DRAWMER 1973 – Three Band FET Stereo Compressor

1,484.99 με ΦΠΑ 24%

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Διαθεσιμότητα: Κατόπιν Παραγγελίας Κατόπιν Παραγγελίας Κωδικός προϊόντος: UA29251 Κατηγορία:
The award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price. Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate – the […]

 

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The award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price.

Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate – the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.

How does the 1973 differ from a full band compressor? In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet/Dry mix and levels can be adjusted. The advantage is that one band’s compression has no affect on the others.

What’s so good about a three band compressor anyway? The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs.

Are you recording a vocal track that sounds too shrill? The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed.

In a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance/air or making the bottom end of a mix sound huge while simultaneously avoiding “pumping” or “breathing” artifacts and increasing headroom.

Features:

  • Standard intuitive controls such as Threshold, Gain, Switched Attack & Release with Gain Reduction Metering on Each Band.
  • Fast Reacting Soft Knee F.E.T. Design with excellent Left/Right Tracking across the Full Range of compression.
  • Variable Wet/Dry Mix plus Output Gain Knobs give a ‘Parallel Compression’ function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
  • Variable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make ‘Tuning In’ to a Frequency Simple.
  • ‘Big’ and ‘Air’ Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.
  • Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.
  • Dedicated Gain Reduction Meters On Each Band.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
Βάρος 4.00 kg

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Quick Comparison

DRAWMER 1973 - Three Band FET Stereo Compressor removeARX COMBO DUAL CHANNEL COMPRESSOR/LIMITER removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER removeSAMSON S-COM4 Four Channel Compressor/Gate Processor removeWAVES MAXX BCL ΕΠΕΞΕΡΓΑΣΤΗΣ ΣΗΜΑΤΟΣ removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR remove
NameDRAWMER 1973 - Three Band FET Stereo Compressor removeARX COMBO DUAL CHANNEL COMPRESSOR/LIMITER removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER removeSAMSON S-COM4 Four Channel Compressor/Gate Processor removeWAVES MAXX BCL ΕΠΕΞΕΡΓΑΣΤΗΣ ΣΗΜΑΤΟΣ removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR remove
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SKUUA29251COMBOE005295SCOM 4MAXX BCLE005280
Rating
Price1,484.99 με ΦΠΑ 24% 297.60 με ΦΠΑ 24% 189.00 με ΦΠΑ 24% 215.00 με ΦΠΑ 24% 2,596.63 με ΦΠΑ 24% 95.00 με ΦΠΑ 24%
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The award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price.

Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate - the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.

How does the 1973 differ from a full band compressor? In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet/Dry mix and levels can be adjusted. The advantage is that one band's compression has no affect on the others.

What's so good about a three band compressor anyway? The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs.

Are you recording a vocal track that sounds too shrill? The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed.

In a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance/air or making the bottom end of a mix sound huge while simultaneously avoiding "pumping" or "breathing" artifacts and increasing headroom.

Features:
    • Standard intuitive controls such as Threshold, Gain, Switched Attack & Release with Gain Reduction Metering on Each Band.
    • Fast Reacting Soft Knee F.E.T. Design with excellent Left/Right Tracking across the Full Range of compression.
    • Variable Wet/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
    • Variable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make 'Tuning In' to a Frequency Simple.
    • ‘Big’ and 'Air' Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.
    • Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.
    • Dedicated Gain Reduction Meters On Each Band.
    • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.

Features
Enhance switch to restore spectral balance of compressed signal
Switchable Mode - Dual Channel or Stereo linked
Above or Below Threshold LEDs
Balanced XLR and Jack Inputs and Outputs
Intuitive, user friendly layout
Flawless performance

Innovation
The ARX COMPO? is a unique compressor/limiter designed for use in any
professional audio dynamics control application, packaged in a compact 1
RU chassis.The COMPO operates as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain controls.
A Stereo Link switch on the front panel lets both channels track as a stereo
pair in a Master/Slave configuration.
Enhance Switch
The COMPO features an 'Enhance' switch, which provides frequency restoration
to preserve the spectral balance of the audio signal, compensating for the sagging
Low and High frequency response of compressed program material.
The best way to think of it is as a 'smart' loudness control.
Wide Scale metering
There is comprehensive LED indication of all operating functions and status. Above
or Below Threshold LEDs on each channel give you instant visual confirmation of
compressor activity, as well as easy to read LED Gain Reduction meters.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. Other features include an Active/Bypass
switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
ARX Quality
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
ideal installation 'set and forget' compressor, and is also equally at home in Studio,
Broadcast and Sound Reinforcement environments.

Every day, ARX Audio interface products solve audio problems for thousands of people
around the world.


T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.4dB
Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 107 dB
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack

Front Panel Controls
Channel A Active/Bypassed IN/OUT switch
Threshold, Ratio and Output Gain controls
Numbered marker panel for labelling compressor assigns
5 segment LED Gain Reduction display
Above/Below Threshold status LEDs
Enhance switch and status LED
Stereo link switch and status LED
Channel B controls identical to Channel A
Rear Panel Connectors
Balanced XLR Input and Output connectors.
Balanced TRS jack Input and Output connectors.
AC input connector, with voltage switch and fuse.
 

VIRTUALIZER 3D FX2000 - Υψηλής απόδοσης 3D Multi-Engine Επεξεργαστής εφέ.
• 71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
• Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
• Awesome modulation, dynamic, psychoacoustic and EQ algorithms
• Authentic amp simulation, distortion and special effects
• 11 effect combinations with selectable serial / parallel configuration
• Up to 7 adjustable parameters plus 2-band EQ per effect
• 24-bit A/D and D/A converters with 64/128-times oversampling
• True stereo processing for realistic channel separation in stereo image
• 100 factory presets plus 100 user memory locations
• Extensive MIDI implementation
• Accurate LED level meters for perfect level setting and optimum performance
• Servo-balanced XLR and ¼'' TRS inputs and outputs
The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
The FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
• Reverbs: Cathedral - Gold plate - Small hall - Studio - Concert - Stage - Spring & Reverse Reverb - Ambience and more...
• Delays: Stereo - Tape Echo - Ping Pong and more...
• Modulation and Pitch Shifter FX: Stereo/Vintage/Jet Stream Flanger - Stereo/Analog/Vintage/Ultra/ Chorus - Stereo/Vintage/Dual Phaser - Rotary - Pitch Shifter - Vibrato and more...
• Dynamic FX: Compressor – Expander – Gated Reverb – An. Compr/Lim. — Ultramizer – Denoiser – De-Esser and more...
• Psychoacoustic FX: Exciter – Enhancer – Stereo Imager and more...
• Filter/EQ FX: Auto/LFO Filter – Parametric/Graphic EQ.
• The FX2000 is also equipped with distortion, amplifier and speaker simulation including Vocal/Tube distortion, Guitar Amp and more...
• Special FX:Vinylizer - Sampler - Vocoder - Voice Canceler - Resonator.

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

Το MaxxBCL συνδυάζει υψηλής ποιότητας μετατροπείς με ανεπανάληπτους αλγόριθμους
επεξεργασίας και μας προσφέρει μια νέα προσέγγιση στα θέματα : bass enhancement,
dynamics processing, and format conversion.
Το MaxxBCL περιλαμβάνει το Renaissance compressor, το MaxxBass και το L2.
Ιδανικό για Live, Recording & Broadcasts application.
Ένα εργαλείο που δεν θα πρέπει να λείπει από ένα mastering studio

Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor. Ανιχνεύει αυτόματα τους μικροφωνισμούς και τους εξαφανίζει. Διαθέτει επίσης low cut filter, phantom power, balanced in/out.

Χαρακτηριστικά:

    Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor
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    Είσοδος – έξοδος σε balanced JACK 6,35 και XLR
    Frequency response: 10H – 21KHz
    Noise: 92dB (line), 89dB mic
    THD: 0.007%
    Μετατροπείς: 24bit Sigma-Delta, 64/128-times oversampling
    Η συσκευασία περιλαμβάνει: fbq100, users manual
    Τροφοδοσία: AC 220V / 50Hz
    Διαστάσεις: 56 x 88 x 132 mm
    Βάρος: 380 gr

Weight4.00 kg5.20 kg3.00 kg3.40 kg4.50 kg0.38 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 4.00 kg
Βάρος 5.20 kg
Βάρος 3.00 kg
Βάρος 3.40 kg
Βάρος 4.50 kg
Βάρος 0.38 kg