ZOOM H4N Pro Studio Recorder with effects

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210.00 incl. GR VAT

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Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we’ve taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn’t just improved, it’s superior […]

 

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Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we’ve taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn’t just improved, it’s superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism. Welcome to the new gold standard in field recording.

The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.

The H4n Pro provides the essential combination of micʼing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ⅛” stereo feed.

With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.

The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.

X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules. The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Main Features:
• Four-track simultaneous recording
• High-fidelity mic preamps
• Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚
• Record up to 140 dB SPL with X/Y microphones
• Two mic/line level inputs with XLR/TRS combo connectors
• Stereo 1/8″ Mic In mini phone jack
• +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
• Output/headphone jack with dedicated volume control
• New rubberized and ergonomic body with improved 1.9 inch backlit LCD display
• Built-in reference speaker for fast playback
• Records directly to SD and SDHC cards up to 32 GB
• Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Onboard Mid-Side decoding
• Internal mixdown: four-track to stereo and stereo to dual mono
• Up to 99 marks per recording
• Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
• Normalize (maximum gain) and Divide (file splitting) functions
• Chromatic tuner and metronome
• Loop playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%, without affecting pitch
• Variable pitch without affecting playback speed
• USB port for file transfer to and from computer
• 2-in/2-out USB audio interface for PC/Mac computers
• Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter
• Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 6 hours of operation (up to 10 hours in Stamina mode) Access

What’s included with the H4n Pro:
• H4n Pro Handy Recorder
• Protective case
• 2 x AA batteries
• Operation manual
• Download license for Steinberg Cubase LE and WaveLab LE software

Optional H4n accessories:
• PCH-4n Protective Case
• WSU-1 Universal hairy windscreen
• MA-2 mic clip adapter
• RC4 wired remote control
• HS-1 Hot Shoe Mount Adapter AD-14 AC adapter

Weight 1.00 kg

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ZOOM H4N Pro Studio Recorder with effects removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeTASCAM DP-006 Digital Pocketstudio removeTASCAM HS-P8 Portable Professional Recorder removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben remove
NameZOOM H4N Pro Studio Recorder with effects removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeTASCAM DP-006 Digital Pocketstudio removeTASCAM HS-P8 Portable Professional Recorder removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben remove
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Description
ContentBrilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism. Welcome to the new gold standard in field recording. The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera. The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center. The H4n Pro provides the essential combination of micʼing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ⅛" stereo feed. With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating. The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts. X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules. The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting. Main Features: • Four-track simultaneous recording • High-fidelity mic preamps • Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚ • Record up to 140 dB SPL with X/Y microphones • Two mic/line level inputs with XLR/TRS combo connectors • Stereo 1/8" Mic In mini phone jack • +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack • Output/headphone jack with dedicated volume control • New rubberized and ergonomic body with improved 1.9 inch backlit LCD display • Built-in reference speaker for fast playback • Records directly to SD and SDHC cards up to 32 GB • Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats • Onboard Mid-Side decoding • Internal mixdown: four-track to stereo and stereo to dual mono • Up to 99 marks per recording • Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models • Normalize (maximum gain) and Divide (file splitting) functions • Chromatic tuner and metronome • Loop playback with user-defined start and stop points • Variable playback speed, from 50% to 150%, without affecting pitch • Variable pitch without affecting playback speed • USB port for file transfer to and from computer • 2-in/2-out USB audio interface for PC/Mac computers • Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter • Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 6 hours of operation (up to 10 hours in Stamina mode) Access What's included with the H4n Pro: • H4n Pro Handy Recorder • Protective case • 2 x AA batteries • Operation manual • Download license for Steinberg Cubase LE and WaveLab LE software Optional H4n accessories: • PCH-4n Protective Case • WSU-1 Universal hairy windscreen • MA-2 mic clip adapter • RC4 wired remote control • HS-1 Hot Shoe Mount Adapter AD-14 AC adapter
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...


Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware.

Features:
  • Primary HD port for connecting directly to HD Core or Accel cards.
  • Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
  • Compatible with the latest versions of ProTools
  • May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
  • Please note: Not compatible with Pro Tools|HD Native
6-track Portable Multi-track Recorder CD-Quality Recording (44.1kHz/16-bit) Easy, Intuitive User interface Built-in High-quality Stereo Condenser Microphone Two Mic/Line inputs Compact size and ultra light weight (360g/0.79lb without batteries) Dedicated Level and Pan/Balance controls per track Recording media: SD/SDHC card up to 32GB (2GB SD card included) Recording: 2 tracks simultaneous Playback: 6 tracks simultaneously Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA) Graphic LCD (128 x 64 dots) Chromatic Tuner/Metronome USB 2.0 Connection for Wav File import/export (Stereo and Mono) Undo/Redo (includes Undo history) Tripod socket hole Auto punch in/out Footswitch input Dedicated stereo mix-down track   Specifications
General
Recording media   CompactFlash (CF) card
File system   FAT32
Recording format   BWF (Monophonic, Polyphonic)
Number of channels   8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz)
Quantization bit rate   16/24 bit
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
Reference clock   Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN)
Type of timecode frame   23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF
Limiter   Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1
Analogue audio inputs and outputs
The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack.
ANALOG INPUT (1-8)   D-sub 25-pin
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG INPUT (L/A, R/B)   XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (1-8)   D-sub, 25-pin
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (A/B)   XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
PHONES connector   6.3-mm standard stereo jack
Maximum output power   45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm)
Digital audio inputs and outputs
DIGITAL IN/OUT (AES/EBU)   D-sub, 25-pin
Minimum input voltage   2 Vpp
Maximum input voltage   7 Vpp
Output voltage   2–5 Vpp
Format   AES3-2003/IEC 60958-4 (AES/EBU)
DIGITAL I/O (ADAT)   ADAT optical
Format   ADAT
DIGITAL INPUT A-B   XLR-3-31
Input voltage   2–7 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
DIGITAL OUTPUT L-R   XLR-3-32
Output voltage   2–5 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
Other inputs and outputs
RS-422   D-sub, 9-pin
RS-232C   D-sub, 9-pin
PARALLEL   D-sub, 25-pin
CASCADE IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
CASCADE OUT   BNC
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
TIME CODE IN   BNC
Input voltage   0.5–5 Vpp
Input impedance   20 kOhm
TIME CODE OUT   BNC
Output voltage   2–5 Vpp
Output impedance   600 Ohm ±10
WORD/VIDEO IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
WORD/VIDEO THRU/OUT   BNC
OUT/THRU switch included (OUT is for WORD OUT only)
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency (when using WORD)   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
ETHERNET   RJ45
Keyboard   Mini-DIN (PS/2)
USB   USB A-type, 4-pin
Protocol   USB2.0 HIGH SPEED (480 Mbit/s)
Audio performance (analogue input to analogue outp
Frequency response  
20 Hz - 20 kHz   ±0,5 dB (all sampling rates)
at 40 kHz   +0,5 dB/–2 dB (Fs = 88.2/96 kHz)
at 80 kHz   +0,5 dB/–5 dB (Fs = 176.4/192 kHz)
Distortion   ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF)
S/N ratio   ≥100 dB(A) (22 kHz LPF)
Power requirements and other specifications
Power requirements   100–240 V AC, 50–60 Hz
Power consumption   26 W
Dimensions (W x H x D)   483 mm x 88 mm x 288 mm
Weight   4.8 kg
Operating temperature range   5–35 °C

The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.

The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal


•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal

•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently

 

Features
  • Support for PAL, NTSC and 60 Hz B&W standards
  • One composite video input and three composite video outputs
  • Can operate as a master black-burst generator
  • Can operate as genlocking slave device

 

Weight1.00 kg4.00 kg0.30 kg2.80 kg4.80 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 4.00 kg
Weight 0.30 kg
Weight 2.80 kg
Weight 4.80 kg
Weight 0.30 kg