Pentium III /1 GHz or better RAM: 256 MB or more A USB port that meets the operating requirements of Microsoft Windows XP/Vista Macintosh -Supported operating system: Mac OS X 10.3.9 or later -Supported computers: CPU: Apple G4/800 MHz or better, Intel Mac is supported RAM: 256 MB or more A USB port that meets the operating requirements of Mac OS X Demo Project All Most Blues The Wind and the Wheat performed by Phil Keaggy copyright Phil Keaggy 2006 http://www.philkeaggy.com/ *This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan. *”DSD” is a registered trademark. *Logos, product names, and company names are their trademarks or registered trademarks. Specifications subject to change without notice
  • 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
  • Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
  • FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
  • Input EQ Library: 33 sound shaping presets available for all inputs
  • Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

Weight1.30 kg1.70 kg0.10 kg6.00 kg8.00 kg0.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.30 kg
Weight 1.70 kg
Weight 0.10 kg
Weight 6.00 kg
Weight 8.00 kg
Weight 0.10 kg