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Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ
DBX-1074
4 ch noise gate με δυνατότητα λειτουργίας σε ρυθμιζόμενο εύρος
συχνοτήτων XLR in/out, insert points.
- Four independent channels of gating
- Independent key filtering
- Independent Threshold and Release controls
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Stereo Coupling mode
- Switchable +4dBu or -10dBv operation per channel
Input Connectors | XLR (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | 40dB: Typically >55 dB at 1 kHz | Key Input | Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm | Output Connectors | XLR (Pin 2 hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 60 Ohm, unbalanced 30 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 200 kHz, +0/-3 dB | Noise | | Dynamic Range | > 115 dB, unweighted | THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Operating Voltage | 100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 30 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Unit Weight | 6.9 lbs. | Shipping Weight | 9.3 lbs. |
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Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.
Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications Input Connectors | 1/4" TRS and female XLR (pin 2 hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | 40kΩ balanced/unbalanced | Max Input | >+22dBu Balanced or Unbalanced | Output Connectors | 1/4" TRS, female XLR (pin 2 hot) | Output Type | Impedance-balanced/unbalanced, RF filtered | Output Impedance | +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced | Max Output | >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | Sidechain Max Input Level | Tip = >+22dBu (Input) | Sidechain Max Output Level | Ring = >+20dBu (Output) | Compressor Threshold Range | -40dBu to +20dBu | Compressor Threshold Characteristic | Selectable OverEasy® or hard knee | Compressor Ratio | 1:1 to Infinity:1 | Compressor Attack Time | Scalable Program-Dependent AutoDynamic™ | Compressor Release Time | Scalable Program-Dependent AutoDynamic™ | Expander/Gate Threshold Range | -60dBu to +15dBu | Expander/Gate Ratio | 1:1 to 4:1 | Expander/Gate Attack Time | |
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Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with
Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter
Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600
gives you total dynamic control. It includes all of the features you would expect from
a reference class compressor?plus a voice-adaptive de-esser, a new dynamic
enhancer, authentic tube emulation and much more. These are some of the indispensable
tools for producing clean, consistent audio with virtually no loss in signal quality.
Features:
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry
combines the advantages of hard-knee and soft-knee characteristics
Integrated de-esser with switchable male/female voice recognition removes excessive
sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible
noise suppression
Switchable tube simulation for the extra warmth and transparency of classic
tube circuitry
Automatically or manually adjustable attack and release times
Switchable low contour filter prevents "pumping" due to low-frequency
dominated compression
Stereo couple function with independent output level settings
Switchable side chain input with side chain monitor function
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 12-segment LED meters for input/output levels and gain reduction
Dedicated "traffic light" threshold and de-esser level displays
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Relay-controlled hard bypass switch with auto bypass function in case
of power failure
Manufactured under ISO9000 certified management system
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Το MaxxBCL συνδυάζει υψηλής ποιότητας μετατροπείς με ανεπανάληπτους αλγόριθμους
επεξεργασίας και μας προσφέρει μια νέα προσέγγιση στα θέματα : bass enhancement,
dynamics processing, and format conversion.
Το MaxxBCL περιλαμβάνει το Renaissance compressor, το MaxxBass και το L2.
Ιδανικό για Live, Recording & Broadcasts application.
Ένα εργαλείο που δεν θα πρέπει να λείπει από ένα mastering studio |
Features Enhance switch to restore spectral balance of compressed signal Switchable Mode - Dual Channel or Stereo linked Above or Below Threshold LEDs Balanced XLR and Jack Inputs and Outputs Intuitive, user friendly layout Flawless performance
Innovation The ARX COMPO? is a unique compressor/limiter designed for use in any professional audio dynamics control application, packaged in a compact 1 RU chassis.The COMPO operates as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain controls. A Stereo Link switch on the front panel lets both channels track as a stereo pair in a Master/Slave configuration. Enhance Switch The COMPO features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. The best way to think of it is as a 'smart' loudness control. Wide Scale metering There is comprehensive LED indication of all operating functions and status. Above or Below Threshold LEDs on each channel give you instant visual confirmation of compressor activity, as well as easy to read LED Gain Reduction meters. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. Other features include an Active/Bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. ARX Quality With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the ARX COMPO is the ideal installation 'set and forget' compressor, and is also equally at home in Studio, Broadcast and Sound Reinforcement environments.
Every day, ARX Audio interface products solve audio problems for thousands of people around the world.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.4dB Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 107 dB Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack
Front Panel Controls Channel A Active/Bypassed IN/OUT switch Threshold, Ratio and Output Gain controls Numbered marker panel for labelling compressor assigns 5 segment LED Gain Reduction display Above/Below Threshold status LEDs Enhance switch and status LED Stereo link switch and status LED Channel B controls identical to Channel A Rear Panel Connectors Balanced XLR Input and Output connectors. Balanced TRS jack Input and Output connectors. AC input connector, with voltage switch and fuse. |
Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment
The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm
Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse
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