Content | SPECIFICTIONS
Recorder
Physical Tracks 8
Simultaneous Recording Tracks 2
Simultaneous Playback Tracks 8
Recording Data Format 44.1/48kHz, 16/24bit WAV
Maximum Recordable Time 200 minutes / GB (44.1kHz 16-bit, mono tracks)
Projects 1,000
Markers 100 / Project
Locator Hours / Min. / Sec. / msec or Bars / Beats / Ticks
File Editing Divide, Trim
Other Functions Punch-In / Out (Manual, Automatic), Bounce, Marker, A-B Repeat, Undo / Redo, Metronome
Audio interface
Input Channels 2
Output Channels 2
Quantization 24bit
Sampling Frequency 44.1、48、88.2、96kHz
Mixer
Faders 9
Level Meters 19-step LCD, Post-fader
Track Parameters 3-band Equalizer, Pan (Balance), Effect Send x 2, Invert
Stereo Links Track pairs 1/2 to 7/8 selectable
Effects
Algorithms 8 (CLEAN、DISTORTION、ACO/BASS SIM、BASS、MIC、DUAL MIC、STEREO、MASTERING)
Types 146
Modules 7 for Insert, 2 for Send / Return
Patches 310 for Insert, 60 for Send / Return
Tuner Chromatic, Guitar, Bass, Open A/D/E/G, D modal
Sampler
Playback Data Format 44.1/48kHz, 16/24bit WAV
Voices 8
Editing Functions Trim, Time-stretch
Rhythm
Voices 8
Sound Format 16-bit Linear PCM
Drum Kits 10
Pads 8 (velocity-sensitive)
Precision 48PPQN
Rhythm Patterns 511/project
Patterns 511 (472 factory, 39 blank) / Project
Beat 1/4-8/4
Tempo 40.0~250.0BPM
Hardware
Recording Media SD Card (16MB-2GB), SDHC Card (4-32GB)
A/D Conversion 96kHz 24bit delta-sigma ADC
D/A Conversion 96kHz 24bit delta-sigma DAC
Display 128 x 64 pixel LCD (with backlight)
Inputs 2 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable
Built-in microphones Omnidirectional condenser microphones / Gain: -50dBm to +4dBm continuously variable
Phantom Power Supply 48V、24V
Master Output 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm
Headphones Output 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load)
USB Mini-B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation
Power Requirements AC adapter (DC5V/1A/center positive) or AA size (LR6) battery x 4
Battery Life 5.5 hours (with backlight on and phantom power off)
Dimensions 257(W) x 190(D) x 51(H) mm
Weight 780g (without batteries) |
Why are 4-channels of audio better than 2-channels?
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Capture more ambient sound at any shoot for an overall more convincing soundscape.
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Place mics on each participant in conferences, panels, reporters, etc.
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Redundancy or backup in case of camera mic noise or drop out.
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Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
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Video editing environments now support multi-channel audio as standard.
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Main Features
The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.
Extended Recording with 40GB Hard Disk Drive
Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.
Superior 24-bit/96-kHz Linear Recording
Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.
Simultaneous 4-Channel Recording
The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.
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Five High-Quality Effects
The R-4 lets you tailor the sound during both recording and playback.
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L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
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L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
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Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
| Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power |
The Denon Professional DN-700R Network SD and USB Recorder is a 1U rack mountable recorder and audio playback device designed for installed sound applications such as houses of worship, education, and more. The unit can record to both SD/SDHC cards and USB media either one at a time for longer recording times or simultaneously to both mediums for backup. The unit features extensive DLNA/UPnp networking capabilities such as automatic or timed FTP file archiving of recorded audio with scheduled Network Timer Protocol, as well as full Web setup and control using IP. The built-in Web remote enables full control of the recorder using a mobile browser.
The front panel of the recorder features an OLED display for showing information such as time, sample rate, and file name. A set of rubberized buttons control basic functions such as record, stop, pause, play, forward, back, as well as menu control and file management functions such as move, copy, combine, divide, and undo. A shift button changes these buttons to functions such as dimming the display, marking files, record monitoring, switching to frame mode, and adjusting pitch. A rotary knob button controls recording level, recording balance, and navigates the menu settings. The front of the unit has two SD/SDHC card slots for inserting recording media with ejection buttons, as well as a USB female type A port for plugging in USB media such as thumb drives and external USB hard drives. A second USB female type A port allows you to plug in a USB QWERTY keyboard for entering file information while recording. The unit also includes a 1/4" headphone out and headphone level control knob for monitoring while recording or listening to recorded tracks.
For I/O, the back of the unit features left and right balanced analog 3-pin XLR female inputs, left and right unbalanced analog RCA inputs, a balanced digital 3-pin XLR AES/EBU input, an unbalanced digital coaxial SPDIF input, left and right balanced analog 3-pin XLR male outputs, left and right unbalanced analog RCA outputs, a balanced digital 3-pin XLR AES/EBU output, and an unbalanced coaxial SPDIF output. For remote control, the unit features both an RS-232C and a 25-pin parallel port. The included rack ears can be removed for tabletop operation.
Network Enabled Provides full setup and control of recorder over IP as well as automatic and timed FTP file archiving using Network Timer Protocol Product Manager Software Provides Web remote control from a network connected PC or Mac and allows you to control the recorder using a mobile browser including sequenced programming of multiple recorders and power on/off capabilities Recording Media Records to both SD and SDHC cards as well as USB media in either dual simultaneous mode for redundant backup or serially one followed by the other in relay/cascade mode for longer recording times Connections Features balanced XLR analog and AES/EBU digital I/O as well as unbalanced RCA analog and SPDIF digital I/O Remote Control Compatible with RS-232C, Parallel GPIO, and Denon's RC-400S "Hot Start" serial remote controller for installed applications Direct Control Features bright OLED display and large function buttons for changing recorder settings Front Panel USB Keyboard Input Features USB port for connecting to a USB keyboard and manually editing file name information while recording Timer Record and Playback Records and plays audio according to user-specified markers in time code DMP Mark Editor Software Includes Windows software for editing markers and marker labels placed within the audio file Switchable XLR/Line Combination Inputs Provides optional +48V of phantom power for condenser microphones and can be switched to line level operation
UPC: 883795002769
System
| Network SD/USB Recorder | Compatible Media | SD/USB memory/USB HDD | Playable File Formats | SD, USB: FAT16/FAT32/HFS+ | Extension | WAV: WAV, AIFF, AIF
MP3: MP3
AAC: M4A with AAC-LC compression | Resolution | WAV: 16-bit, 24-bit | Bit Rate | MP3: 32 to 320 kbps and VBR
AAC: 64 to 320 kbps and VBR | Sampling Frequency | WAV: 96, 48, 44.1 kHz
MP3: 48, 44.1 kHz
AAC: 48, 44.1 kHz | Number of Channels | 2 (stereo), 1 (mono) | Frequency Response | 20 to 20,000 Hz (+0.5 dB/ -1 dB) | S/N Ratio | More than 89 dB (A-weighted) | Total Harmonic Distortion | Less than 0.01% | Dynamic Range | More than 106 dB (for 24 bit WAV playback) | Channel Separation | Less than -90 dB | Variable Pitch Width | -16% to 16% | Variable Trim Adjustment Width | ± 2.0 dB |
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Recorder Section: | | Number of Tracks: | | 2 tracks, 2-track recording/playback simultaneously
| | Recording Formats: | | 1-bit audio formats - DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit
PCM audio formats - WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit
MP3 format - playback only
44.1kHz or 48kHz/32kbps-320kbps
| | Internal Hard Disk Drive: | | 40 GB
| | Recording Time: | | Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)
| | Number of Projects: | | Recognizes a maximum of 200 for each format, max 1,000 projects
| | Mark Points: | | 100 points per a song (no mark name)
| | USB Functions: | | USB 2.0 supported, ability to use as FAT32 external USB drive
| | Song Editing: | | Rename, Delete, Protect
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General: | | Display: | | 160 x 104 dots LCD with backlight
| | Dimensions: | | 192(W) x 170(D) x 56(H) mm/7.56“(W) x 6.69“(D) x 2.20“(H)
| | Weight: | | 1.0 kg/2.20 lbs. (without batteries)
| | Power Supply: | | Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model � (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);
| | Current Consumption: | | 7 W
| | Accessories: | | AC Adapter; Carrying Bag; CD-ROM (“AudioGate" Audio File Conversion Software)
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Principal Specifications: | | Frequency Response: | | 10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)
| | S/N: | | 96 dB (typical) @ IHF-A INPUT-OUTPUT
| | THD+N: | | 0.008% (typical) 20 kHz-LP
| | A/D Conversion: | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
| | D/A Conversion: | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
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INPUT L-R: | | Connectors: | | XLR-3-31 type / 1/4" TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch
| | Input Impedance: | | 4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)
| | Nominal Level: | | - 60 dBu - - 28 dBu, XLR (balanced), - 26 dBu - + 4 dBu, 1/4" TRS phone (balanced), - 26 dBV - - 6 dBV, 1/4" TRS phone (Unbalanced)
| | Maximum: | | 16 dBu, XLR (balanced), + 16 dBu, 1/4" TRS phone (balanced), + 6 dBV, 1/4" TRS phone (Unbalanced)
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OUTPUT L-R (Unbalanced/Balanced): | | Connectors: | | RCA (Unbalanced)/XLR-3-32 type (balanced)
| | Nominal Level: | | 6 dBV/+ 4 dBu
| | Maximum Level: | | + 6 dBV/+ 16 dBu
| | Load Impedance: | | 47 k Ohm or greater/600 k Ohm or greater
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PHONES: | | Connector: | | 1/4" stereo phone jack
| | Load Impedance: | | 16 k Ohm or greater
| | Maximum Level: | | 50 mW + 50 mW @ 32 k Ohm
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USB: | | Connector: | | Type B
| | Format: | | USB 2.0 High-Speed device, USB mass storage class
| | Supported OS: | | Windows Me, 2000 or later, Mac OS 9.0.4 or later*1
*1With Intel based Macs, you must turn on the unit after making USB connection.
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Included Items: | | AC adaptor (also operates as charger), carry bag, CD-ROM (�AudioGate� audio file conversion application)
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AudioGate System Requirement: | | Supported OS: | | Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later
| | CPU: | | [Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)
| | Memory: | | 256 MB or larger (512 MB or larger recommended)
| | *“DSD" is a registered trademark
*Logos, product names and company names are their tradmarks or registered trademarks |
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