Content | Recording Media SD/SDHC card (up to 32GB)
Built-in Mic MS stereo & 90-degree XY stereo
Maximum Sound Pressure Level 120dB SPL
Recording Format 《STEREO MODE》
PCM (Quantization : 16/24bit, Sampling Frequency : 44.1/48/96kHz),
MP3 (Bit Rate : 48 to 320kbps, Sampling Frequency : 44.1kHz)
《4CH MODE》
PCM (Quantization: 16/24bit, Sampling Frequency: 44.1/48kHz)
A/D Conversion 24bit, 128times oversampling
D/A Conversion 24bit, 128times oversampling
Signal Processing 32bit
Functions Lo-cut Filter, Compressor/Limiter, Auto Gain, Pre-Rec, Auto-Rec, Tuner,Metronome, Variable Speed Playback, Key Control, A-B Repeat,File Dividing, Normalize, MP3 Post-Encode, Marker, Surround Mixer
Display 128 x 64 pixel, backlit LCD
Input Gain 0 to +39dB
Mic / Line Input 1/8" stereo phone jack (Plug-in power supported)
Input impedance 2kΩ (Input level: 0 to -39dBm)
Phones / Line Output 1/8" stereo phone jack
Rated Output Level -10dBm
Output Load Impedance 10kΩ or more
Phones Output Level 20mW + 20mW into 32Ω load
Built-in Speaker 400mW 8Ω
USB Mini-B type, Mass Storage Class operation (USB2.0 High Speed compatible),
Audio Interface operation (16bit, 44.1kHz/48kHz)
Power Requirements AA/LR6 battery x 2, or AC adapter AD-17 (DC5V/1A/center positive)
Battery Life 20 hours (16bit/44.1kHz WAV recording)
Dimensions 67.6 (W) x 113.8 (D) x 42.7 (H) mm
Weight 130g (without batteries) |
Professional digital recording 24channel system, 24 bit/96 kHz, with hard disk drive and 24 analog in/out and 3 adat in/out
| Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power |
The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.
Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.
The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.
An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.
Main Features
Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences Accepts sound pressure level up to 125 dB SPL Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit Allows recordings in CD quality (44.1kHz/16-bit) Input level rotary control Input level indicator (green/red) Switchable limiter to avoid distorted recordings Power supply via dock connector, no battery required USB connector available for recharging the iOS device Easy setup (attaches to the deviceʼs dock connector) Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge Specifications
General Microphone type Cardioid condenser (stereo) Maximum input level 125 dB SPL Input level adjustment range 0–40 dB Frequency range 10 Hz – 20 kHz Sampling frequency 44.1 kHz Bit rate 16 bit iOS device recharging port USB Mini-B connector iOS device connector 30-pin dock connector Device support iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation) Power supply and other specifications Power supply Provided through the iOS device connector Power consumption 90 mW Dimensions (W x H x D) 56 mm x 57 mm x 22 mm (including connector) Weight 30 g Operating temperature range 5–35 °C Design and specifications subject to change without notice. | TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
Recording format |
|
WAV |
44.1/48/96kHz, 16/24bit |
BWF |
44.1/48/96kHz, 16/24bit |
Number of channels |
4channel (stereo x2) |
Analog audio input |
|
1/L, 2/R connectors |
|
Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
Set to "MIC / MIC+PHANTOM“ |
|
Input impedance |
2k ohms |
Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
Maximum input level |
0dBu |
Minimum input level |
-72dBu |
MIC input gain |
TRIM MAX |
LOW |
+11dB |
MID |
+36dB |
HIGH |
+52dB |
Set to "LINE“ |
|
Input impedance |
10k ohms or more |
Standard input level |
+4dBu |
Maximum input level |
+24dBu |
3-4 connector |
|
Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance |
10k ohms |
Maximum input level |
+10dBV |
Minimum input level |
-50dBV |
MIC input gain |
TRIM MAX |
LOW |
+3dB |
HIGH |
+26dB |
CAMERA IN connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Input impedance |
10k ohms |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Analog audio output |
|
CAMERA OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-50dBV |
Maximum output level |
-30dBV |
LINE OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-10dBV |
Maximum output level |
+10dBV |
PHONES connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Maximum output level |
50mW + 50mW |
USB |
|
Connector |
Mini-B type |
Format |
USB2.0 HIGH SPEED mass storage class |
REMOTE |
|
Connector |
2.5mm TRS jack |
Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
Power consumption |
5.4W |
Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
DR-60D |
|
Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
DR-60D+BP-6AA |
|
Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
Weight |
510g (not including batteries) |
Operating temperature |
0˚C to 40˚C |
Standard accessories |
USB cable, warranty card, Owner's manual |
Computer compatibility |
Windows |
OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU |
Pentium 300MHz or more |
RAM |
128MB or more |
USB |
recommended: USB2.0 |
Macintosh |
OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
USB |
recommended: USB2.0 |
Audio performance |
Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
1GB |
2GB |
4GB |
8GB |
WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
|
When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.
Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.
Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression
4 track simultaneous recording -- great for capturing multiple instruments/vocal parts
4 XLR inputs With phantom power and trim control
Extended recording time -- more than 7.5 hours of 16-track recording at CD quality
Full 16-track bouncing Mix-down -- all tracks in stereo
FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC
2 x AUX For connection to outboard gear
S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.
Input EQ Library 33 sound shaping presets available for all inputs
Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)
Analog Guitar Distortion Awesome distortion (see MR-8HD)
Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)
MR16HD/CD model Features as above with in-built CD-RW
WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.
The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer
A-B part Import Function
New Song Creating Function.
WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.
Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper
2 x CBI American-Made Instrument Cable GA-1 (10 foot)
1 x On Stage 7701B Tripod Boom Mic Stand
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x CBI MLC20 Mic Cable (20 Foot)
Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)
1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper
1 x OnStage 7701B Tripod Boom Mic Stand
1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB) |
Reviews
There are no reviews yet.