DBX IEQ15 EQ 2X15 ΠΕΡΙΟΧΩΝ & ANTIFEEDBAC DUAL 15-BAND GRAPHIC EQ.

DBX IEQ15   

Γραφικό equalizer 2x15 περιοχών, με ενσωματωμένα
anti-feedback AFS, type V noise reduction, peak stop
limiter. XLR, ??? και euroblock είσοδοι &  έξοδοι 

DBX-1046
Compressor - limiter 4 εισόδων, κύκλωμα "overeasy“, peakstoplus,
είσοδοι - έξοδοι XLR και 1/4 TRS. Κατάλληλος για studio, live χρήση.

• Four independent channels of operation, stereo linkable in two pairs
• PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
• Independent Threshold and ratio controls
• Switchable OverEasy® or Hard Knee compression
• Classic dbx® compression
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Precision metering of input level, output level, and gain reduction
• Dual True stereo or quad mono operation
• Switchable +4dBu or -10dBV operation per channel

DBX 1215
Ισοσταθμιστής 2 x 15 περιοχών με XLR IN/OUT

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

•   Switchable boost/cut ranges of ±6 or ±15 dB
•   Electronically balanced/unbalanced inputs
•   Servo balanced/unbalanced inputs
•   RF filtered inputs and outputs
•  XLR, Barrier Strip, and 1/4" TRS connectors
•  -12dB/+12dB input gain range
•  18dB/octave 40Hz Bessel low-cut filter
•  Chassis/signal ground lift capability
•  Internal power supply transformer
•  Power-off hardwire relay bypass with 2-second power-up delay

Νέα έκδοση S ηλεκτρονικού crossover 3 δρόμων με επιλεγόμενη συχνότητα cross, ρυθμιζόμενο input & output level, κλίση αποκοπής 24dB ανά οκτάβα, L & R είσοδοι & balanced έξοδοι με XLR.

More sound to your amps and speakers

The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.

The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.

XLR balanced ins and outs

Mode switches for mono 4-way or stereo 2-way/3-way operation

Low frequency summed (subwoofer) output

x10 range switch on both channels

40Hz high pass (low cut) filter both channels

Phase reverse switch on all outputs

Individual level controls on all outputs

24dB per octave Linkwitz-Riley filters (the professional standard)

Stereo/Mono status LEDs indicate the selected mode

dbx® 2 year parts and labor as standard

CSA NRTL/C approved

CE compliant

The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain.

Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician.

Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall.

Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings.

Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies.

Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave.

The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision.

• Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.

• Delivers classic sonic clarity and control at an affordable price.

• Genuine stereo operation with one set of controls for both channels.

• Indented and accurate potentiometers, providing precision for quick and simple recall.

• Variable low and high cut filters allow you to perfectly tune out any undesirable signals.

• Fully variable bandwidth provides absolute control for the parametric mid bands.

• Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.

• True hardware bypass for accurate A/B comparisons.

• Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.

• Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.

• Designed and manufactured by Drawmer in the UK.