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Ultra-small, high performance dynamic harmonica microphone.
The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.
The FireBall™ mic has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.
Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k) is required.
Designed, machined, assembled and test by Audix in the USA.
| Type | Dynamic |
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| Polar Pattern | Cardioid | | Frequency Response | 50Hz - 16kHz | | Impedance | 280 ohms | | Sensitivity | 1.5 mV/Pa @1k |
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Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals
| The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
| Frequency Range |
40 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Load Impedance |
310 Ohms |
| Sensitivity |
56 dBV/Pa (Open Circuit Voltage, 1 kHz) |
| Color |
Gray |
| Mounting |
5/8"-27 Female, Mic Clip (Included) |
| Construction Material |
Steel, Steel Wire Grille |
| Dimensions |
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm |
| Weight |
10.02 oz / 284 g |
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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The e 904 is a cardioid dynamic instrument microphone especially designed for drums.
Features
Full, impressive, lively sound for drums and percussion
Very fast attack
Compact body ideal for mounting on toms and snare drum
Excellent sound profiling, adapts to all percussive styles
Hum compensating coil
Delivery Includes
e 904 microphone
MZH 604 drum clamp
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 63 x 41 mm
Weight 125 g
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Τύπος μικροφώνου: Δυναμικό
Πολικό διάγραμμα: Υπερκαρδιοειδές
Συχνοτική απόκριση μικροφώνου: 30 – 20.000 Hz
Τρόπος σύνδεσης: XLR 3-pin
Κατασκευάζεται στην Γερμανία
Όπως όλα τα μέλη της σειράς M, το M 88 TG είναι χειροποίητο στη Γερμανία. Τα υλικά και η ακριβής δεξιοτεχνία που μπαίνουν στο μικρόφωνο δημιουργούν τελικά ένα προϊόν παγκόσμιας κλάσης, ένα επίπεδο ποιότητας που μετατρέπει μια συνηθισμένη αγορά μικροφώνου σε μακροπρόθεσμη επένδυση.
Ιδανικό για μπάσες πηγές
Το M 88 TG υπερέχει στο τύμπανο, το σαξόφωνο και τα κρουστά, αποτέλεσμα ισορροπημένου ηχητικού προφίλ και βαθιών μπάσων. Είναι απαραίτητο για κάθε συλλογή μικροφώνων. Και γιατί να μην είναι όταν εξετάζετε τα χαρακτηριστικά του; Δεν είναι ευαίσθητο στα υψηλά επίπεδα ηχητικής πίεσης και ανθεκτικό στην ανάδραση χάρη στο σχεδόν τέλειο υπερκαρδιοειδές του διάγραμμα!
Εύχρηστο εργαλείο για κάθε studio
Το M 88 TG υπερέχει στο στούντιο με τη βοήθεια της πολύπλευρης ευελιξίας του. Ανεξάρτητα από το αν η δουλειά περιλαμβάνει φωνητικά, κόρνα, ενισχυτές κιθάρας ή τύμπανα - το μικρόφωνο είναι η τέλεια επιλογή για το ευρύτερο φάσμα πηγών. Είναι όλα το αποτέλεσμα της εξαιρετικά ευρείας απόκρισης συχνότητας και του πλούσιου ήχου.
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