| Content | Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism. Welcome to the new gold standard in field recording.
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
The H4n Pro provides the essential combination of micʼing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ⅛" stereo feed.
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules. The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.
Main Features:
• Four-track simultaneous recording
• High-fidelity mic preamps
• Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚
• Record up to 140 dB SPL with X/Y microphones
• Two mic/line level inputs with XLR/TRS combo connectors
• Stereo 1/8" Mic In mini phone jack
• +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
• Output/headphone jack with dedicated volume control
• New rubberized and ergonomic body with improved 1.9 inch backlit LCD display
• Built-in reference speaker for fast playback
• Records directly to SD and SDHC cards up to 32 GB
• Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Onboard Mid-Side decoding
• Internal mixdown: four-track to stereo and stereo to dual mono
• Up to 99 marks per recording
• Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
• Normalize (maximum gain) and Divide (file splitting) functions
• Chromatic tuner and metronome
• Loop playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%, without affecting pitch
• Variable pitch without affecting playback speed
• USB port for file transfer to and from computer
• 2-in/2-out USB audio interface for PC/Mac computers
• Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter
• Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 6 hours of operation (up to 10 hours in Stamina mode) Access
What's included with the H4n Pro:
• H4n Pro Handy Recorder
• Protective case
• 2 x AA batteries
• Operation manual
• Download license for Steinberg Cubase LE and WaveLab LE software
Optional H4n accessories:
• PCH-4n Protective Case
• WSU-1 Universal hairy windscreen
• MA-2 mic clip adapter
• RC4 wired remote control
• HS-1 Hot Shoe Mount Adapter AD-14 AC adapter |
Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD
Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.
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For users of just about any TASCAM multitrack, the RC-30P is a wonderful timesaver. Punching in on recordings by hand means you're not ready to play right away. The RC-30P lets you play straight through. While automated punch-ins available on some recorders are also helpful, most punches can be done with the simple and efficient precision of the RC-30P, saving you time.
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The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
| Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice. | TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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