ZOOM F1-SP 2 Track Field Recorder with Shotgun Mic (Set)

• Two-channel audio recorder
• Compatible with zoom microphone capsules
• Supports WAV formats up to 24bit / 96kHz or MP3 formats on microSD / microSDHC card (up to 32GB)
• USB audio interface for PC and Mac (class compliant)
• Rec Hold function for protection against accidental operation of the keys
• Switchable limiter and impact sound filter
• Automatic modulation
• Internal clock for timestamp function
• Power supply: USB or 2 NiMH batteries / rechargeable batteries (AAA)
• Dimensions of the recorder (W x D x H): 64 x 79.8 x 33.3 mm
• Weight: 120 g (without batteries)

Connections:

• Input for ZOOM microphone capsule
• Microphone input: 3.5 mm mini-jack with screw lock
• Stereo headphone output
• Micro-USB for file transfer to computer

Scope of delivery:

• F1 Field Recorder
• SGH-6 Directional microphone
• WSS 6 Windshield
• SMC-1 Stereo mini-cable for connection to a DSLR
• SMF-1 Elastic mount
• 2 AAA batteries
• Quick start Guide

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

• Tuner, metronome, and recorder can be used simultaneously or independently.
  
• Internal mic and speaker make it easy to record and play back your performance
  
• Loop Play function lets you repeat a desired region of a recorded track
  
• High-quality linear PCM recording/playback
  
• Record up to 100 tracks (approximately total 20 minutes)
  
• USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  
• Newly designed highly responsive LCD needle-type meter
  
• Wide detection range from C1 to C8
  
• The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  
• The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  
• Calibration supports a range of concert pitches
  
• Marks indicate pure major and minor third intervals
  
• Wide tempo range of 30--252 beats per minute
  
• 15 rhythm variations let you practice with a broad range of musical styles
  
• Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  
• Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  
• Your choice of body color: black or pearl white
  
• Convenient key layout, and newly designed stand and battery cover
  
• Memory Backup and Auto Power Off
  

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.

The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.

The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.

• Simple unobtrusive controller for the recording of audio in board/meeting rooms
• Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
• Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
• RECORD and STOP buttons allow simple control without the need to access the recorder
• Ergonomic visually pleasing design with internal weight to prevent table slip
• Ultra low power consumption, no need for additional power adaptor
• Fully sealed label provides protection against drink spills

The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!

    New Setups:

        50 new setups featuring the KORE 64™ sounds.
        Over 200 new drum grooves in multiple styles.
        New Dance and Hip Hop setups for triggering and controlling beats in real time.

    New Synths:

        New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
        Over 100 new synth programs.
        Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
        More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
        Atmospheric and cycling pads voiced for performing, producing, and scoring.

    New Guitars:

        New samples modeled after the Gibson Les Paul and Fender Stratocaster.
        Palm muted and sustained articulations playable in a picked or legato style.
        Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
        Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.

    New Brass/Woodwinds:

        New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
        New programs include solo instruments and custom sections with many combinations of the different instruments.
        Articulate with pressure on several new programs.
        Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.

    New Drums

        Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
        Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
        72 new Drum Kits and 62 percussion instruments and templates.
        10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
        All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
        Unsurpassed realism and playability for sampled drums.
        Full complement of Electronic and Processed Drum samples.
        Scratches, hits and Industrial Sounds.
        Wide variety of traditional and processed Percussion sounds.

Download the full preset Objects List under the Downloads section

User Installable.

Requires:  PC3K OS v2.20 or better
                  PC3 OS v2.20 or better

All specifications subject to change without notice.

Specifications
General
Recording media         CompactFlash card
  Tested media         SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system         FAT32
File format         BWF (single-channel, multi-channel)
Number of audio channels         8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates         16 bit/24 bit
Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock         Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates         23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic         Omni directional, monaural
Low cut filter         Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8)         XLR-3-31 (1: GND, 2: HOT, 3: COLD)
  Input impedance (LINE)         10 kOhm
  Nominal input level (LINE)         + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
  Maximum input level (LINE)         Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
  Input impedance (MIC –25)         2.4 kOhm
  Minimum input level (MIC –25)         –45 dBu
  Maximum iput level (MIC –25)         +11 dBu
  Input impedance (MIC 0)         2.4 kOhm
  Minimum input level (MIC 0)         –70 dBu
  Maximum input level (MIC 0)         –14 dBu
LINE OUT connectors (L/R)         XLR-3-32 (1: GND, 2: HOT, 3: COLD)
  Output impedance         100 Ohm or less
  Nominal output level         +6 dBu (Ref. level: –9 dB)
  Nominal output level         +4 dBu (Ref. level: Other than –9 dB)
  Maximum output level         Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector         6.3-mm stereo phone jack
  Maximum output power         100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector         D-Sub, 25-pin connector
  Format         AES3-2003/IEC60958-4 (AES/EBU)
  Minimum input voltage         200 mVpp
  Maximum input voltage         7 Vpp
  Output voltage         3.5 Vpp
DIGITAL OUT connectors         BNC
  Format         AES3-2003/AES-3id-2001 (AES/EBU)
  Output voltage         1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector         XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
  Input voltage         11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector         BNC
  Input voltage         5 V TTL equivalent
  Input impedance         75 Ohm ±10 %
  Allowable frequency deviation of external sync         ±100 ppm
CASCADE/WORD OUT connector         BNC
  Output voltage         5 V TTL equivalent
  Output impedance         75 Ohm ±10 %
  Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector         BNC
  Input voltage         0.5–5 Vpp
  Input impedance         10 kOhm
TIME CODE OUT connector         BNC
  Output voltage         2.0 Vpp
  Output impedance         600 Ohm
USB port         USB B-type, 4-pin
  Format         USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector         Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)          
  All sample rates         20 Hz – 20 kHz, 0 dB (±0.5 dB)
  88.2/96 kHz sample rates         at 40 kHz –1 dB (±1.0 dB)
  176.4/192 kHz sample rates         at 80 kHz –3 dB (+1/–2 dB)
Distortion          
  LINE IN to LINE OUT         0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
  MIC IN (MIC –25) to LINE OUT         0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
  MIC IN (MIC 0) to LINE OUT         0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio          
  LINE IN to LINE OUT         110 dB(A) or more (22 kHz LPF)
  MIC IN (MIC –25 or MIC 0) to LINE OUT         100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows         Windows XP, Windows Vista, Windows 7
  CPU         Pentium 300 MHz or faster
  Memory         128 MB or more
  USB         USB 2.0 port
Macintosh         Macintosh Mac OS X 10.2 or later
  CPU         Power PC G3, G4, Intel Mac 266 MHz or faster
  Memory         64 MB or more
  USB         USB 2.0 port
Recommended USB host controller         Intel chipset
Power supply and other specifications
Power requirements         100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation)         Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
  NP type battery (Li-Ion: 14.8 V/4.6 Ah)         About 5 hours
  AA type batteries (NiMH)         About 2 hours
Power consumption         18 W
Dimensions (W x H x D)         270 mm x 100 mm x 260 mm (excluding protrusions)
Weight         3.65 kg (excluding batteries)
Operating temperature range         0–40 ºC

The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.