ADAM S7A MK2 – ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 1000W (ΜΑΥΡΟ)

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Διαθεσιμότητα: Κατόπιν Παραγγελίας Κατόπιν Παραγγελίας Κωδικός προϊόντος: S7AMK2 Κατηγορίες:
ΤΙΜΗ ΤΕΜΑΧΙΟΥ The ultimate main monitors The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible […]

 

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ΤΙΜΗ ΤΕΜΑΧΙΟΥ

The ultimate main monitors

The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.

Advanced DʽAppolito-array

The arrangement of the seven discrete loudspeakers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:

  • There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible – especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
  • The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120 dB are handled without offending the ear.

Impulse Coupling

In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate, which is acoustically dead – thereby providing an extremely mechanically stable bridge to the cabinet (IC). As the drivers are much better fixed this way their time behavior (and consequently their clarity) is audibly and measurably improved.

Amplifiers

Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies. These are combined in an extremely powerful (1000 and 1500 W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs. The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.

The front panel

Numerous controls on the front panel introduce a new degree of control for main monitors.

Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200HZ) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.

In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.

Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.

S7A Mk2

The S7A Mk2 is the ʽbig brotherʼ of the S6X and ADAMʼs most spectacular studio monitor to date. With a whopping combined 1500 W of onboard power (rms), this monitor reaches SPL peaks of 128 dB at a distance of 1 meter. The big bass diaphragms produce even more volume even at lowest pitches down to 20 Hz.

Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units are powering all the other frequency bands.

The benchmark

Quite simply, we feel that the S7A Mk2 is the benchmark of what is possible in the state of the art full range active professional monitoring. It incorporates all of the ADAM inventions and designs, as well as the best materials available. This fusion of power and capacity with precision and accuracy results in unparalleled performance in professional monitoring.

The S7A Mk2 is ADAMʼs contribution to the best possible studio monitor available. The proof is in the listening – we encourage you to hear for yourself.

Subwoofer
Number 2
Basket Ø 15″ (380 mm)
Voice coil Ø 4″ (100 mm)
Cone material Paper
Woofer
Number 2
Basket Ø 9″ (228 mm)
Voice coil Ø 2″ (50 mm)
Cone material HexaCone
Midrange
Number 2
Type X-ART
Cone material HexaCone
Diaphragm area 26 inch² (16800 mm²)
Equiv. Diaphragm Ø 5.5″ (146 mm)
Velocity transform ratio 3.5:1
Diaphragm weight 0.7 g
Tweeter
Number 1
Type X-ART
Diaphragm area 4 inch² (2420 mm²)
Equiv. Diaphragm Ø 2″ (56 mm)
Velocity transform ratio 4:1
Diaphragm weight 0.17 g
Built-in Amplifiers
Subwoofer 1
Type PWM
Amp. power RMS / music 1000 W / 1400 W
Subwoofer 1
Type PWM
Amp. power RMS / music 500 W / 700 W
Woofer 1
Type PWM
Amp. power RMS / music 500 W / 700 W
Woofer 1
Type PWM
Amp. power RMS / music 250 W / 350 W
Midrange 1
Type PWM
Amp. power RMS / music 250 W / 350 W
Tweeter 1
Type PWM
Amp. power RMS / music 250 W / 350 W
Control panel
Input Sensitivity ±10 dB
EQ 80 Hz (Quality / Hz / Level) 3 x 0.2 – 20 / 20 – 200 / ±12 dB
High Shelf EQ > 6 kHz ±6 dB
Low Shelf EQ ±6 dB
Sub Gain ±4 dB
Mid-Woofer Level ±2 dB
Mid level ±2 dB
Tweeter gain ±4 dB
Input connectors
Analog XLR
Location Front / Rear switchable
General data
Panel Front
X-Curve-Filter yes
Frequency response 20 Hz – 50 kHz
THD > 80 Hz ≤0.5 %
Long term output ≥128 dB
Max. peak ≥138 dB
Crossover frequencies 65 / 800 / 3100 Hz
Input impedance 10 KOhm
Weight 575.4 lb (261 kg)
Height x Width x Depth 35.5″ (900 mm) x 47″ (1200 mm) x 26.5″ (670 mm)
Warranty 5 Years
Delivery contents

Power cord, Manual

 

 

Βάρος 260.00 kg

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ADAM S7A MK2 - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 1000W (ΜΑΥΡΟ) removeBEHRINGER Truth B2031A - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 265W ΜΑΥΡΟ (Τεμάχιο) removeADAM AUDIO A77X - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 100W (ΜΑΥΡΟ) removeRCF MYTHO6 - Ενεργό Studio Monitor 2 ΔΡΟΜΩΝ 6.5" DSP MONITORING SYSTEM (ΜΑΥΡΟ) removeADAM AUDIO A3X - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 25W (ΜΑΥΡΟ) removeSAMSON STUDIO GT - ΕΝΕΡΓΟ STUDIO MONITOR ΗΧΕΙΟ 2 ΔΡΟΜΩΝ 4.25'' 40W USB (ΖΕΥΓΟΣ ΜΑΥΡΟ) remove
NameADAM S7A MK2 - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 1000W (ΜΑΥΡΟ) removeBEHRINGER Truth B2031A - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 265W ΜΑΥΡΟ (Τεμάχιο) removeADAM AUDIO A77X - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 100W (ΜΑΥΡΟ) removeRCF MYTHO6 - Ενεργό Studio Monitor 2 ΔΡΟΜΩΝ 6.5" DSP MONITORING SYSTEM (ΜΑΥΡΟ) removeADAM AUDIO A3X - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 25W (ΜΑΥΡΟ) removeSAMSON STUDIO GT - ΕΝΕΡΓΟ STUDIO MONITOR ΗΧΕΙΟ 2 ΔΡΟΜΩΝ 4.25'' 40W USB (ΖΕΥΓΟΣ ΜΑΥΡΟ) remove
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ΤΙΜΗ ΤΕΜΑΧΙΟΥ

The ultimate main monitors

The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.

Advanced DʽAppolito-array

The arrangement of the seven discrete loudspeakers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:

  • There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
  • The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120 dB are handled without offending the ear.

Impulse Coupling

In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate, which is acoustically dead - thereby providing an extremely mechanically stable bridge to the cabinet (IC). As the drivers are much better fixed this way their time behavior (and consequently their clarity) is audibly and measurably improved.

Amplifiers

Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies. These are combined in an extremely powerful (1000 and 1500 W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs. The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.

The front panel

Numerous controls on the front panel introduce a new degree of control for main monitors.

Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200HZ) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.

In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.

Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.

S7A Mk2

The S7A Mk2 is the ʽbig brotherʼ of the S6X and ADAMʼs most spectacular studio monitor to date. With a whopping combined 1500 W of onboard power (rms), this monitor reaches SPL peaks of 128 dB at a distance of 1 meter. The big bass diaphragms produce even more volume even at lowest pitches down to 20 Hz.

Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units are powering all the other frequency bands.

The benchmark

Quite simply, we feel that the S7A Mk2 is the benchmark of what is possible in the state of the art full range active professional monitoring. It incorporates all of the ADAM inventions and designs, as well as the best materials available. This fusion of power and capacity with precision and accuracy results in unparalleled performance in professional monitoring.

The S7A Mk2 is ADAMʼs contribution to the best possible studio monitor available. The proof is in the listening – we encourage you to hear for yourself.

Subwoofer
Number2
Basket Ø15" (380 mm)
Voice coil Ø4" (100 mm)
Cone materialPaper
Woofer
Number2
Basket Ø9" (228 mm)
Voice coil Ø2" (50 mm)
Cone materialHexaCone
Midrange
Number2
TypeX-ART
Cone materialHexaCone
Diaphragm area26 inch² (16800 mm²)
Equiv. Diaphragm Ø5.5" (146 mm)
Velocity transform ratio3.5:1
Diaphragm weight0.7 g
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Subwoofer1
TypePWM
Amp. power RMS / music1000 W / 1400 W
Subwoofer1
TypePWM
Amp. power RMS / music500 W / 700 W
Woofer1
TypePWM
Amp. power RMS / music500 W / 700 W
Woofer1
TypePWM
Amp. power RMS / music250 W / 350 W
Midrange1
TypePWM
Amp. power RMS / music250 W / 350 W
Tweeter1
TypePWM
Amp. power RMS / music250 W / 350 W
Control panel
Input Sensitivity±10 dB
EQ 80 Hz (Quality / Hz / Level)3 x 0.2 - 20 / 20 - 200 / ±12 dB
High Shelf EQ > 6 kHz±6 dB
Low Shelf EQ ±6 dB
Sub Gain±4 dB
Mid-Woofer Level±2 dB
Mid level±2 dB
Tweeter gain±4 dB
Input connectors
AnalogXLR
LocationFront / Rear switchable
General data
PanelFront
X-Curve-Filteryes
Frequency response20 Hz - 50 kHz
THD > 80 Hz≤0.5 %
Long term output≥128 dB
Max. peak≥138 dB
Crossover frequencies65 / 800 / 3100 Hz
Input impedance10 KOhm
Weight575.4 lb (261 kg)
Height x Width x Depth35.5" (900 mm) x 47" (1200 mm) x 26.5" (670 mm)
Warranty5 Years
Delivery contents

Power cord, Manual

 

 

Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
ΤΙΜΗ ΤΕΜΑΧΙΟΥ A revolutionary formula: 2 x 7 = 77 In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line. The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring. Driver technology Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels. The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Review samples: “… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012 “… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
Subwoofer
Number 1 / 1
Basket Ø 7" (175 mm) / 7" (175 mm)
Voice coil Ø 1.5" (38 mm) / 1.5" (38 mm)
Cone material Carbon / rohacell / glass / Carbon / rohacell / glass
Tweeter
Number 1
Type X-ART
Diaphragm area 4 inch² (2420 mm²)
Equiv. Diaphragm Ø 2" (56 mm)
Velocity transform ratio 4:1
Diaphragm weight 0.17 g
Built-in Amplifiers
Subwoofer 1
Type PWM
Amp. power RMS / music 100 W / 150 W
Subwoofer 1
Type PWM
Amp. power RMS / music 100 W / 150 W
Tweeter 1
Type A/B
Amp. power RMS / music 50 W / 75 W
Control panel
Input Sensitivity -∞ to +14 dB
High Shelf EQ > 5 kHz ±6 dB
Low Shelf EQ ±6 dB
Tweeter gain ±4 dB
Input connectors
Analog XLR / RCA
Location Rear
General data
Panel Front
Frequency response 38 Hz - 50 kHz
THD 90dB/1m > 100 Hz ≤0.5 %
Long term output ≥114 dB
Max. peak ≥122 dB
Crossover frequencies 400 / 3000 Hz
Input impedance 30 KOhm
Weight 28.2 lb (12,8 kg)
Magnetically shielded Optional
Height x Width x Depth 9.5" (235 mm) x 21" (530 mm) x 11" (280 mm)
Warranty 5 Years

MYTHO 6 is a two-way reference studio monitor that features a high quality large metal dome tweeter for the best vocal reproduction and a 6” neodymium vented woofer with a large sized 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression.

The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimize distortion in large excursion situations. The MYTHO 6 is equipped with two separate amplifiers: 200 W for the low frequencies and 100 W for the high. The design is a classic AB circuit, unparalleled for low distortion and natural sound. The signal processing is executed from a dedicated high quality DSP processing. It features a solid aluminium cabinet internally braced and reinforced to improve low frequencies behaviour and reduce resonances.

Acoustical Specifications
Frequency Response -3 dB:40 Hz÷ 20 kHz
Max SPL:114 dB 
Horizontal coverage angle:110° 
Vertical coverage angle:70° 
Compression Driver:1" neo, metal dome 
Woofer:6.5" neo, ICC technology 
INPUT/OUTPUT SECTION
Input connectors:combo XLR/Jack 
Input sensitivity:-6/+6 dBu 
PROCESSOR SECTION
Crossover frequencies:1900 Hz 
Protections:thermal, excurs., rms 
Limiter:soft limiter 
Controls:bass tilt, roll-off, treeble tilt, desktop, DSP controlled 
AMPLIFIER SPECIFICATIONS
High frequencies:100 Watts 
Low frequencies:200 Watts 
Cooling:convection 
Connections:vde 
CABINET
Cabinet Material:die cast aluminum 
Hardware:orientation adjustable stand 
PHYSICAL SPECIFICATIONS
Height:370/14.5 mm/inch 
Width:265/10.4 mm/inch 
Depth:250/9.8 mm/inch 
Net Weight:10.5/23 Kg/Lbs

 

ΤΙΜΗ ΤΕΜΑΧΙΟΥ

The smallest big sound ever...

With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.

A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.

Stereolink

A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "Highly recommended"

"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)

Review: "...one of the best compact monitors"

"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)

Mid-Woofer
Number1
Basket Ø4.5" (120 mm)
Voice coil Ø1" (25 mm)
Cone materialCarbon Fiber
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Mid-Woofer1
TypeA/B
Amp. power RMS / music25 W / 40 W
Tweeter1
TypeA/B
Amp. power RMS / music25 W / 40 W
Control panel
Input Sensitivity-∞ to +14 dB
Tweeter gain±4 dB
Input connectors
AnalogXLR / RCA
General data
Frequency response60 Hz - 50 kHz
THD 90dB/1m > 100 Hz≤0.8 %
Long term output≥98 dB
Max. peak≥106 dB
Crossover frequencies2800 Hz
Input impedance10 KOhm
Weight10.1 lb (4,6 kg)
Magnetically shieldedNo
Height x Width x Depth10" (252 mm) x 6" (150 mm) x 7.5" (185 mm)
Warranty5 Years
Delivery contents

Cinch-cable, Power cord, Manual

 

 

    * Active studio monitors with USB audio interface
    * 4.25-inch magnetically shielded, inverted cone, copolymer woofer
    * 1-inch silk dome high frequency driver
    * 2 x 20 watts of internal stereo power
    * Two combination mic and instrument/line inputs
    * Two 1/8-inch stereo headphone outputs with level controls
    * Includes Cakewalk® Sonar LE music production software
    * Mic and instrument/line gain control with clip LED
    * 16-bit 44.1kHz/48kHz
    * Stereo RCA and 1/8-inch aux inputs
    * 2-position switch for no-latency direct stereo and mono monitoring
    * Mix control to balance computer and audio sources
    * USB and speaker cable included


Weight260.00 kg7.50 kg13.00 kg12.00 kg5.00 kg4.30 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 260.00 kg
Βάρος 7.50 kg
Βάρος 13.00 kg
Βάρος 12.00 kg
Βάρος 5.00 kg
Βάρος 4.30 kg