Content | Zoom H1n Digital Handy Recorder (Black)
- X/Y Stereo Mic
- New Layout of Integral Controls
- Record WAVs & MP3s up to 24-Bit / 96 kHz
- Records to microSD/SDHC
- 3.5mm Input/Output Jack
- Built-In Limiter and Low-Cut Filter
- High-Speed USB 2.0 Connectivity
- Works as a USB Audio Interface
- Uses 2 Included AAA Batteries
Like its predecessor, the black H1n Handy Recorder from Zoom is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. However, in this iteration, Zoom has incorporated several features to make operation even simpler.
Whereas the Zoom H1 featured a single record button on the front of the recorder and a whole array of buttons along the side designed for play/pause, rewind/fast forward, and diving into menus, the H1n features buttons where you can easily see them, on the front of the recorder. Now you can go from recording to pausing, and from stopping to navigating between tracks, all with your thumb. Also provided are four buttons above the record function that let you change the sample rate and resolution, apply a low-cut filter for mitigating rumble, turn the built-in limiter on and off, and enact auto-level, which automatically sets the gain for you.
The H1n is geared for musicians, journalists, podcasters, and more, recording WAV and MP3 files to meet your professional needs. The H1n has a stereo X/Y microphone configuration that captures a realistic stereo image. The unit records audio to microSD or microSDHC flash memory cards, supporting capacities up to 32GB. The H1n records WAV audio at rates up to 24-bit / 96 kHz, and MP3 audio at rates up to 320 kbps. The pocket-sized device runs on two AAA batteries, providing up to 10 hours of continuous operation.
A 3.5mm mic/line input lets you connect an external microphone or music player, while a 3.5mm headphone/line output lets you connect your favorite headphones or small external speakers. A high-speed USB 2.0 port allows you to easily transfer data to your Mac or Windows computer. The unit also functions as an audio interface, allowing you to record directly from the Zoom H1n to your favorite DAW. 2 AAA batteries are included.
- Compact Form Factor
- This tiny recorder slips easily into your pocket or bag for the ultimate in portability
- High-Quality Audio
- The recorder can record WAV (BWF) files at up to 24-bit/96 kHz or MP3 files up to 320 kbps and VBR. Broadcast Wave Format allows you to add track markers to your recording
- X/Y Stereo Mic Configuration
- The X/Y stereo microphone configuration captures crisp, true stereo recordings accurately and realistically
- microSD/SDHC Card Recording
- The H1n records to easily found microSD and microSDHC memory cards with capacities up to 32GB
- Easy to Use
- The simple interface provides 1-button recording and offers physical controls for playback functions, input and volume levels, low-cut filter, and auto-level control, eliminating the need for complicated menus
- Input/Output Options
- A standard 3.5mm mic/line input lets you connect external microphones and sound sources such as MP3 players, while a 3.5mm headphone/line output lets you connect headphones or small external speakers
- High-Speed USB 2.0
- A high-speed USB 2.0 port allows you to quickly transfer your audio files to your Mac or Windows computer
- Works as an Audio Interface
- The H1n works as a class-compliant interface with your computer, recording audio at 44.1 or 48 kHz sample rates and 16-bit resolution, straight to your DAW
Recording Media |
microSD/SDHC (class 4 or higher, up to 32 GB) |
Recording Format |
WAV: 44.1 kHz/16-bit, 48 kHz/16-bit, 48 kHz/24-bit, 96kHz/24-bit
MP3: 48 to 320 kbps |
Display |
Monochrome LCD (96x64) with REC LED (red), 1.25" / 3.2 cm |
Inputs |
Built-In Mic: 90° XY stereo format, 120 dB SPL maximum, -∞ to 39 dB input gain
Mic/Line In: 3.5 mm stereo jack, -∞ to 39 dB input gain, 2 kOhms or higher impedance rating, plug-in power (2.5 V) supported |
Outputs |
3.5 mm combined line/headphone stereo jack |
USB |
Micro-USB, USB 2.0 high-speed |
Interface Operation Mode |
USB class compliant, 44.1 / 48 kHz sample rate, 16-bit, 2 x 2 operation, asynchronous transfer |
Power |
2 x AAA batteries (alkaline, NiMH, or lithium) |
Recording Time |
About 10 hours (alkaline batteries, built-in mic at 44.1 kHz / 16-bit) |
Dimensions (W x D x H) |
2.0 x 5.4 x 1.3" / 5.0 x 13.8 x 3.2 cm |
Weight |
2.1 oz / 60.0 g |
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
Recording format |
|
WAV |
44.1/48/96kHz, 16/24bit |
BWF |
44.1/48/96kHz, 16/24bit |
Number of channels |
4channel (stereo x2) |
Analog audio input |
|
1/L, 2/R connectors |
|
Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
Set to "MIC / MIC+PHANTOM“ |
|
Input impedance |
2k ohms |
Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
Maximum input level |
0dBu |
Minimum input level |
-72dBu |
MIC input gain |
TRIM MAX |
LOW |
+11dB |
MID |
+36dB |
HIGH |
+52dB |
Set to "LINE“ |
|
Input impedance |
10k ohms or more |
Standard input level |
+4dBu |
Maximum input level |
+24dBu |
3-4 connector |
|
Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance |
10k ohms |
Maximum input level |
+10dBV |
Minimum input level |
-50dBV |
MIC input gain |
TRIM MAX |
LOW |
+3dB |
HIGH |
+26dB |
CAMERA IN connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Input impedance |
10k ohms |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Analog audio output |
|
CAMERA OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-50dBV |
Maximum output level |
-30dBV |
LINE OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-10dBV |
Maximum output level |
+10dBV |
PHONES connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Maximum output level |
50mW + 50mW |
USB |
|
Connector |
Mini-B type |
Format |
USB2.0 HIGH SPEED mass storage class |
REMOTE |
|
Connector |
2.5mm TRS jack |
Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
Power consumption |
5.4W |
Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
DR-60D |
|
Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
DR-60D+BP-6AA |
|
Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
Weight |
510g (not including batteries) |
Operating temperature |
0˚C to 40˚C |
Standard accessories |
USB cable, warranty card, Owner's manual |
Computer compatibility |
Windows |
OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU |
Pentium 300MHz or more |
RAM |
128MB or more |
USB |
recommended: USB2.0 |
Macintosh |
OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
USB |
recommended: USB2.0 |
Audio performance |
Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
1GB |
2GB |
4GB |
8GB |
WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
|
Specifications
General
Recording media CompactFlash card
Tested media SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system FAT32
File format BWF (single-channel, multi-channel)
Number of audio channels 8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates 16 bit/24 bit
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates 23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic Omni directional, monaural
Low cut filter Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance (LINE) 10 kOhm
Nominal input level (LINE) + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
Maximum input level (LINE) Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
Input impedance (MIC –25) 2.4 kOhm
Minimum input level (MIC –25) –45 dBu
Maximum iput level (MIC –25) +11 dBu
Input impedance (MIC 0) 2.4 kOhm
Minimum input level (MIC 0) –70 dBu
Maximum input level (MIC 0) –14 dBu
LINE OUT connectors (L/R) XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance 100 Ohm or less
Nominal output level +6 dBu (Ref. level: –9 dB)
Nominal output level +4 dBu (Ref. level: Other than –9 dB)
Maximum output level Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector 6.3-mm stereo phone jack
Maximum output power 100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector D-Sub, 25-pin connector
Format AES3-2003/IEC60958-4 (AES/EBU)
Minimum input voltage 200 mVpp
Maximum input voltage 7 Vpp
Output voltage 3.5 Vpp
DIGITAL OUT connectors BNC
Format AES3-2003/AES-3id-2001 (AES/EBU)
Output voltage 1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
Input voltage 11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector BNC
Input voltage 5 V TTL equivalent
Input impedance 75 Ohm ±10 %
Allowable frequency deviation of external sync ±100 ppm
CASCADE/WORD OUT connector BNC
Output voltage 5 V TTL equivalent
Output impedance 75 Ohm ±10 %
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector BNC
Input voltage 0.5–5 Vpp
Input impedance 10 kOhm
TIME CODE OUT connector BNC
Output voltage 2.0 Vpp
Output impedance 600 Ohm
USB port USB B-type, 4-pin
Format USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)
All sample rates 20 Hz – 20 kHz, 0 dB (±0.5 dB)
88.2/96 kHz sample rates at 40 kHz –1 dB (±1.0 dB)
176.4/192 kHz sample rates at 80 kHz –3 dB (+1/–2 dB)
Distortion
LINE IN to LINE OUT 0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
MIC IN (MIC –25) to LINE OUT 0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
MIC IN (MIC 0) to LINE OUT 0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio
LINE IN to LINE OUT 110 dB(A) or more (22 kHz LPF)
MIC IN (MIC –25 or MIC 0) to LINE OUT 100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows Windows XP, Windows Vista, Windows 7
CPU Pentium 300 MHz or faster
Memory 128 MB or more
USB USB 2.0 port
Macintosh Macintosh Mac OS X 10.2 or later
CPU Power PC G3, G4, Intel Mac 266 MHz or faster
Memory 64 MB or more
USB USB 2.0 port
Recommended USB host controller Intel chipset
Power supply and other specifications
Power requirements 100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation) Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
NP type battery (Li-Ion: 14.8 V/4.6 Ah) About 5 hours
AA type batteries (NiMH) About 2 hours
Power consumption 18 W
Dimensions (W x H x D) 270 mm x 100 mm x 260 mm (excluding protrusions)
Weight 3.65 kg (excluding batteries)
Operating temperature range 0–40 ºC
| Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice. | Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later |
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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