| Content | Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism. Welcome to the new gold standard in field recording.
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
The H4n Pro provides the essential combination of micʼing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ⅛" stereo feed.
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules. The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.
Main Features:
• Four-track simultaneous recording
• High-fidelity mic preamps
• Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚
• Record up to 140 dB SPL with X/Y microphones
• Two mic/line level inputs with XLR/TRS combo connectors
• Stereo 1/8" Mic In mini phone jack
• +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
• Output/headphone jack with dedicated volume control
• New rubberized and ergonomic body with improved 1.9 inch backlit LCD display
• Built-in reference speaker for fast playback
• Records directly to SD and SDHC cards up to 32 GB
• Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Onboard Mid-Side decoding
• Internal mixdown: four-track to stereo and stereo to dual mono
• Up to 99 marks per recording
• Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
• Normalize (maximum gain) and Divide (file splitting) functions
• Chromatic tuner and metronome
• Loop playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%, without affecting pitch
• Variable pitch without affecting playback speed
• USB port for file transfer to and from computer
• 2-in/2-out USB audio interface for PC/Mac computers
• Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter
• Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 6 hours of operation (up to 10 hours in Stamina mode) Access
What's included with the H4n Pro:
• H4n Pro Handy Recorder
• Protective case
• 2 x AA batteries
• Operation manual
• Download license for Steinberg Cubase LE and WaveLab LE software
Optional H4n accessories:
• PCH-4n Protective Case
• WSU-1 Universal hairy windscreen
• MA-2 mic clip adapter
• RC4 wired remote control
• HS-1 Hot Shoe Mount Adapter AD-14 AC adapter |
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
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Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.
MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.
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The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
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Main Features
* Colour TFT touch screen interface
* 20 illuminated flash start keys
* Up to 100 tracks available for flash start through touch screen
* Transport and Online buttons recessed to prevent accidental operation
* 100-mm fader with fader start capability and 0-dB lock
* Monitor speaker and headphones output for monitoring
* CAT6 connection to HS-2 and HS-8
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Specifications
General
Recording media CompactFlash card
Tested media SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system FAT32
File format BWF (single-channel, multi-channel)
Number of audio channels 8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates 16 bit/24 bit
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates 23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic Omni directional, monaural
Low cut filter Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance (LINE) 10 kOhm
Nominal input level (LINE) + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
Maximum input level (LINE) Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
Input impedance (MIC –25) 2.4 kOhm
Minimum input level (MIC –25) –45 dBu
Maximum iput level (MIC –25) +11 dBu
Input impedance (MIC 0) 2.4 kOhm
Minimum input level (MIC 0) –70 dBu
Maximum input level (MIC 0) –14 dBu
LINE OUT connectors (L/R) XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance 100 Ohm or less
Nominal output level +6 dBu (Ref. level: –9 dB)
Nominal output level +4 dBu (Ref. level: Other than –9 dB)
Maximum output level Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector 6.3-mm stereo phone jack
Maximum output power 100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector D-Sub, 25-pin connector
Format AES3-2003/IEC60958-4 (AES/EBU)
Minimum input voltage 200 mVpp
Maximum input voltage 7 Vpp
Output voltage 3.5 Vpp
DIGITAL OUT connectors BNC
Format AES3-2003/AES-3id-2001 (AES/EBU)
Output voltage 1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
Input voltage 11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector BNC
Input voltage 5 V TTL equivalent
Input impedance 75 Ohm ±10 %
Allowable frequency deviation of external sync ±100 ppm
CASCADE/WORD OUT connector BNC
Output voltage 5 V TTL equivalent
Output impedance 75 Ohm ±10 %
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector BNC
Input voltage 0.5–5 Vpp
Input impedance 10 kOhm
TIME CODE OUT connector BNC
Output voltage 2.0 Vpp
Output impedance 600 Ohm
USB port USB B-type, 4-pin
Format USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)
All sample rates 20 Hz – 20 kHz, 0 dB (±0.5 dB)
88.2/96 kHz sample rates at 40 kHz –1 dB (±1.0 dB)
176.4/192 kHz sample rates at 80 kHz –3 dB (+1/–2 dB)
Distortion
LINE IN to LINE OUT 0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
MIC IN (MIC –25) to LINE OUT 0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
MIC IN (MIC 0) to LINE OUT 0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio
LINE IN to LINE OUT 110 dB(A) or more (22 kHz LPF)
MIC IN (MIC –25 or MIC 0) to LINE OUT 100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows Windows XP, Windows Vista, Windows 7
CPU Pentium 300 MHz or faster
Memory 128 MB or more
USB USB 2.0 port
Macintosh Macintosh Mac OS X 10.2 or later
CPU Power PC G3, G4, Intel Mac 266 MHz or faster
Memory 64 MB or more
USB USB 2.0 port
Recommended USB host controller Intel chipset
Power supply and other specifications
Power requirements 100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation) Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
NP type battery (Li-Ion: 14.8 V/4.6 Ah) About 5 hours
AA type batteries (NiMH) About 2 hours
Power consumption 18 W
Dimensions (W x H x D) 270 mm x 100 mm x 260 mm (excluding protrusions)
Weight 3.65 kg (excluding batteries)
Operating temperature range 0–40 ºC
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