AUDIX DP7 Drum Microphone Set

1,152.04 με ΦΠΑ 24%

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Διαθεσιμότητα: Διαθέσιμο 1-3 Ημ. Διαθέσιμο 1-3 Ημ. Κωδικός προϊόντος: DP7 Κατηγορία:
7-piece Drum Mic Package The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today’s professional drummer, both on the stage and in the studio.. Included in the DP7 drum mic package is the D6, Audix’s flagship kick drum mic, two- D2’s for rack toms, one D4 for floor tom, […]

 

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7-piece Drum Mic Package

The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today’s professional drummer, both on the stage and in the studio..

Included in the DP7 drum mic package is the D6, Audix’s flagship kick drum mic, two- D2’s for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking.  Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics.     Everything is conveniently packaged in a foam-lined  aluminum road case for safe keeping when the mics are not in use.

THE MICS:

D6 – Kick Drum  
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the “sweet spot” of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today’s live stages and recording studios.

i5 – Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix.   The i5’s cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) – Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat.  The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy.  The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 –  Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies.   In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size.  The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones.

ADX51 (two) –  Overheads
The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound.   Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments.   The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.  

What’s In The Box

  • 1 D6 with DCLIP
  • 1 i5 with DVICE rim mount clip
  • 2 D2s with DVICE rim mount clips
  • 1 D4 with rim mount clip
  • 2 ADX51 with DCLIPS and windscreens
  • 1 Aluminum road case
Βάρος 5.00 kg

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Quick Comparison

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Price 1,152.04 με ΦΠΑ 24% 148.00 με ΦΠΑ 24% 110.00 με ΦΠΑ 24% 47.11 με ΦΠΑ 24% 231.36 με ΦΠΑ 24% 179.00 με ΦΠΑ 24%
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7-piece Drum Mic Package

The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio..

Included in the DP7 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking.  Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics.     Everything is conveniently packaged in a foam-lined  aluminum road case for safe keeping when the mics are not in use.

THE MICS:

D6 - Kick Drum  
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 - Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix.   The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat.  The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy.  The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 -  Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies.   In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size.  The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones.

ADX51 (two) -  Overheads
The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound.   Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments.   The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.  

What's In The Box
  • 1 D6 with DCLIP
  • 1 i5 with DVICE rim mount clip
  • 2 D2s with DVICE rim mount clips
  • 1 D4 with rim mount clip
  • 2 ADX51 with DCLIPS and windscreens
  • 1 Aluminum road case

Δυναμικό μικρόφωνο καρδιοειδές ειδικό για έγχορδα (κοντραμπάσο), μπότα, κλπ., 20Hz-16kHz

Απόκριση Συχνότητας : 20.....16000 Hz
Ευαισθησία σε ελεύθερο πεδίο, χωρίς φορτίο (1kHz) : 1,0 mV/Pa
Τερματισμένη Αντίσταση : 1000 Ohm
Διαστάσεις : d 60 x 153 mm
Βάρος :  550 g χωρίς καλώδιο

Δυναμικό υπέρ-καρδιοειδές μικρόφωνο, για Kick-Drum. Αντίσταση 150Ω, απόκριση συχνότητας 20-10.000 Hz, ευαισθησία 0,63 mV.


Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ιδανικό για κρουστα, πνευστά & έγχορδα μουσικά

Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.

The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. 

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL

The e 904 is a cardioid dynamic instrument microphone especially designed for drums.

Features
Full, impressive, lively sound for drums and percussion
Very fast attack
Compact body ideal for mounting on toms and snare drum
Excellent sound profiling, adapts to all percussive styles
Hum compensating coil
Delivery Includes
e 904 microphone
MZH 604 drum clamp
Pouch
User manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  63 x 41 mm 
Weight  125 g 

Weight5.00 kg0.55 kg0.35 kg1.00 kg0.80 kg0.30 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 5.00 kg
Βάρος 0.55 kg
Βάρος 0.35 kg
Βάρος 1.00 kg
Βάρος 0.80 kg
Βάρος 0.30 kg