ZOOM F4 Multi Track Field Recorder

Discontinued

593.00 incl. GR VAT

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The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget. By putting high-quality sound front and center, you’ve changed how audiences experience film. That’s why we created the Zoom F4. So professional […]

 

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The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

By putting high-quality sound front and center, you’ve changed how audiences experience film. That’s why we created the Zoom F4. So professional quality sound is always within reach.

Super-low-noise microphone preamps

The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4ʼs mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

Advanced onboard limiters


Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

 

Rock-solid build and lightweight design

A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.

Recording Features

Multi-track recording

With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz.

Camera return

Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks.

Dual SD card recording

A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another.

* View a list of confirmed compatible SD cards

File protection


The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal.

Dual-channel recording


Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering.

Shortcuts

Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts.

Three power sources


Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option.

Add Two Additional Mic/Line Inputs

The F4 is outfitted with a 10-pin Zoom

mic capsule input to expand your recording

capabilities even further. Connecting the

optional EXH-6 XLR/TRS Combo Input Capsule

adds two extra mic/line inputs to your F4,

giving you a total of six discrete

XLR/TRS combo inputs.

Zoom Interchangeable Mic Capsules

Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules.

The Best Connections

Inputs


The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8″ stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.

Outputs


In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8″ stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing.

Time code and USB
 connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz.

An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white

backlit monochromatic LCD

display makes the F4 suitable

for all lighting environments—

from low light to direct sunlight.

It also performs well in harsh

conditions, like dusty and

hard-to-see environments.

Monitor Your Recordings

Flexible options help you easily monitor

recordings in the field. Route any input,

as well as the stereo track (pre- or

post-fader), to the left or right headphone 

channels. A built-in 100 mW headphone 

amplifier provides plenty of volume for

noisy environments. You can even set

headphone alert tones for low battery,

recording start/stop, or recording errors.

Onboard Mixer And Effects

An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

The Nitty Gritty

The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.

Easy to Navigate Menus and Metadata

Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device.

Includes Recording and Editing Software

The F4 comes with free download licenses for Steinbergʼs Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

Your Time is Now

Creators are redefining whatʼs possible in film. Let the F4 elevate your creations with professional quality audio that brings your filmmaking efforts full circle.

Features at a glance

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and
  • +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 
  • 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with
  • DHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to
  • 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8″ stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz) 
  • The F4 can also be mounted to a tripod and attached to your camera using the included mounting bracket.

*The F4 does not have Bluetooth capabilities and

is not compatible with the Zoom F8 iOS app.

Simultaneus Recording Tracks: Yes
Sampling: 24-bit/192 kHz
Display: 1.9″ monochrome LCD with white backlight
Inputs/Outputs: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
Headphones Output: 1/4″ unbalanced stereo output jack
Recording Media: Dual SD card slot supports: 16 MB – 2 GB SD cards 4 GB – 32 GB SDHC cards 64 GB – 512 GB SDXC cards
Effects: User-adjustable level, pan, and input/output delay, built-in limiters, built-in high-pass filter
USB: USB 2.0 High Speed
Dimensions (W x H x D): 177.8 mm (W) ? 141.1 mm (D) ? 54.3 mm (H)
Weight: 1030g

 

 

Weight 1.00 kg

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Description
Content

The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

By putting high-quality sound front and center, you've changed how audiences experience film. That's why we created the Zoom F4. So professional quality sound is always within reach. Super-low-noise microphone preamps
The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4ʼs mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs. TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig. Advanced onboard limiters


Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.   Rock-solid build and lightweight design
A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries. Recording Features
Multi-track recording

With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz. Camera return

Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks. Dual SD card recording

A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another. * View a list of confirmed compatible SD cards File protection


The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal. Dual-channel recording


Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering. Shortcuts

Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts. Three power sources


Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option. Add Two Additional Mic/Line Inputs

The F4 is outfitted with a 10-pin Zoom mic capsule input to expand your recording capabilities even further. Connecting the optional EXH-6 XLR/TRS Combo Input Capsule adds two extra mic/line inputs to your F4, giving you a total of six discrete XLR/TRS combo inputs. Zoom Interchangeable Mic Capsules Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules. The Best Connections

Inputs
 The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels. Outputs
 In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8" stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing. Time code and USB
 connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz. An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white backlit monochromatic LCD display makes the F4 suitable for all lighting environments— from low light to direct sunlight. It also performs well in harsh conditions, like dusty and hard-to-see environments. Monitor Your Recordings

Flexible options help you easily monitor recordings in the field. Route any input, as well as the stereo track (pre- or post-fader), to the left or right headphone  channels. A built-in 100 mW headphone  amplifier provides plenty of volume for noisy environments. You can even set headphone alert tones for low battery, recording start/stop, or recording errors. Onboard Mixer And Effects
An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding. The Nitty Gritty
The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.
Easy to Navigate Menus and Metadata
Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device. Includes Recording and Editing Software The F4 comes with free download licenses for Steinbergʼs Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit. Your Time is Now Creators are redefining whatʼs possible in film. Let the F4 elevate your creations with professional quality audio that brings your filmmaking efforts full circle. Features at a glance

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and
  • +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 
  • 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with
  • DHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to
  • 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz) 
  • The F4 can also be mounted to a tripod and attached to your camera using the included mounting bracket.
*The F4 does not have Bluetooth capabilities and is not compatible with the Zoom F8 iOS app.
Simultaneus Recording Tracks:Yes
Sampling: 24-bit/192 kHz
Display: 1.9" monochrome LCD with white backlight
Inputs/Outputs: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
Headphones Output: 1/4" unbalanced stereo output jack
Recording Media: Dual SD card slot supports: 16 MB – 2 GB SD cards 4 GB – 32 GB SDHC cards 64 GB – 512 GB SDXC cards
Effects: User-adjustable level, pan, and input/output delay, built-in limiters, built-in high-pass filter
USB: USB 2.0 High Speed
Dimensions (W x H x D): 177.8 mm (W) ? 141.1 mm (D) ? 54.3 mm (H)
Weight: 1030g
 

 

The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.

By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.

New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.

Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.

Features
8 tracks of recording and playback using CompactFlash cards

2 track simultaneous recording

Superb in-built digital effects inc Mic and Amp simulations

USB Host function for CD burning with 'off-the-shelf' CD burner

2 mic inputs with +48V Phantom Power

Details
8-track recording onto CompactFlash Card.

High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.

LP Mode (16-bit/22.05 kHz) doubles the recording time.

Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.

Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.

USB Host function ready for CD burning on an off-the-shelf external CD-R drive.

Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.

Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations

Black colored top panel design

Analog guitar distortion with the dedicated knob on Input A.

Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.

Mastering effects for stereo buss.

USB port for stereo WAV file transfer to and from PC

AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.

Built-in microphone for handy song memo.

Two headphones outputs.

Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash

Recording time approx. 6 minutes (8-track on 256MB CF) normal mode

Recording format FAT16

Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)

Quantization 16-bit linear (non-compression)

A/D converter 24-bit Delta-Sigma

D/A converter 24-bit Delta-Sigma

No. of recording track 8 tracks maximum

No. of simultaneous rec. 2 tracks

Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)

Dynamic range 87dB or more (typical) (Normal Mode)

T.H.D. 0.05% or less (typical) (Normal Mode)

Inputs / Outputs
Analog in (input A/B)

Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone

Input level -48dBV (MIC) - +4dBV (LINE)

Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)

Phantom power P48V (on/off selectable)

Stereo out (L, R)

Connector 6mm stereo phone

Output level -10dBV (unbalance)

Load impedance 10k ohm or more

Headphones (phone 1, 2)

Connector 2 x 6mm stereo phone

Max. output 30mW or more (at 32 ohm)

Load impedance 16 ohm or more

MIDI out

Connector DIN 5 pin

Format MIDI standard

Foot switch

Connector 6mm phone

Level TTL level

USB 2.0 HI-SPEED

Connector B type

USB 1.1

Connector A type

General
Dimensions 286(W) x 220(D) x 65(H) mm

Weight approx. approx. 1.6kgs

Power requirement DC12V, 400mA

Features at a glance


To TOP
  • XLR plug-on connection
  • Compatible with dynamic mics as well as bettery-powered condenser mics
  • 48kHz/24-bit linear PCM mono recording
  • WAV files (compatible with BWF format)
  • Media: microSD/SDHC cards (supports 32GB capacities)
  • Sliding record switch and hold function to prevent misoperation during recording
  • Dual recording function
  • automatic file closing function to prevent the loss of already recorded data
  • XLR connector also can use as external input for external input
  • High/Mid/Low recording level settings
  • Low-cut filter
  • Limiter
  • Automatic level function
  • With a built-in clock function, supports BWF files that can have time information added, which is convenient for editing and searching
  • Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
  • Playback function allows recorded data to be checked immediately
  • Headphone output
  • Locking mechanism assure a tight connection with the microphone body
  • Easy-to-read organic EL display
  • micro USB B port enables easy data exchange with computers
  • Records at least 10 hours on a single AAA battery by using alkaline batteries (EVOLTA)
  • Unit settings can be created and transferred as a computer text file
  • Settings can be transferred between multiple DR-10X units using the infrared transmission function
  • Firmware can be updated using a microSD card
  • RoHS-compliant product

 

Recorder section Number of tracks: 2 tracks 2 tracks simultaneous playback 2 tracks simultaneous recording Recording formats: Compressed audio format MP2 format (extension .mp2) 48 kHz@128, 192, 256, 320 kbps MP3 format (extension .mp3) 44.1 kHz@128, 192, 256, 320 kbps PCM audio format WAV format (extension .wav), BWF compliant 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit 88.2 kHz @ 24-bit, 96 kHz @ 24-bit 176.4 kHz @ 24-bit, 192 kHz @ 24-bit 1-bit audio format 2.8 MHz @ 1-bit DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd) Recording Time: Maximum 6 hours @ 44.1 kHz/16-bit (for 4GB memory card) Maximum continuous recording 6 hours Number of projects: Recognizes a maximum of 400 projects of each date folder Mark points: 100 points per project *No mark names USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB removable drive Song editing: Rename, Delete, Protect Tuner Temperament: Equal temperament, chromatic tuner Range (sine wave): 27.50 Hz – 1,318.5 Hz (A0 - E6) Reference pitch: A = 435 – 445 Hz Memory Card (SD) Supported cards: SD and SDHC cards with a capacity of 512MB-32GB (SDHC card of class 4 or higher recommended) General Display: 128 x 128 pixel LCD with backlight Power supply: AA/LR6 alkaline battery x 2; AA nickel-metal hydride battery x 2; USB bus power Power consumption: 1.5W Dimensions: (W x D x H): 2.52" x 4.72" x 0.9“ Weight: 4.94 oz. (not including a memory card and batteries) Main specifications Frequency response: 20 Hz – 20 kHz ±1.5 dB (MP2/MP3) 10 Hz – 20 kHz ±1.5 dB @Fs44.1 kHz/48 kHz 10 Hz – 40 kHz ±1.5 dB @Fs88.2 kHz/96 kHz/176.4 kHz/192 kHz 10 Hz – 100 kHz (1-bit) S/N: 90 dB (typical) @IHF-A THD+N: 0.018% (typical) 20 Hz – 20 kHz A/D conversion: 2.8224 MHz (1-bit), 24-bit (PCM) D/A conversion: 2.8224 MHz (1-bit), 24-bit (PCM) Mic Connector: 3.5 mm stereo mini phone jack (switchable to Plug-in-Power) Input impedance: 10k ohms Nominal level: -39 dBV Maximum level: -27 dBV Line In Connector: 3.5 mm stereo mini phone jack Input impedance: 75k ohms Nominal level: -10 dBV Maximum level: +2 dBV Phones Connector: 3.5 mm stereo mini phone jack Maximum level: 20 mW+20 mW @ 16 ohms USB Connector: Type mini-B Format: USB 2.0 compliant, USB mass storage class Supported operating systems: Windows 2000, or later; Mac OS X 10.4 or later Included items Install CD (“AudioGate” audio file conversion application) AudioGate (v2.0) System Requirements Windows Supported OS: Microsoft Windows XP Home Edition/Professional Edition Service Pack 3 or later Microsoft Windows Vista Service Pack 2 or later Microsoft Windows 7 Supported Computers: Processor: Intel Pentium III/1GHz or faster Memory: 256MB or larger (512 or larger recommended) Hardware: A USB port that meets the operating requirements of Windows; A writable CD/DVD drive is required in order to create audio CDs or DSD discs. Mac OS X Supported OS: Mac OS X 10.4 or later Supported Computers: Processor:Apple G4/800MHz or faster (Intel-based Mac recommended) Memory: 256MB or larger (512 or larger recommended) Hardware: A USB port that meets the operating requirements of Mac OS X; A writable CD/DVD drive is required in order to create audio CDs or DSD discs.Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise Compatible with all Zoom input capsules Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries GENERAL Recording media: SD card: 16MB to 2GB , SDHC card: 4GB to 32GB Display: Backlit LCD (128 x 64 pixels) INPUTS INPUTS L/R [XYH-5 X/Y mic]: Mic type:   Unidirectional Sensitivity:   -45 dB, 1 kHz at 1 Pa Input gain:   -∞ to 52 dB Max sound pressure input: 140 dB SPL MIC/LINE IN : Connector:   1/8" stereo mini jack Input gain:  - ∞ to 52 dB Input impedance:  2 k Ω or more Plug-in power:  2.5V supported Backup recording: -12dB lower than set L/R input gain INPUTS 1/2: Connectors:    XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain (PAD ON): -∞ to 35.0 dB Input impedance:  1.8 k Ω or more Max input level:  +22 dBu (PAD ON) Phantom power:  +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less OUTPUTS LINE OUT : Connector:    1/8" stereo mini jack Rated output level:   -10 dBm Output load impedance: 10k Ω or more PHONE OUT    : Connector:    1/8" stereo mini jack Output Level:    20 W +20 W into 32 Ω load Built-in speaker: 400mw 8 Ω mono RECORDING FORMATS STEREO MODE: WAV (BWF-compliant) Sampling frequency:   44.1/48/96 kHz Bit rate:    16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency:  44.1kHz Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps MULTITRACK MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup) USB Mass Storage Class operation: Class: USB 2.0 High Speed Audio Interface operation: Multitrack mode: Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2 Audio Interface operation: Stereo mode: Class: USB 2.0 Full Speed Sampling frequency: 44.1/48kHz Bit rate:  16 bit Inputs / Outputs: 2 / 2 USB bus powered operation  possible (iPad operation supported in Stereo mode only) POWER REQUIREMENTS AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus powerAn Easy-To-Use Portable Recorder with All New Mics and Breakthrough Wi-Fi Technology The groundbreaking DR-22WL from TASCAM is the first portable recorder to include Wi-Fi for transport control, file transfer, and audio streaming to your smartphone or PC. Other innovations like the new Scene Dial make it easier than ever to capture great-sounding recordings and share them online. A set of stereo condenser microphones is arranged in true XY pattern for ideal stereo imaging. The eight-position Scene Dial selects recording settings for typical situations, or can be set to full manual for greater control. Included in the DR-22WL is a Wi-Fi function for controlling its transport and transferring files to a smartphone or computer. A free app for iOS and Android controls the transport and transfers files for instant upload. For a recording beginner or experienced user looking for a great-sounding, portable recorder with Wi-Fi, the DR-22WL is the only choice.
Weight1.00 kg1.60 kg0.50 kg0.14 kg2.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 1.60 kg
Weight 0.50 kg
Weight 0.14 kg
Weight 2.00 kg
Weight 1.00 kg