| Content |
The H1 Handy Recorder from Zoom is an easy-to-use, versatile stereo digital audio recorder that fits into the palm of your hand. Following in the footsteps of the popular H2 and H4n, the H1 brings pro-level recording to a more compact and affordable design. Perfect for musicians, journalists, podcasters, and more, the H1 records high-quality WAV and MP3 files to meet any professional need. The H1 has a stereo X/Y microphone configuration that captures perfect stereo images. A built-in speaker lets you listen to your recordings right away.
The H1 records your audio onto easily-found microSD or microSDHC flash memory cards, supporting capacities up to 32GB. A 2GB card is included so you can begin recording right away. The H1 records WAV audio at rates up to 24-bit/96kHz, and MP3 audio at rates up to 320kbps and VBR. The pocket-sized device runs on a single AA battery to provide up to 10 hours of continuous operation.
The simple, intuitive interface provides you with 1-button recording, while a backlit LCD display shows vital information. The rear of the recorder features controls for the low cut filter, automatic level control, and format selection. Physical controls are provided for input level and record/playback functions, so you don't have to navigate through complicated menus in order to find the features you want.
A 3.5mm mic/line input lets you connect an external microphone or music player, while a 3.5mm headphone/line output lets you connect your favorite headphones or small external speakers. A high-speed USB 2.0 port allows you to easily transfer data to your Mac or PC. A threaded tripod mount socket makes it easy to mount the H1 on a tripod or stand.
Recording Time The H1 records on microSD cards and comes with a 2GB microSD card. Using a 32GB microSDHC card allows over 50 hours of recording time at 16-bit/44.1 kHz. Compact Form Factor This tiny recorder slips easily into your pocket or bag for the ultimate in portability High-Quality Audio The recorder can record WAV (BWF) files at up to 24-bit/96kHz or MP3 files up to 320kbps and VBR. Broadcast Wave Format allows you to add track markers to your recording X/Y Stereo Mic Configuration The X/Y stereo microphone configuration captures crisp, true stereo recordings for incredible accuracy and realism Reference Speaker A built-in speaker lets you listen to your recordings immediately microSD/SDHC Card Recording The H1 records to easily-found microSD and microSDHC memory cards with capacities up to 32GB. A 2GB card is included to get you started Easy-to-Use The simple interface provides 1-button recording and offers physical controls for playback functions, input and volume levels, low cut filter, and auto level control; eliminating the need for complicated menus. The backlit LCD screen makes it easy to see vital information Automatic Gain and Low-Cut Filter An advanced Auto Gain Control (AGC) and low-cut filter allow the H1 to record audio at the most appropriate level while minimizing unwanted noise without having to adjust settings AA Battery The H1 uses a single AA battery to give you up to 10 hours of continuous use Input/Output Options A standard 3.5mm mic/line input lets you connect external microphones and sound sources such as MP3 players. A 3.5mm headphone/line output let you connect headphones or small external speakers High-Speed USB 2.0 A high-speed USB 2.0 port allows you to quickly transfer your audio files to your Mac or PC Tripod Mounting A standard threaded tripod socket lets you mount the H1 to a tripod or stand Optional Accessory Kit The APH-1 accessory package (sold separately) offers a windscreen, AC adapter, USB cable, adjustable tripod stand, padded case, and mic clip adapter to maximize the H1's capabilities
Product Highlights - X/Y Stereo Mic
- Records WAV and MP3 up to 24-bit/96kHz
- Records to microSD/SDHC (included 2GB)
- 3.5mm I/O
- High-Speed USB 2.0 Connectivity
- Backlit LCD Display
- Built-In Speaker
- Uses 1 AA Battery
- Threaded Tripod Mount Socket
|
Why are 4-channels of audio better than 2-channels?
-
Capture more ambient sound at any shoot for an overall more convincing soundscape.
-
Place mics on each participant in conferences, panels, reporters, etc.
-
Redundancy or backup in case of camera mic noise or drop out.
-
Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
-
Video editing environments now support multi-channel audio as standard.
-
Main Features
The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.
Extended Recording with 40GB Hard Disk Drive
Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.
Superior 24-bit/96-kHz Linear Recording
Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.
Simultaneous 4-Channel Recording
The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.
-
Five High-Quality Effects
The R-4 lets you tailor the sound during both recording and playback.
-
L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
-
L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
|
The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
|
Connect
Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.
Record
The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.
Interface
Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play
Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.
|
| Recorder Section: | | | Number of Tracks: | | | 2 tracks, 2-track recording/playback simultaneously
| | | Recording Formats: | | | 1-bit audio formats - DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit
PCM audio formats - WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit
MP3 format - playback only
44.1kHz or 48kHz/32kbps-320kbps
| | | Internal Hard Disk Drive: | | | 40 GB
| | | Recording Time: | | | Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)
| | | Number of Projects: | | | Recognizes a maximum of 200 for each format, max 1,000 projects
| | | Mark Points: | | | 100 points per a song (no mark name)
| | | USB Functions: | | | USB 2.0 supported, ability to use as FAT32 external USB drive
| | | Song Editing: | | | Rename, Delete, Protect
|
General: | | | Display: | | | 160 x 104 dots LCD with backlight
| | | Dimensions: | | | 192(W) x 170(D) x 56(H) mm/7.56“(W) x 6.69“(D) x 2.20“(H)
| | | Weight: | | | 1.0 kg/2.20 lbs. (without batteries)
| | | Power Supply: | | | Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model � (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);
| | | Current Consumption: | | | 7 W
| | | Accessories: | | | AC Adapter; Carrying Bag; CD-ROM (“AudioGate" Audio File Conversion Software)
|
Principal Specifications: | | | Frequency Response: | | | 10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)
| | | S/N: | | | 96 dB (typical) @ IHF-A INPUT-OUTPUT
| | | THD+N: | | | 0.008% (typical) 20 kHz-LP
| | | A/D Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
| | | D/A Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
|
INPUT L-R: | | | Connectors: | | | XLR-3-31 type / 1/4" TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch
| | | Input Impedance: | | | 4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)
| | | Nominal Level: | | | - 60 dBu - - 28 dBu, XLR (balanced), - 26 dBu - + 4 dBu, 1/4" TRS phone (balanced), - 26 dBV - - 6 dBV, 1/4" TRS phone (Unbalanced)
| | | Maximum: | | | 16 dBu, XLR (balanced), + 16 dBu, 1/4" TRS phone (balanced), + 6 dBV, 1/4" TRS phone (Unbalanced)
|
OUTPUT L-R (Unbalanced/Balanced): | | | Connectors: | | | RCA (Unbalanced)/XLR-3-32 type (balanced)
| | | Nominal Level: | | | 6 dBV/+ 4 dBu
| | | Maximum Level: | | | + 6 dBV/+ 16 dBu
| | | Load Impedance: | | | 47 k Ohm or greater/600 k Ohm or greater
|
PHONES: | | | Connector: | | | 1/4" stereo phone jack
| | | Load Impedance: | | | 16 k Ohm or greater
| | | Maximum Level: | | | 50 mW + 50 mW @ 32 k Ohm
|
USB: | | | Connector: | | | Type B
| | | Format: | | | USB 2.0 High-Speed device, USB mass storage class
| | | Supported OS: | | | Windows Me, 2000 or later, Mac OS 9.0.4 or later*1
*1With Intel based Macs, you must turn on the unit after making USB connection.
|
Included Items: | | | AC adaptor (also operates as charger), carry bag, CD-ROM (�AudioGate� audio file conversion application)
|
AudioGate System Requirement: | | | Supported OS: | | | Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later
| | | CPU: | | | [Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)
| | | Memory: | | | 256 MB or larger (512 MB or larger recommended)
| | | *“DSD" is a registered trademark
*Logos, product names and company names are their tradmarks or registered trademarks |
|
- 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
- Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
- FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
- Input EQ Library: 33 sound shaping presets available for all inputs
- Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)
|
Reviews
There are no reviews yet.