| Content |
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Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
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16 balanced high-headroom line inputs for individual stereo or mono use of each section
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Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
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Dedicated balance and level controls plus +4/-10 level selection per channel
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Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
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Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information
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Monitor/FX signal assignable to phones output for added flexibility
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Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
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1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
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High-quality detented rotary controls for long-term reliability
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Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
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3-Year Warranty Program*
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Designed and engineered in Germany
| Audio Inputs |
Type: 16 x 1/4" / 6.3 mm TRS Connectors, Electronically Balanced, Line Level
Impedance: 20 Kilohms Balanced or Unbalanced
Gain Range: -∞ to +15 dB
Operating Level: +4 dBu / -10 dBV (Switchable)
Maximum Input Level: +22 dBu
Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically |
| Audio Outputs |
Main Out (L/R):
Type: 2 x 1/4" / 6.3 mm TRS Connectors, Impedance Balanced
Gain Range: -∞ to +15 dB
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu
Monitor Out Send (Mono):
Type: 1 x 1/4" / 6.3 mm TRS Connector, Impedance Balanced Mono
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu |
| Headphones Output |
Type: 1 x 1/4" / 6.3 mm TRS Connector, Stereo
Minimum Load Impedance: 100 Ohms |
| System |
Bandwidth: 20 Hz to 20 kHz (±0.2 dB)
Frequency Range: 10 Hz to 200 kHz, (±3 dB)
Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain
Crosstalk: |
| Power Supply |
Voltage: 100 to 240 VAC, 50/60 Hz
Power Consumption: 15 W
Mains Connection: Standard IEC Connector |
| Dimensions |
1.7 x 19.0 x 5.9" / 4.4 x 48.3 x 14.9 cm
Rack Space: 1 RU |
| Weight |
4.0 lb / 1.8 kg |
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DBX-166XL
Compressor - limited- gate /expander 2 εισόδων κύκλωμα overeasy,
peakstopplus, είσοδοι- έξοδοι XLR κατάλληλος για studio & live χρήση.
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications | Input Connectors | 1/4" TRS, female XLR (pin 2 hot) | | Input Impedance | >50kΩ balanced, >25kΩ unbalanced | | Max Input | >+24dBu, Balanced or Unbalanced | | Input Type | Electronically balanced/unbalanced, RF filtered | | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | | Sidechain Max Input Level | >+20dBu (tip/input); >+20dBu (ring/output) | | Output Connectors | 1/4" TRS, female XLR (pin 2 hot) | | Output Impedance | 120Ω balanced, >60Ω unbalanced | | Max Output | +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) | | Frequency Response | 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain | | Noise | |
| L-1102
Limmiter / leveller 2 channel, απόκριση συχνότητας 20Hz-20kHz,
4 κιλά και δυνατότητα μετατροπής των in/out σε balanced 1U. |
Χαρακτηριστικά:
Στερεοφωνικό αυτόματο feedback destroyer (σύστημα κατά των μικροφωνισμών), παραμετρικό ψηφιακό equalizer και 24 φίλτρα FBQ
Αυτόματα ανιχνεύει και εξουδετερώνει μικροφωνισμούς σε 24 συχνότητες
Ultra-narrow FBQ φίλτρα για αποτελεσματική εξουδετέρωση των μικροφωνισμών ενώ διατηρείτε σε υψηλά επίπεδα η ποιότητα του ήχου
Εύκολη χρήση χωρίς πολλές ρυθμίσεις επιλέγοντας προεπιλεγμένες έτοιμες ρυθμίσεις
Χειροκίνητη λειτουργία για ρυθμίσεις από προχωρημένους χρήστες
Midi in/out και thru
Frequency response: 20Hz – 20KHz, ±1dB
Noise: >94dB
THD: 0.0075%
Crosstalk: |
The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.
Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years.
PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world. Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.
MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!
AD2055 SPECIFICATIONS
Circuit Topology High-voltage 100% discrete, balanced and symmetrical
Class A
Output Gain Range Unity Gain
Maximum Input Level +30dB balanced XLR pin 2 hot
Maximum Output Level +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A
Input / Output Type XLR type, pin 2 hot balanced
Noise 20kHz Unweighted -94dB (EQ in)
Distortion THD, IMD 0.5% (typical 0.05% at +6dB 1kHz)
Frequency Response -3dB 1Hz to 450kHz (input band limited)
Equalizer Type Passive high and low bands plus two fully parametric mid
bands
Bypass Hard-wire relay bypass for equalizer in-out
Low Band F1 Passive, amplitude to -32dB to +32dB shelf or peak-dip curve
F1 Frequency Range Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz
Mid Band F2 Active, amplitude to -16dB to +16dB peak-dip curve
F2 Frequency Range Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0
Mid Band F3 Active, amplitude to -16dB to +16dB peak-dip curve
F3 Frequency Range Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0
High Band F4 Passive, amplitude to -26dB to +26dB shelf or peak-dip curve
F4 Frequency Range Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz
AC-DC Power External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated,
(B2T Power Supply Included) 100-240v selectable 50/60Hz, 150w max
Dimensions 19 x 3.5 x 12 in (482 x 88 x 305mm)
Shipping weight 30lbs (13.6 kg)
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Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone
application including wireless types. It can provide effective feedback control to any sound
reinforcement situation. It can also eliminated string feedback in guitars and bass instruments
which are equipped with piezo or condenser pickups.
The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal,
detecting the presence of feedback and then notching out the feedback frequency.
The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a
feedback signal before it can grow into a peak. Internally a discriminator circuit detects the
presence of regenerative feedback and triggers the automatic equaliser to insert a notch where
the feedback peak is coming up. This normally prevents other peaks from developing but if they
do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data
In- and Outputs transformer balanced
max. Inputlevel + 3 dB
Gain (RS=200 Ohm, RL=2kOhm) 0 dB
Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB
Feeback Cancellation 6 ... 10 dB
Power Requirement 30 ... 48 V Phantom
Current drain ca. 8 mA
External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip +
Housing Aluminium Diecast
Weight 285 grams
Dimensions 112 x 60 x 32 mm |
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