| Content |
- Two-channel audio recorder
- Compatible with zoom microphone capsules
- Supports WAV formats up to 24bit / 96kHz or MP3 formats on microSD / microSDHC card (up to 32GB)
- USB audio interface for PC and Mac (class compliant)
- Rec Hold function for protection against accidental operation of the keys
- Switchable limiter and impact sound filter
- Automatic modulation
- Internal clock for timestamp function
- Power supply: USB or 2 NiMH batteries / rechargeable batteries (AAA)
- Dimensions of the recorder (W x D x H): 64 x 79.8 x 33.3 mm
- Weight: 120 g (without batteries)
Connections:
- Input for ZOOM microphone capsule
- Microphone input: 3.5 mm mini-jack with screw lock
- Stereo headphone output
- Micro-USB for file transfer to computer
Scope of delivery:
- F1 Field Recorder
- SGH-6 Directional microphone
- WSS 6 Windshield
- SMC-1 Stereo mini-cable for connection to a DSLR
- SMF-1 Elastic mount
- 2 AAA batteries
- Quick start Guide
| Built-in Μicrophones: |
No |
| Sampling: |
24bit / 96kHz |
| Recording Modes: |
WAV, Mp3 |
| Display: |
1.25" monochrome LCD |
| USB compatibility: |
Yes |
| Headphones Output: |
Yes |
| Power Supply: |
USB or batteries |
| Battery life: |
about 6.5 hours |
| Μemory: |
microSD/microSDHC cards (Class 4 or higher, up to 32 GB) |
| Weight: |
120 g |
| Color: |
Black/Silver |
| Memory: |
SD Card |
| Memory size: |
4GB > |
| Computer Connection: |
Υes |
| Video: |
No |
| Stereo: |
Υes |
|
Specifications | General | | Recording media | | CompactFlash (CF) card | | File system | | FAT32 | | Recording format | | BWF (Monophonic, Polyphonic) | | Number of channels | | 8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz) | | Quantization bit rate | | 16/24 bit | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | | Limiter | | Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1 | | Analogue audio inputs and outputs | | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | | ANALOG INPUT (1-8) | | D-sub 25-pin | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | PHONES connector | | 6.3-mm standard stereo jack | | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | | Digital audio inputs and outputs | | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | | Minimum input voltage | | 2 Vpp | | Maximum input voltage | | 7 Vpp | | Output voltage | | 2–5 Vpp | | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | | DIGITAL I/O (ADAT) | | ADAT optical | | Format | | ADAT | | DIGITAL INPUT A-B | | XLR-3-31 | | Input voltage | | 2–7 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | DIGITAL OUTPUT L-R | | XLR-3-32 | | Output voltage | | 2–5 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | Other inputs and outputs | | RS-422 | | D-sub, 9-pin | | RS-232C | | D-sub, 9-pin | | PARALLEL | | D-sub, 25-pin | | CASCADE IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | CASCADE OUT | | BNC | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | TIME CODE IN | | BNC | | Input voltage | | 0.5–5 Vpp | | Input impedance | | 20 kOhm | | TIME CODE OUT | | BNC | | Output voltage | | 2–5 Vpp | | Output impedance | | 600 Ohm ±10 | | WORD/VIDEO IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | WORD/VIDEO THRU/OUT | | BNC
OUT/THRU switch included (OUT is for WORD OUT only) | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | ETHERNET | | RJ45 | | Keyboard | | Mini-DIN (PS/2) | | USB | | USB A-type, 4-pin | | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | | Audio performance (analogue input to analogue outp | | Frequency response | | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | | Power requirements and other specifications | | Power requirements | | 100–240 V AC, 50–60 Hz | | Power consumption | | 26 W | | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | | Weight | | 4.8 kg | | Operating temperature range | | 5–35 °C |
| Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice. |
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
|
The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
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RS-422 PROTOCOL CONVERTER
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