BEHRINGER FBQ800 Ultra-Compact 9-Band Graphic Equalizer with FBQ

The MINIFBQ FBQ800 features Behringer's FBQ Feedback Detection System that instantly reveals critical frequencies and can also be used as an audio analyzer. An additional low cut filter removes unwanted frequencies such as floor rumble. Accurate 6-digit LED input/output meters and level control are provided for precise level indication. Long-term reliability is guaranteed with Behringer's high-quality illuminated faders, potentiometer and illuminated switches. The ultralow noise audio operational amplifiers offer outstanding sound performance. In addition, all Mini Series models can be stacked on top of each other to create an ultra-compact signal processing solution.

How Does it Work?
Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes” represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1k, 2k and 4k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8k and 16k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

Feedback Elimination
When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs—that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. Thatʼs why feedback typically gets louder and louder the longer itʼs allowed to occur. Needless to say, this kind of feedback is very undesirable.

This is where the FBQ800ʼs Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out—voilà, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

Sonic Toolkit…
That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and thatʼs a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the frequency response of any roomʼs acoustics. For instance, if the room youʼre in is "bass-heavy,” lowering the 63 and 125Hz faders can help eliminate an overall "boomy” or "muddy” sound. Likewise, gently boosting the 8 and 16k sliders can add sparkle to a somewhat "dark” mix. Are the vocals getting lost in the mix? Raising the level of the 1k slider can help bring them out.

Itʼs important to note that raising a single fader level is not always the best solution; itʼs often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

Built for Accuracy and Reliability
Speaking of headroom, FBQ800ʼs 6-digit LED I/O meters and level control are provided for precise level maintenance. Long-term reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra-compact signal processing solution.

Mini Series mixer with built-in feedback detection.

 FEATURES

• Ultra-compact 9.5" graphic equalizer for studio and stage applications
• FBQ Feedback Detection system instantly reveals critical frequencies
• Additional Low-cut filter removes unwanted frequencies, like floor rumble
• 6-segment LED input/output meters and Level control for precise level indication
• High-quality illuminated faders, potentiometers and illuminated switches
• Low noise audio operational amplifiers offer excellent sound performance

SPECIFICATIONS

MINIFBQ FBQ800 9-Band Graphic Equalizer with FBQ

• INPUT
• Type 1/4" TRS connectors (balanced) or
• RCA connectors (unbalanced)
• Impedance approx. 20k ohms, balanced
• approx. 10k ohms, unbalanced
• CMRR 40 dB typ. @ 1 kHz
• Max. input level +15 dBu
• OUTPUT
• Type 1/4" TS connectors (unbalanced) or
• RCA connectors (unbalanced)
• Impedance approx. 120 ohms
• Max. output level +15 dBu
• SYSTEM SPECIFICATIONS
• Frequency response 10 Hz to 200 kHz, -3 dB
• Dynamic range 110 dB, 10 Hz to 22 kHz
• Distortion 0.003 % typ. @ 0 dBu
• Crosstalk
• Signal-to-noise ratio 10 Hz - 22 kHz
• GRAPHIC EQUALIZER
• Type 9 analog stereo bands
• Control range ±6 dB or ±12 dB, switchable
• Bandwidth 1 oct.
• OTHER FEATURES
• Low-cut filter 75 Hz (12 dB/oct.)
• Input level control -12 dB to +12 dB
• POWER SUPPLY
• Mains connection external power supply
• 9 V ~ / 750 mA
• Mains voltage
• DIMENSIONS/WEIGHT
• Dimensions (H x W x D) approx. 1 8/9" (48 mm) x 9 5/9" (243 mm) x 4 5/7" (120 mm)
• Weight approx. 0.86 lbs. ( 0.39 kg)

The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
 
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.

Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years. 

PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world.  Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.

MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!

AD2055 SPECIFICATIONS
Circuit Topology  High-voltage 100% discrete, balanced and symmetrical
Class A 
Output Gain Range  Unity Gain 
Maximum Input Level  +30dB balanced XLR pin 2 hot 
Maximum Output Level  +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A 
Input / Output Type  XLR type, pin 2 hot balanced 
Noise 20kHz Unweighted  -94dB (EQ in) 
Distortion THD, IMD  0.5% (typical 0.05% at +6dB 1kHz) 
Frequency Response -3dB  1Hz to 450kHz (input band limited) 
Equalizer Type  Passive high and low bands plus two fully parametric mid
bands 
Bypass  Hard-wire relay bypass for equalizer in-out 
Low Band F1  Passive, amplitude to -32dB to +32dB shelf or peak-dip curve 
F1 Frequency Range  Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz 
Mid Band F2  Active, amplitude to -16dB to +16dB peak-dip curve 
F2 Frequency Range  Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0 
Mid Band F3  Active, amplitude to -16dB to +16dB peak-dip curve 
F3 Frequency Range  Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0 
High Band F4  Passive, amplitude to -26dB to +26dB shelf or peak-dip curve 
F4 Frequency Range  Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz 
AC-DC Power  External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated, 
(B2T Power Supply Included)  100-240v selectable 50/60Hz, 150w max 
Dimensions  19 x 3.5 x 12 in (482 x 88 x 305mm) 
Shipping weight  30lbs (13.6 kg) 

• Professional 15-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Ultra-low noise 4580 operational amplifiers for highest signal integrity
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional low-cut filter removes unwanted frequencies, e.g. floor rumble

• Highly accurate 4-segment LED output metering and input gain controls for easy level setting
• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• “Planet Earth" switching power supply for maximum flexibility (100
  - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• 3-Year Warranty Program*
• Designed and engineered in Germany

High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System

• Professional 31-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Ultra-low noise 4580 operational amplifiers for highest signal integrity
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
• Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting

• Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• “Planet Earth" switching power supply for maximum flexibility (100
  - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• 3-Year Warranty Program*
• Conceived and designed by BEHRINGER Germany

DBX 1215
Ισοσταθμιστής 2 x 15 περιοχών με XLR IN/OUT

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

•   Switchable boost/cut ranges of ±6 or ±15 dB
•   Electronically balanced/unbalanced inputs
•   Servo balanced/unbalanced inputs
•   RF filtered inputs and outputs
•  XLR, Barrier Strip, and 1/4" TRS connectors
•  -12dB/+12dB input gain range
•  18dB/octave 40Hz Bessel low-cut filter
•  Chassis/signal ground lift capability
•  Internal power supply transformer
•  Power-off hardwire relay bypass with 2-second power-up delay

The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.

The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.

Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)

Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).

• Constant-Q Bandwidth Design
• Overall Level Controls and Passive Bypass Switches
• 20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
• Infrasonic, Ultrasonic, & RFI Filters
• Balanced XLR and 1/4" TRS Inputs and Outputs
• Universal internal switching power supply (100-240 VAC)