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The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.
By putting high-quality sound front and center, you've changed how audiences experience film. That's why we created the Zoom F4. So professional quality sound is always within reach.
Super-low-noise microphone preamps
The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4ʼs mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.
TCXO Time Code
For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.
Advanced onboard limiters
Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.
Rock-solid build and lightweight design
A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.
Recording Features
Multi-track recording
With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz.
Camera return
Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks.
Dual SD card recording
A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another.
* View a list of confirmed compatible SD cards
File protection
The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal.
Dual-channel recording
Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering.
Shortcuts
Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts.
Three power sources
Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option.
Add Two Additional Mic/Line Inputs
The F4 is outfitted with a 10-pin Zoom
mic capsule input to expand your recording
capabilities even further. Connecting the
optional EXH-6 XLR/TRS Combo Input Capsule
adds two extra mic/line inputs to your F4,
giving you a total of six discrete
XLR/TRS combo inputs.
Zoom Interchangeable Mic Capsules
Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules.
The Best Connections
Inputs
The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.
Outputs
In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8" stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing.
Time code and USB
connections
Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz.
An LCD For All Lighting Conditions
An easy-to-read 1.9-inch white
backlit monochromatic LCD
display makes the F4 suitable
for all lighting environments—
from low light to direct sunlight.
It also performs well in harsh
conditions, like dusty and
hard-to-see environments.
Monitor Your Recordings
Flexible options help you easily monitor
recordings in the field. Route any input,
as well as the stereo track (pre- or
post-fader), to the left or right headphone
channels. A built-in 100 mW headphone
amplifier provides plenty of volume for
noisy environments. You can even set
headphone alert tones for low battery,
recording start/stop, or recording errors.
Onboard Mixer And Effects
An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.
The Nitty Gritty
The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.
Easy to Navigate Menus and Metadata
Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device.
Includes Recording and Editing Software
The F4 comes with free download licenses for Steinbergʼs Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.
Your Time is Now
Creators are redefining whatʼs possible in film. Let the F4 elevate your creations with professional quality audio that brings your filmmaking efforts full circle.
Features at a glance
- 6-input/8-track multitrack field recorder with integrated mixer
- 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
- Input 5/6 can be used as a camera return for monitoring only.
- Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
- High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and
- +4 dB line inputs
- Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and
- 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
- Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
- Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with
- DHC-1 DC-HIROSE cable (included)
- Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
- Phantom power (+48V/+24V) on every preamp
- High pass filter, phase invert, and Mid-Side decoder
- Advanced onboard limiters for input and output
- Input delay of up to 30 msec per channel / output delay of up to
- 10 frames per output
- Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
- Dedicated headphone output (100 mW) with front panel volume control
- Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
- Front panel OPTION button gives quick access to important shortcuts
- 1.9” white, backlit monochrome LCD
- Dual SD/SDHC/SDXC card slots, up to 512 GB each
- Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
- Built-in tripod mount; camera mount adapter also included
- Use as a 6-in/4-out USB audio interface (@ 96 kHz)
- The F4 can also be mounted to a tripod and attached to your camera using the included mounting bracket.
*The F4 does not have Bluetooth capabilities and
is not compatible with the Zoom F8 iOS app.
| Simultaneus Recording Tracks: | Yes | | Sampling: | 24-bit/192 kHz | | Display: | 1.9" monochrome LCD with white backlight | | Inputs/Outputs: | XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot) | | Headphones Output: | 1/4" unbalanced stereo output jack | | Recording Media: | Dual SD card slot supports: 16 MB – 2 GB SD cards 4 GB – 32 GB SDHC cards 64 GB – 512 GB SDXC cards | | Effects: | User-adjustable level, pan, and input/output delay, built-in limiters, built-in high-pass filter | | USB: | USB 2.0 High Speed | | Dimensions (W x H x D): | 177.8 mm (W) ? 141.1 mm (D) ? 54.3 mm (H) | | Weight: | 1030g |
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Features at a glance - Supports Sennheiser wireless system mics and transmitters (DR-10CS)
- Supports Shure wireless system mics and transmitters (DR-10CH, DR-10CS with optional AK-DR10CH panel)
- Supports Sony/RAMSA wireless system mics and transmitters (DR-10CS/DR-10CH with optional AK-DR10CR panel)
Note: The Sony/RAMSA panel has a sliding switch to allow proper wiring configuration - 48kHz/24-bit linear PCM mono recording
- WAV files (compatible with BWF format)
- Media: microSD/SDHC cards (supports 32GB capacities)
- Sliding record switch and hold function to prevent misoperation during recording
- Dual recording function
- automatic file closing function to prevent the loss of already recorded data
- High/Mid/Low recording level settings
- Low-cut filter
- Limiter
- Automatic level function
- With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
- Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
- Playback function allows recorded data to be checked immediately
- Headphone output
- Easy-to-read organic EL display
- micro USB B port enables easy data exchange with computers
- Records at least 10 hours on a single AAA battery * using alkaline batteries (EVOLTA)
- Unit settings can be created and transferred as a computer text file
- Settings can be transferred between DR-10C units using the infrared transmission function
- Firmware can be updated using a microSD card
- Belt clip included
- Silicon band that can be used to attach the unit to a transmitter included
- Custom case for storing the unit and accessories included
- RoHS-compliant product
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Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
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When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.
Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.
Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression
4 track simultaneous recording -- great for capturing multiple instruments/vocal parts
4 XLR inputs With phantom power and trim control
Extended recording time -- more than 7.5 hours of 16-track recording at CD quality
Full 16-track bouncing Mix-down -- all tracks in stereo
FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC
2 x AUX For connection to outboard gear
S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.
Input EQ Library 33 sound shaping presets available for all inputs
Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)
Analog Guitar Distortion Awesome distortion (see MR-8HD)
Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)
MR16HD/CD model Features as above with in-built CD-RW
WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.
The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer
A-B part Import Function
New Song Creating Function.
WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.
Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper
2 x CBI American-Made Instrument Cable GA-1 (10 foot)
1 x On Stage 7701B Tripod Boom Mic Stand
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x CBI MLC20 Mic Cable (20 Foot)
Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)
1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper
1 x OnStage 7701B Tripod Boom Mic Stand
1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB) |
| Recorder Section: | | | Number of Tracks: | | | 2 tracks, 2-track recording/playback simultaneously
| | | Recording Formats: | | | 1-bit audio formats - DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit
PCM audio formats - WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit
MP3 format - playback only
44.1kHz or 48kHz/32kbps-320kbps
| | | Internal Hard Disk Drive: | | | 40 GB
| | | Recording Time: | | | Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)
| | | Number of Projects: | | | Recognizes a maximum of 200 for each format, max 1,000 projects
| | | Mark Points: | | | 100 points per a song (no mark name)
| | | USB Functions: | | | USB 2.0 supported, ability to use as FAT32 external USB drive
| | | Song Editing: | | | Rename, Delete, Protect
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General: | | | Display: | | | 160 x 104 dots LCD with backlight
| | | Dimensions: | | | 192(W) x 170(D) x 56(H) mm/7.56“(W) x 6.69“(D) x 2.20“(H)
| | | Weight: | | | 1.0 kg/2.20 lbs. (without batteries)
| | | Power Supply: | | | Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model � (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);
| | | Current Consumption: | | | 7 W
| | | Accessories: | | | AC Adapter; Carrying Bag; CD-ROM (“AudioGate" Audio File Conversion Software)
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Principal Specifications: | | | Frequency Response: | | | 10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)
| | | S/N: | | | 96 dB (typical) @ IHF-A INPUT-OUTPUT
| | | THD+N: | | | 0.008% (typical) 20 kHz-LP
| | | A/D Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
| | | D/A Conversion: | | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
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INPUT L-R: | | | Connectors: | | | XLR-3-31 type / 1/4" TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch
| | | Input Impedance: | | | 4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)
| | | Nominal Level: | | | - 60 dBu - - 28 dBu, XLR (balanced), - 26 dBu - + 4 dBu, 1/4" TRS phone (balanced), - 26 dBV - - 6 dBV, 1/4" TRS phone (Unbalanced)
| | | Maximum: | | | 16 dBu, XLR (balanced), + 16 dBu, 1/4" TRS phone (balanced), + 6 dBV, 1/4" TRS phone (Unbalanced)
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OUTPUT L-R (Unbalanced/Balanced): | | | Connectors: | | | RCA (Unbalanced)/XLR-3-32 type (balanced)
| | | Nominal Level: | | | 6 dBV/+ 4 dBu
| | | Maximum Level: | | | + 6 dBV/+ 16 dBu
| | | Load Impedance: | | | 47 k Ohm or greater/600 k Ohm or greater
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PHONES: | | | Connector: | | | 1/4" stereo phone jack
| | | Load Impedance: | | | 16 k Ohm or greater
| | | Maximum Level: | | | 50 mW + 50 mW @ 32 k Ohm
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USB: | | | Connector: | | | Type B
| | | Format: | | | USB 2.0 High-Speed device, USB mass storage class
| | | Supported OS: | | | Windows Me, 2000 or later, Mac OS 9.0.4 or later*1
*1With Intel based Macs, you must turn on the unit after making USB connection.
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Included Items: | | | AC adaptor (also operates as charger), carry bag, CD-ROM (�AudioGate� audio file conversion application)
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AudioGate System Requirement: | | | Supported OS: | | | Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later
| | | CPU: | | | [Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)
| | | Memory: | | | 256 MB or larger (512 MB or larger recommended)
| | | *“DSD" is a registered trademark
*Logos, product names and company names are their tradmarks or registered trademarks |
| Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power |
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