ASHLY 4.24GS Ψηφιακό Γραφικό Equalizer

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Διαθεσιμότητα: Καταργήθηκε Καταργήθηκε Κωδικός προϊόντος: 4.24GS Digit Κατηγορία:
The 4.24GS and 2.24GS allow for the installation of multiple channel graphic equalizers ]where tamperproof, sound shaping equalization is required. Control and programming of either product is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly’s exclusive Protea System Software running on a PC, or by a MIDI controller. […]

 

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The 4.24GS and 2.24GS allow for the installation of multiple channel graphic equalizers ]where tamperproof, sound shaping equalization is required. Control and programming of either product is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly’s exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has four independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions. The 2.24GS offers the same specs and features in a single rack-space, two-channel unit.
  Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds.
  Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. Both units display individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4″ ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly’s exclusive digital remote control protocol via two standard XLR connectors.


Βάρος 6.40 kg

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ASHLY 4.24GS Ψηφιακό Γραφικό Equalizer removeDBX 231S ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 31 ΠΕΡΙΟΧΩΝ 2X31 Γραφικό equalizer removeGOLDEN AGE EQ-73 Equalizer removeAMERICAN AUDIO XEQ 152B - EQUALIZER 2x15 ΠΕΡΙΟΧΩΝ removeDBX 1231 ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 31 ΠΕΡΙΟΧΩΝ GRAPHIC EQUALIZER removeBSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- remove
NameASHLY 4.24GS Ψηφιακό Γραφικό Equalizer removeDBX 231S ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 31 ΠΕΡΙΟΧΩΝ 2X31 Γραφικό equalizer removeGOLDEN AGE EQ-73 Equalizer removeAMERICAN AUDIO XEQ 152B - EQUALIZER 2x15 ΠΕΡΙΟΧΩΝ removeDBX 1231 ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 31 ΠΕΡΙΟΧΩΝ GRAPHIC EQUALIZER removeBSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- remove
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SKU4.24GS DigitDBX 231SEQ73004558DBX 1231FCS966SH
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Price 2,022.42 με ΦΠΑ 24% 185.00 με ΦΠΑ 24%295.00 με ΦΠΑ 24% 145.00 με ΦΠΑ 24% 455.00 με ΦΠΑ 24% 285.00
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Description
Content The 4.24GS and 2.24GS allow for the installation of multiple channel graphic equalizers ]where tamperproof, sound shaping equalization is required. Control and programming of either product is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has four independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions. The 2.24GS offers the same specs and features in a single rack-space, two-channel unit.
  Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds.
  Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. Both units display individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4" ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly's exclusive digital remote control protocol via two standard XLR connectors.

Νέα έκδοση S γραφικού equalizer 1/3 της οκτάβας, 2x31 περιοχών constant Q. Επιλεγόμενο εύρος αυξομείωσης 6/12dB, φίλτρο αποκοπής χαμηλών συχνοτήτων στα 40Hz με 12dB ανά οκτάβα. Iσορροπημένες (balanced) είσοδοι και έξοδοι με XLR & TRS jacks, δυναμική περιοχή 108dB, 2U.

INPUT

Connectors: 1/4" TRS, female XLR (pin 2 hot)

Type: Electronically balanced/unbalanced, RF filtered

Impedance: Balanced 40k ohm, unbalanced 20k ohm

Max Input Level: >+21dBu balanced or unbalanced

CMRR: >40dB, typically >55dB at 1kHz
OUTPUTS

Connectors: 1/4" TRS, male XLR (pin 2 hot)

Type: Impedance-balanaced/unbalanced, RF filtered

Impedance: Balanced 100 ohm, unbalanced 50 ohm

Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater
>+18dBm balanced/unbalanced (into 600 ohm)
SYSTEM PERFORMANCE

Bandwidth: 20Hz to 20kHz, +0.5/-1dB

Frequency Response: 50kHz, +0.5/-3dB

Dynamic Range: Typicall >112dB

Signal-to-Noise: Typically >95dB

THD+Noise:

Μονοκάναλο equalizer εμπνευσμένο από το κλασικό Neve 1073, με ζεστό και μουσικό ήχο σε πολύ προσιτή τιμή.

Το EQ-73 αποτελεί ουσιαστικά το eq section του Neve 1073 χωρίς το φίλτρο high-pass, ενώ έχουν προστεθεί περισσότερες συχνότητες οι οποίες λειτουργούν με ρυθμίσεις stepped στα πρότυπα της vintage μονάδας για καλύτερη δυνατότητα ανάκλησης των ρυθμίσεων. Συνολικά, το εύρος των ρυθμίσεων είναι από 20Hz εως 24kHz με κέρδος +/-15dB για τις δύο χαμηλότερες μπάντες και +/-18dB για την υψηλή μπάντα.

Συνδυάζοντας το Pre-73, το EQ-73 και ένα Unite Rack, έχετε την αυθεντική μονάδα Neve σε ασυναγώνιστη τιμή!

Χαρακτηριστικά:

  • Vintage Style electronics
  • Ρύθμιση stepped για την επιλογή συχνοτήτων
  • Μεγάλο εύρος επιλογής από 20Hz ως 24kHz
  • Εύρος ελέγχου -/+18dB
  • Χωριστοί διακόπτες bypass για κάθε μπάντα
  • Σχεδιασμένο για να χρησιμοποιείται με το insert jack του Pre-73
  • TRS in/out jack, 18dBu nominal level
  • Εξωτερική τροφοδοσία
  • Κλασικός ήχος, ιδανικός για κάθε μουσικό στυλ
  • Συμπαγής, ανθεκτική κατασκευή

Γραφικό Equaliser 2 x15 περιοχών. Επιλογή 6dB ή 12dB επεξεργασίας, By-pass και Ground lift διακόπτης. Είσοδοι-έξοδοι με XLR και TRS.

* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg

XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance:

Γραφικό equalizer 1/3 της οκτάβας, 2x31 περιοχών. Επιλεγόμενο εύρος αυξομείωσης 6/15dB, φίλτρο Bessel αποκοπής χαμηλών συχνοτήτων στα 40Hz με 18dB ανά οκτάβα. Hλεκτρονικά ισορροπημένες (balanced), unbalanced και RF φιλτραρισμένες είσοδοι και έξοδοι με XLR, TRS jacks και γυμνών επαφών, 3U.

1231 Dual 31-Band Graphic Equalizer

The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.

SPECIFICATIONS:

 

 INPUT

Connectors:

1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40 kOhm, unbalanced 20 kOhm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +0.5/-1dB

Frequency Response:

50kHz, +0.5/-3dB

 

+/-15dB range

+/-6dB range

Dynamic Range:

109dB

115dB

Signal-to-Noise:

90dB

97dB

THD + Noise:

 Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.
Weight6.40 kg3.58 kg3.00 kg3.00 kg5.00 kg3.00 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
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Βάρος 6.40 kg
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Βάρος 5.00 kg
Βάρος 3.00 kg

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