ENGL Chorus Πετάλι

Πετάλι ηλεκτρικής κιθάρας Chorus, ποτενσιόμετρα ελέγχου speed, depth, detune,vibr/chor switch, 1 x 6.3 mm jack είσοδος, 1 x 6.3 mm jack έξοδος, τροφοδοσία μέσω μπαταρίας 9V (δεν περιλαμβάνεται ) ή τροφοδοτικό, διαστάσεις 59 x 110 x 34 χιλ, βάρος 310 γρ.

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS 5-year warranty

CHORUS FACTORY Πετάλι με 7 διαφορετικούς τύπους CHORUS, ρυθμιστικά Level, Speed και Depth, εξόδους AMP και MIXER.

Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.

Product Features:

Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

How the specific frequency bands of the BEQ700 can shape your sound

50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss