KALI AUDIO IN-8 Αυτοενισχυόμενο coaxial studio monitor 8″ (Τεμάχιο)

398.00 με ΦΠΑ 24%

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Διαθεσιμότητα: Διαθέσιμο 1-3 Ημ. Διαθέσιμο 1-3 Ημ. Κωδικός προϊόντος: IN8 Κατηγορία:
Project Independence Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 Studio Monitor […]

 

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Project Independence

Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Performance

Power. Detail. Soundstage.

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

140W Class D Power

37 Hz Lower Frequency Response

< 1.4% System THD 94 dB @ 1M

114 dB Max SPL

Co-Axial Midrange and Tweeter

A three-way with impeccable imaging.

8-Inch Woofer

Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.

Low Noise Port Tube

Precisely engineered using airflow simulations for powerful bass without port noise.

We know. We keep harping on about the “hyper-realistic” imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.

The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.

Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.

Specifications

Powered: Yes
Amp Class: D
Power Config: Tri-Amped
LF Power: 60 W
Mid-Range Power: 40 W
HF Power: 40 W
Total Power: 140 W
LF Driver: 8\” Poly-Coated Paper
Mid-Range Driver: 4\” Optimized Profile Poly-Coated Paper
HF Driver: 1-Inch Textile Dome
Freq. Response (-10 dB): 37 Hz – 25 kHz
Freq. Range (±3 dB): 45 Hz – 21 kHz
LF to Mid-Range Crossover: 330 Hz
Mid-Range to HF Crossover: 3000 Hz
Listening Distance: 2.8 Meters
Max SPL: 114 dB

Διαστάσεις
Height: 17.75 Inches (44.1 cm)
Width: 10 Inches (25.4cm)
Depth: 11.25 Inches (28.5cm)
Weight: 23 lbs (10.4 Kg)

Βάρος 11.00 kg

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Quick Comparison

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NameKALI AUDIO IN-8 Αυτοενισχυόμενο coaxial studio monitor 8" (Τεμάχιο) removeMACKIE HR624mk2 - ΕΝΕΡΓΟ Studio Monitor 2 ΔΡΟΜΩΝ 6.7'' 140W (ΜΑΥΡΟ) removeBEHRINGER B1030A - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 75W 5.25'' ΜΑΥΡΟ (Τεμάχιο) removeRCF MYTHO6 - Ενεργό Studio Monitor 2 ΔΡΟΜΩΝ 6.5" DSP MONITORING SYSTEM (ΜΑΥΡΟ) removeFOCAL CMS 50 - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 5'' 130W (ΜΑΥΡΟ) removeFOCAL Twin6 Be - ΕΝΕΡΓΟ STUDIO MONITOR 3 ΔΡΟΜΩΝ 6.5'' 250W remove
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SKUIN8149.018E005223MYTHO6CMS 50Twin6 Be
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Price 398.00 με ΦΠΑ 24% 499.00 με ΦΠΑ 24% 164.00 με ΦΠΑ 24% 861.79 με ΦΠΑ 24% 565.00 με ΦΠΑ 24%1,675.00 με ΦΠΑ 24%
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Description
ContentProject Independence Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems. 140W Class D Power 37 Hz Lower Frequency Response < 1.4% System THD 94 dB @ 1M 114 dB Max SPL Co-Axial Midrange and Tweeter A three-way with impeccable imaging. 8-Inch Woofer Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source. Low Noise Port Tube Precisely engineered using airflow simulations for powerful bass without port noise. We know. We keep harping on about the "hyper-realistic” imaging of the IN-8. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see” each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications
Powered: Yes
Amp Class: D
Power Config: Tri-Amped
LF Power: 60 W
Mid-Range Power: 40 W
HF Power: 40 W
Total Power: 140 W
LF Driver: 8\" Poly-Coated Paper
Mid-Range Driver: 4\" Optimized Profile Poly-Coated Paper
HF Driver: 1-Inch Textile Dome
Freq. Response (-10 dB): 37 Hz - 25 kHz
Freq. Range (±3 dB): 45 Hz - 21 kHz
LF to Mid-Range Crossover: 330 Hz
Mid-Range to HF Crossover: 3000 Hz
Listening Distance: 2.8 Meters
Max SPL: 114 dB
Διαστάσεις Height: 17.75 Inches (44.1 cm) Width: 10 Inches (25.4cm) Depth: 11.25 Inches (28.5cm) Weight: 23 lbs (10.4 Kg)

Mackie HR624 MK2 ενεργό monitor δύο δρόμων ιδανικά για χρήση σε studio,  με εξαιρετικά γραμμική απόκριση συχνότητας. Kαμπίνα MDFμε εσωτερική αντιστήριξη.

Χαρακτηριστικά:

  • 6.7" high-precision, low-distortion LF driver
  • 1" titanium dome ferrofluid-cooled tweeter
  • Optimized waveguide for wide, even tone
  • Twin FR Series amps: 100W LF, 40W HF
  • Cast aluminum Zero Edge baffle minimizes diffraction
  • Internal damping eliminates midrange artifacts
  • Acoustic Space Control, LF roll-off, HF shelf controls
  • Balanced XLR, TRS, and unbalanced RCA inputs
  • OmniMount for easy wall or ceiling placement
  • THX pm3 certified for surround applications

High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer

  • Ultra-linear studio monitor with true active design
  • Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
  • Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
  • Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
  • Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
  • High-precision crossover network with 4th order Linkwitz-Riley filters
  • Adjustable to a wide range of acoustic conditions
  • Separately controlled limiter for low and high frequency overload protection
  • Magnetic shielding allows placement near computer monitors
  • “Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
 
Woofer:6.5" neo, ICC technology 
INPUT/OUTPUT SECTION
Input connectors:combo XLR/Jack 
Input sensitivity:-6/+6 dBu 
PROCESSOR SECTION
Crossover frequencies:1900 Hz 
Protections:thermal, excurs., rms 
Limiter:soft limiter 
Controls:bass tilt, roll-off, treeble tilt, desktop, DSP controlled 
AMPLIFIER SPECIFICATIONS
High frequencies:100 Watts 
Low frequencies:200 Watts 
Cooling:convection 
Connections:vde 
CABINET
Cabinet Material:die cast aluminum 
Hardware:orientation adjustable stand 
PHYSICAL SPECIFICATIONS
Height:370/14.5 mm/inch 
Width:265/10.4 mm/inch 
Depth:250/9.8 mm/inch 
Net Weight:10.5/23 Kg/Lbs

 

The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.

 

Specifications
Frequency response (+/-3dB) : 55Hz - 28kHz
Maximum SPL : 107dB SPL (peak @ 1m)

Input :

Balanced 20 kOhms / Unbalanced 47 kOhms
Connector XLR / RCA

HF amplifier stage : 50W RMS, class AB
LF amplifier stage : 80W RMS, class AB

Electric supply :

Mains voltage: 220 - 230V (1.6A fuse rating)
120V (3.5A fuse rating)
100V (4A fuse rating)
IEC inlet and detachable power cord

Adjustment :

- Adjustable sensitivity, +4dBu / 0 / -10dBV
- Adjustable volume, -66dB / 0dB
- Adjustable high-pass filter, idle / 45 / 60 / 90Hz (12dB/oct.)
- Adjustable LF Shelving, 0 / -4 / -2 / +2dB
- Adjustable HF Shelving, 0 / -4 / -2 / +2dB
- Parametric filter (160Hz), adjustable, 0 / -2 / -4 / -6dB
- Power ON/OFF switch, mains voltage selector
- STANDBY/ON switch

Indicators :

Power ON / OFF LED
Standby / ON LED
Audio Clip LED

Woofer : 5" Focal drive unit, Polyglass cone
Tweeter : Aluminum/Magnesium inverted dome Focal tweeter
Shielding : Integral by cancellation magnet
Construction : Reinforced and damped Aluminum cabinet

Finish :

Black powder cabinet

Dimensions with spikes : 289.5 x 190 x 201mm (11.4" x 7.5" x 7.9“)
Dimensions with table stand : 299.5 x 190 x 201mm (11.8" x 7.5" x 7.9“)
Net weight : 7.7kg - (17lb)

 

Ενεργό επαγγελματικό ηχείο 3 δρόμων nearfield/midfield με 3 ενσωματωμένους ενισχυτές (2*150+100 Watts RMS). Με 2 μεγάφωνα Focal 6,5” σε διάταξη sandwich για το woofer και ανεστραμμένου θόλου καθαρού Βηρυλλίου για το tweeter. Το γούφερ είναι κατασκευασμένο σε μορφή κώνου ΅ΆWΆΆόπως και τα μεγάφωνα στις περίφημες consumer σειρές Utopia της Focal και το τουίτερ είναι το ίδιο περίφημο τουίτερ βηρυλλίου ανεστραμμένου θόλου από τις ίδιες σειρές.

Χάρη στην εξαιρετική κρουστική απόκριση συχνότητας το tweeter παίζει flat μέχρι τα 40kHz με δυναμική περιοχή SPL της τάξης των 115dB@1M. Kαι τα δύο woofer χρησιμοποιούνται για τις χαμηλές συχνότητες αλλά μόνο το ένα (επιλεκτικά) χρησιμοποιείται σαν μεγάφωνο μεσαίων συχνοτήτων.

Όπως κάθε προϊόν Focal τα Twin6 έχουν σχεδιαστεί με τη φιλοσοφία να είναι ένα επαγγελματικό εργαλείο που αναπαράγει την πραγματικότητα της μουσικής χωρίς να αυξάνει ή να υποβαθμίζει κάποιες συχνότητες.

Αν θέλεις να «ακούσεις πως είναι πραγματικά η μουσική και όχι πως χρωματίζουν τα ηχεία σου».

Η τιμή του προϊόντος αφορά τεμάχιο και όχι ζευγάρι

Weight11.00 kg12.25 kg7.00 kg12.00 kg7.70 kg14.00 kgDimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔAdditional information
Βάρος 11.00 kg
Βάρος 12.25 kg
Βάρος 7.00 kg
Βάρος 12.00 kg
Βάρος 7.70 kg
Βάρος 14.00 kg