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ΕΚΘΕΣΙΑΚΟ ΚΟΜΜΑΤΙ ΣΕ ΠΟΛΥ ΚΑΛΗ ΚΑΤΑΣΤΑΣΗ
ΜΑΖΙ ΜΕ ΤΗ ΣΥΣΚΕΥΑΣΙΑ ΤΟΥ, ΚΑΛΩΔΙΑ/MANUALS ΣΦΡΑΓΙΣΜΕΝΑ
DBX Quantum 2 Digital Multi Band Processor
Το DBX QUANTUM II είναι ένας δυναμικός επεξεργαστής 4-band κατάλληλος για ροαδιόφωνο ή τηλεόραση στην τελική επεξεργασία ήχου.
The DBX QUANTUM II Multiband Compressor. Superior 4-band dbx dynamics processing, all the mastering processes you need right at your fingertips.
The DBX QUANTUM II Digital Multi-Band Processor is the latest evolvement of the first studio mastering tool that offered sampling rates up to 96kHz, with a true 48-bit digital signal path, and the superior dbx dynamics processing that has been making the hits for 30 years. Insert the Quantum II into the master outputs of any console or workstation and turn out a professional master every time. The patented dbx dynamics processing is now available in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The patented dbx TYPE IV Conversion System allows you to retain the warmth and body of the signal, while adding punch and depth. In addition, the intuitive user interface puts all the mastering processes you need right at your fingertips. The Quantum II's intuitive operating system allows you easy access to the strongest mastering toolbox ever produced. A quick surf through the menu driven system gives you a glimpse of the packed feature set. Use the 4 band crossover with independent slope selection to split the incoming signal into 4 bands that are then each controlled separately for individual gating, compression, and limiting. The 5-band parametric EQ offers unprecedented control, with variable Q, adaptable or constant Q, and Lo and High shelving features, making the Quantum II the most versatile and useful tool to use for any mastering application. The Quantum II also comes with the patented TYPE IV Conversion System. The TYPE IV conversion system transfers the character of any analog signal to the digital domain in a way that defies description. With the help of TSE Tape Saturation Emulation, the Quantum II retains the original warmth of analog recording, while giving it the clarity and versatility we need in today's digital world of music production and mastering. You can also dither your signal down to 24, 20, or 16 bits, using dbx custom dither algorithms. For more versatility use full MIDI/SysEx control, and internal/external sync capability. In addition, software upgrades can be downloaded from the dbx website and installed through the MIDI ports. The Quantum 2 now features the latest Crystal 8420 Digital Audio Transceiver chip, allowing the processor to use digital clocks from any source, Internal, AES/EBU, S/PDIF or Word clock on BNC. It also allows sample rate conversion to and from any sample rate 44.1, 48, 88.2, 96 kHz. An RS-232 connection on the rear panel, with the included software control program, allows computer control of parameters, making the Quantum MKII version much easier to work with.
The main features of the DBX QUANTUM II include:
- Superior 4-band dbx dynamics processing, all the mastering processes you need right at your fingertips
- 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
- 48 bit internal signal path for increased head room and low level resolution
- Patented TYPE IV A/D Conversion system with TSE
- 4 band stereo compressor-gate-limiter
- 5 band EQ – Hi and Lo shelves, 3 band fully parametric and MS EQ
- Normalizer – lets you control overall signal dynamics
- Stereo adjust – control your stereo image
- Sync input/output using dbxʼs own proprietary clock chips for extremely low jitter sync
- Dither outputs to 16, 20, or 24 bits
- Sample rate conversion - Full Up/Down
- Software updateable via Internet and RS 232
- 4 band crossover with variable slopes
- GUI Control
- Input Connectors: 2 x Female XLR and 1/4 inch jack TRS (Pin 2 and tip hot) plus 1 x 5-Pin DIN MIDI Input Jack
- Output Connectors: 2 x Male XLR and 1/4 inch jack TRS (Pin 2 and tip hot) plus 1 x 5-Pin DIN MIDI Out/Thru Jack
ΤΙΜΗ ΧΩΡΙΣ ΦΠΑ 24%
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| Features | | • Dual 15-band equalizer | | | | • Constant Q | | | | • Low cut filter at 50Hz with a 12dB/Octave slope | | | | • Balanced XLR inputs and outputs | | - | | • Bal 1/4" inputs and impedance balanced 1/4" outputs | | - | | • ISO 2/3 octave frequency centers |
Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ
Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.
| Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α.
BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
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Features
Advanced Hardware for Superior Sound
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
Preset, Internal, and Card Memory
180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration
In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
Tempo-based Delay Time Programming
Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.
Superior Pitch Precision
The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.
External Parameter Control
The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.
MIDI Control
The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.
4 Pre-Effects
1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation
REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze
PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT
3 Post Effects
1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT
Specifications
| Frequency Response | 20 Hz - 20kHz +/-0.5 dB |
CD Player
| Dynamic Range | Above 100 dB (typical 106dB) |
Specifications | Hum and Noise | Below -82 dBm (Typical -88dBm) | | Distortion | Below 0.005% at max. level 1 kHz | | Input/ Number of Channel | 2 (Phone Jack) | | Input/ Nominal Level | +4/-20dBm (Switchable) | | Input/ Highest Input | +24dBm (Switchable at +4dB) | | Input/ Impedance | 20 k ohm | | Output/ Number of Channel | 2 (Phone Jack) | | Output/ Nominal Level | +4/-20dBm (Switchable) | | Output/ Highest Output | +18dBm (Switchable at +4dB) | | Output/ Impedance | 150 ohm | | A/D Conversion | 20 bits | | D/A Conversion | 20 bits | | Sampling Freq. | 44.1kHz | | Preset Program | 1 - 80 | | User Memory Program | 1 - 99,00 | | Optional Memory Card | 1 - 99,00 | | Front Panel/ Control | Input Level (L,R), Data Entry | | Front Panel/ Keys | Function Key x 6, Page Select Key x 2, Memory, Store, Edit, Bypass | | Front Panel/ Display | 2 ch. 8 segment LED (Level Meter) 6 segment LED (Mode Indicator) 7 segment LED (Memory No.) Memory, Edit, Bypass indicators 24 chara x 2 Line LCD | | Front Panel/ Slot | Memory Card | | Rear Panel/ Connectors | Input L/R (XLR x 2, Phone jack x 2 Output L/R (XLR x 2, Phone jack x 2) MIDI In, Thru/Out (DIN 5P x 2) Trigger (Phone Jack x 1) Bypass or INC/DEC (Phone Jack x 1) | | Rear Panel/ Switch | In/Out Level Switch (+4dB/ -20dB x 2) MIDI Thru/ Out Switch | | Power Requirements | US and Canadian Models: 120V, 60Hz British Model:240V, 50Hz General Model:230V, 50Hz | | Power Consumption | 25W | | Dimensions | 480 x 46 x 324.4 mm | | (W x H x D) | (18-7/8" x 1-13/16" x 12-3/4“) (including attachments) | | Weight | 4.6 kg (10lbs. 2oz) |
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ΣΤΗΝ ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΤΑΙ ΦΠΑ
Ψηφιακό effect δύο μηχανών (True stereo Twin Engine processing) με 250 presets ανάμεσα στα οποία περιλαμβάνονται Delay, Reverb, Ambience, Pitch, Dynamics, EQ και πολλά ακόμα.
Το Μ2000 παρέχει μία ευρεία γκάμα υψηλής ποιότητας effect τα οποία δίνουν την δυνατότητα δημιουργίας μαγικών effect. Η διπλή μηχανή που διαθέτει δίνει την δυνατότητα χρησιμοποίησης δύο effect ταυτόχρονα τα οποία αποδίδονται από δύο ανεξάρτητα effect sends.
User Friendly Interface
To φιλικό προς τον χρήστη interface της TC καθώς και η λειτουργία Wizard Recall δίνουν στον χρήστη την δυνατότητα πολύ γρήγορα να βρει το κατάλληλο προς χρησιμοποίηση effect σύμφωνα με την εφαρμογή του.
Το μόνο που έχει να κάνει είναι να εισάγει τα δεδομένα πχ. Ένα απαλό effect για φωνητικά ή extra pitch για κιθάρα και ο wizard εμφανίζει αυτόματα την λίστα με τα κατάλληλα προς χρησιμοποίηση effects.
Εκπληκτικά effect
Το Μ2000 σας δίνει πρόσβαση σε εξαιρετική σειρά Reverb, Pitch-shifting, Delay, EQ και άλλα effects. Ανάμεσα στα συμπεριλαμβανόμενα Reverb θα βρείτε το μοναδικό Co-efficient Optimized Room Emulator ή C.O.R.E. Reverb™ (συντομογραφία) το οποίο βασίζεται στην διάσημη τεχνολογία Reverberation της TC.
Άλλη μία μοναδική δυνατότητα του M2000 είναι το Dynamic Morphing. Η λειτουργία αυτή σας επιτρέπει να βάλετε Chorus σε φωνητικά (εφαρμογή σε χαμηλά επίπεδα έντασης) ενώ ταυτόχρονα σε υψηλά επίπεδα έντασης μεταμορφώνεται (Dynamic morphing) σε flanging αποδίδοντας στο ηχητικό σήμα μία ξεχωριστή δυναμική διάσταση.
Τεχνικά Χαρακτηριστικά
Ψηφιακές είσοδοι και έξοδοι
- Συνδέσεις : XLR (AES/EBU) RCA Phono (S/PDIF)
- Formats : AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958
- Output Dither : HPF TPDF dither 8-24 bit
- Υποστηριζόμενες συχνότητες δειγματοληψίας : 44.1 kHz, 48 kHz
- Processing Delay : 0.2 ms @ 48 kHz
- Απόκριση συχνότητας : DIO 20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
Αναλογικές Είσοδοι
- Συνδέσεις : XLR balanced (pin 2 hot)
- Αντίσταση : 20 Kohm
- Μέγιστο επίπεδο εισόδου : +22 dBu (balanced)
- Ελάχιστο επίπεδο εισόδου : 20 kohm
- Ευαισθησία @ 12 dB headroom : -22dBu - 10 dBu
- A to D Conversion : 24 bit (4 bit, 64 times oversampling)
- A to D Delay @ 12 dB headroom : -22 dBu to +10 dBu
- Δυναμική περιοχή : >103 dB (unweighted), >106 dB (A)
- Συνολική αρμονική παραμόρφωση (THD) : -95 dB (0,0018 %) @ 1kHz, -6 dBFS (FS @ +16 dBu)
- Απόκριση συχνότητας : 10 Hz - 20 KHz: +0, - 0.2 dB
- Crosstalk : 100 dB (unweighted), >104 dB(A)
- Συνολική αρμονική παραμόρφωση (THD) : -86 dB (0.005%) @ 1 kHz, -6 dBFS, FS@ +16 dBu
- Απόκριση συχνότητας : 10 Hz - 20 KHz: +0, - 0.5 dB
- Crosstalk : -60 dB max, 10 Hz - 20 KHz typical -90 dB @ 1 kHz
PCMCIA Interface
- Συνδέσεις : PC Card, 68 pin type 1 card
- Standards : PCMCIA 2.0, JEIDA 4.0
- Card Format : Supports up to 2 MB SRAM
Control Interface
- Πεντάλ : 1/4' phone jack, 0 ohm to 50 kohm
- MIDI In/Out/Thru : 5 Pin DIN:
Γενικά
- Οθόνη υγρών κρυστάλλων LCD : 56 x 128 dot graphic LCD-display
- Διαστάσεις : 483 x 44 x 208 mm (19' x 1.75' x 8.2')
- Βάρος : 2.35 kg (5.2 lb.)
- Τροφοδοσία : 100 to 240 VAC, 50 to 60 Hz (auto-select)
- Κατανάλωση ρεύματος : 10 years
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