ASHLY DPX-100 Γραφικό Equalizer και Compressor/Limiter Mono

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Διαθεσιμότητα: Καταργήθηκε Καταργήθηκε Κωδικός προϊόντος: DPX 100 Κατηγορία:
The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products havebeen developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combiningthese features with our CLX series […]

 

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The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have
been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200
Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combining
these features with our CLX series compressor/limiters provides two tools no audio system
should be without. By combining the features and benefits of two processors into one unit,
the result is two powerful tools providing a simple solution to everyday audio applications.
The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision
wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz,
selectable 15dB or 6dB range, 25mm faders with ‘center off’ position, EQ in/out switch,
signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter.   Two separate inputs are available in the DPX-200;  a microphone preamp with input pad
and a line input. An input select switch and input level control are located on the front
panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs
as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for
each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control.
The compressor/limiter section uses peak detection circuitry and has individual controls
for gain, threshold, ratio, attack, release and output level. More compressor/limiter features
include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output
level meter, and a detector patch point for frequency-selective limiting or ducking.   Additional features of the DPX-100 and DPX-200 are: the equalizer section and
compressor/limiter may be used independently or chained together in series, balanced
XLR and inputs and outputs, extremely low noise and distortion, internal power supply
and Ashly’s five-year worry-free warranty.


Βάρος 3.60 kg

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Quick Comparison

ASHLY DPX-100 Γραφικό Equalizer και Compressor/Limiter Mono removeDRAWMER 1974 - Stereo Parametric Equaliser removePHONIC GEQ-3102F Αναλογικό Equalizer 2 x 31 περιοχών removeDBX 1215 ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 15 ΠΕΡΙΟΧΩΝ GRAPHIC EQUALIZER removeDBX 215S ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 15 Γραφικό equalizer 2x15 περιοχών removeAMERICAN AUDIO XEQ 152B - EQUALIZER 2x15 ΠΕΡΙΟΧΩΝ remove
NameASHLY DPX-100 Γραφικό Equalizer και Compressor/Limiter Mono removeDRAWMER 1974 - Stereo Parametric Equaliser removePHONIC GEQ-3102F Αναλογικό Equalizer 2 x 31 περιοχών removeDBX 1215 ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 15 ΠΕΡΙΟΧΩΝ GRAPHIC EQUALIZER removeDBX 215S ΙΣΟΣΤΑΘΜΙΣΤΗΣ 2 Χ 15 Γραφικό equalizer 2x15 περιοχών removeAMERICAN AUDIO XEQ 152B - EQUALIZER 2x15 ΠΕΡΙΟΧΩΝ remove
ImageDRAWMER 1974 – Stereo Parametric Equaliser
SKUDPX 100UA31374H07PH00013DBX 1215DBX 215S004558
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Price 561.26 με ΦΠΑ 24%949.00 με ΦΠΑ 24% 249.00 με ΦΠΑ 24% 364.00 με ΦΠΑ 24% 174.00 με ΦΠΑ 24% 145.00 με ΦΠΑ 24%
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Description
Content The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have
been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200
Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combining
these features with our CLX series compressor/limiters provides two tools no audio system
should be without. By combining the features and benefits of two processors into one unit,
the result is two powerful tools providing a simple solution to everyday audio applications.
The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision
wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz,
selectable 15dB or 6dB range, 25mm faders with 'center off' position, EQ in/out switch,
signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter.   Two separate inputs are available in the DPX-200;  a microphone preamp with input pad
and a line input. An input select switch and input level control are located on the front
panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs
as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for
each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control.
The compressor/limiter section uses peak detection circuitry and has individual controls
for gain, threshold, ratio, attack, release and output level. More compressor/limiter features
include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output
level meter, and a detector patch point for frequency-selective limiting or ducking.   Additional features of the DPX-100 and DPX-200 are: the equalizer section and
compressor/limiter may be used independently or chained together in series, balanced
XLR and inputs and outputs, extremely low noise and distortion, internal power supply
and Ashly's five-year worry-free warranty.


Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall.

Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings.

Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies.

Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave.

The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision.

Features:
    • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
    • Delivers classic sonic clarity and control at an affordable price.
    • Genuine stereo operation with one set of controls for both channels.
    • Indented and accurate potentiometers, providing precision for quick and simple recall.
    • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
    • Fully variable bandwidth provides absolute control for the parametric mid bands.
    • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
    • True hardware bypass for accurate A/B comparisons.
    • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
    • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.

31-band Stereo Graphic Equalizer, με high και low cut filters σε κάθε κανάλι για την αποφυγή ανεπιθύμητων θόρυβων, Relay-controlled hard-bypass με auto-bypass επιλογή, έξοδο subwoofer με ρυθμιζόμενο low-pass filter, Feedback κύκλωμα ανίχνευσης, Balanced είσοδοι και έξοδοι  με 1/4" TRS και XLR  υποδοχές.

  • Sweepable high and low cut filters on each channel to remove unwanted frequencies 
  • Ultra low-noise audio operational amplifiers offer outstanding sound performance 
  • Relay-controlled hard-bypass with an auto-bypass function during power failure 
  • Dedicated subwoofer output with user-adjustable low-pass filter
  • Feedback detection circuitry for indicating critical frequencies
  • Balanced inputs and outputs with 1/4" TRS and XLR connectors

 

DBX 1215
Ισοσταθμιστής 2 x 15 περιοχών με XLR IN/OUT

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay

Νέα έκδοση S γραφικού equalizer 2/3 της οκτάβας, 2x15 περιοχών constant Q. Επιλεγόμενο εύρος αυξομείωσης 6/12dB, φίλτρο αποκοπής χαμηλών συχνοτήτων στα 50Hz με 12dB ανά οκτάβα. Ισορροπημένες (balanced) είσοδοι και έξοδοι με XLR & TRS jacks, δυναμική περιοχή 108dB, 1U.

Γραφικό Equaliser 2 x15 περιοχών. Επιλογή 6dB ή 12dB επεξεργασίας, By-pass και Ground lift διακόπτης. Είσοδοι-έξοδοι με XLR και TRS.

* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg

XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance:

Weight3.60 kg4.00 kg2.15 kg2.00 kg2.00 kg3.00 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
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Βάρος 3.60 kg
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Βάρος 2.00 kg
Βάρος 3.00 kg

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