AUDIX VX-5 Condenser vocal microphone with super-cardioid polar pattern

High performance electret condenser for vocals & acoustic instruments

The VX5 is a multi purpose, professional vocal condenser microphone designed for live, studio and broadcast applications. With an ability to duplicate studio quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback and handles very high SPLs without distortion.

Designed with a tight and uniformly controlled supercardioid polar pattern, the VX5 helps isolate vocals from the rest of the stage. Other features are a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grill with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.

In addition to vocal applications, the VX5 is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.

The VX5 requires 18 - 52 V phantom power.

Offered in a convenient and cost-effective "three-pack," the Q6 gives you plenty of output and performance for a variety of situations.

3 Mics in a Foam Padded Hard Shell Case
High gain, low impedance design
Dynamic Neodymium mic element
Super Cardioid pickup pattern
Multi-axis shock mounted element
On/Off Switch
Hard Shell Carry Case for 3 mics
(3) Mic Clips included

Δυναμικό μικρόφωνο χειρός, καρδιοειδούς κάψας, απόκριση συχνότητας 40 - 18ΚHz, βάρους 330 gr. Ιδανικό για φωνή σε χρήση stage.

Behringer Ultravoice XM8500 Dynamic Cardioid Microphone

With the BEHRINGER vocal microphone ULTRAVOICE XM8500, your voice will shine in a way it never has before, giving a powerful edge to your performances. Your creative energy and highly professional demands finally have a worthy partner. You want your voice to come across at its best, capturing your audience with its power and expression. No problem: with the ULTRAVOICE XM8500, you've got them in your hands.

Bringing out the subtlest nuances and placing them properly in the mix: that's what a good vocal microphone is all about. And that's exactly what the ULTRAVOICE does. Its cardioid characteristic picks up sound from the front with the utmost sensitivity, while strongly dampening sound from the back. This gives you more security against feedback. The integrated shock-mount system effectively reduces handling noise to an absolute minimum. The XM8500's balanced low-impedance output lets you connect it to any console or microphone preamp - provided it has enough dynamic headroom. You'll need plenty of that: the ULTRAVOICE is so powerful that you'll put your current favorite microphone in its box. Even if it cost ten times as much.

On stage, dependability counts. The ULTRAVOICE won't let you down. Its rugged construction protects it against the toughest changes you can put it through. The matte anodized surface reduces reflections from studio or stage lighting. The two-stage pop filter and tough steel mesh keep breath and pop noises out of the signal.

In the tradition of the SM58^?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.

The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.

• Smooth, extended frequency response for outstanding sound for professional live vocal use
• Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
• Pneumatic shock mount reduces handling noise
• Frequency response: 50 to 16,000 Hz

• Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
• Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
• Neodymium magnet for high signal–to–noise output
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Minimally effected by varying load impedance
• Legendary Shure quality and reliability

The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic. 
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
 
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required

APPLICATION HINTS:
Announcer's mic for broadcasting and studio

This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.

TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm